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The biography of a British girl, split from her family by the British child migration program, learning to cope with her hard new life in Canada. Marjorie Too Afraid to Cry — Book #1 In 1937, 10-year-old Marjorie Arnison was shipped from Britain to Prince of Wales Fairbridge Farm School near Victoria, British Columbia. For years she wouldn't talk about her past. It wasn't until daughter Patricia explored archival records and shared them with her mother that a home-child saga emerged. Marjorie Her War Years — Book #2 Sent away from her family and England to an isolated farm where she was at the mercy of a tyrannical “cottage mother,” Marjorie Arnison had to learn to forget her identity in order to survive in her unfamiliar and hostile new home. It was only much later in her life that the memories of where she came from began to resurface.

With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.

The Making of the Modern British Home explores the impact of the modern suburban semi-detached house on British family life during the 1920s and 1930s - focusing primarily on working-class households who moved from cramped inner-urban accommodation to new suburban council or owner-occupied housing estates. Migration to suburbia is shown to have initiated a dramatic transformation in lifestyles - from a `traditional' working-class mode of living, based around long-established tightly-knit urban communities, to a recognisably `modern' mode, centred around the home, the nuclear family, and building a better future for the next generation. This process had far-reaching impacts on family life, entailing a change in household priorities to meet the higher costs of suburban living, which in turn impacted on many aspects of household behaviour, including family size. This volume also constitutes a general history of the development of both owner-occupied and municipal suburban housing estates in interwar Britain, including the evolution of housing policy; the housing development process; housing and estate design, lay-outs, and architectural features; marketing owner-occupation and consumer durables to a mass market; furnishing the new suburban home; making ends meet; suburban gardens; social filtering and conflict on the new estates; and problems of 'mis-selling' and 'Jerry building'. Peter Scott integrates the social history of the interwar suburbs with their economic, business, marketing, and architectural/planning histories, demonstrating how these elements interacted to produce a new model of working-class lifestyles and 'respectability' which marked a fundamental break with pre-1914 working-class urban communities.

Unlocking the history of the British home, this book reveals how its layout has evolved from the Stone Age to the present day. From modest ancient dwellings and medieval merchants' houses to imposing stately mansions and modern urban estates, the book explores the forces that have shaped these homes. Each chapter brings these ideas to life by focusing on buildings that are accessible and open to the public. Featured homes include: the Tudor mansions of Cowdray and Burghley House; and the grand Georgian terraces of London, Bath and Brighton.

Bold British Design sees the tastemakers at the epicenter of British interior design share their exclusive advice and inspiration for achieving a bold interior, inspiring you to create your own original, fearless home environment. Designers the world over are increasingly looking to British designers to combine heritage and history with wit and attitude. Interiors Editor Emilio Pimentel-Reid and photographer Sarah Hogan have gained exclusive access to the studios, homes, mood boards and archives of twenty top British creatives. With the interiors creating a visual conversation through the rooms of the houses, the authors reveal the history, craftsmanship, key elements, and inspiration necessary for creating a modern, personal, and stylish interior. Featuring the workspaces and relaxed family homes of artists including furniture designer Sebastian Cox, ceramicist Hitomi Hisono, the celebrated Mini Moderns team and antiques dealer Guy Tobin, Bold British Design shows how a new generation is breaking new ground in interior style and decor.