British Propaganda To France 1940 1944

This book examines the important issue of British propaganda to France during the Second World War and aims to show the value of the propaganda campaign to the British war effort. British Propaganda to France is a unique contribution to the field, not only in its examination of one of the least well-studied areas of British activity during the Second World War but also in the breadth of its approach. It surveys the organisation, operation and nature of the British propaganda effort towards the French people, including both white propaganda (BBC broadcasts and leaflets dropped by the RAF) and black propaganda (secret broadcasting stations, documents purporting to come from the Germans in France or distributed in France using clandestine methods, and rumours). Finally it examines the contemporary British understanding of the French and German reception of and reaction to this propaganda material, to show whether the campaign was an effective and well-directed use of resources. Almost all examinations of British foreign propaganda during the Second World War have focused on propaganda directed towards Germany. British propaganda to France, which in terms of quantity of output was actually the most important area of British propaganda, has never been examined in depth until now. This book adds a further chapter to our knowledge of propaganda in the Second World War, especially in the conduct of psychological warfare. It also touches on better-known areas such as RAF Bomber Command and its Operational Training Units, which handled aerial dissemination of British white propaganda leaflets over France, and the Special Operations Executive in France, which worked closely with the Political Warfare Executive in delivering much black propaganda.

'British Propaganda to France, 1940-1944' examines the important issue of British propaganda to France during the Second World War and aims to show the value of the propaganda campaign to the British war effort.

Explores how the propaganda of the Allied and Axis powers and the Vichy regime was disseminated to the French population via the radio in the first half of World War II. World War II was very much a war of the radios. A relatively new technology, radio as a tool was exploited by all of the participants of the war to win the hearts and minds of the people and to steer public opinion. The period 1940 to 1942 was the most volatile of the war, with the Nazis capturing large parts of western Europe and dominating on the Eastern front. At this time France was separated into two nominally independent zones, and public opinion could easily have been swayed in favor of the New German Order. This could have had potentially disastrous consequences for any future Allied attempt to liberate Europe, and so the battle for French minds was launched using the new technology of radio. This narrative of that campaign develops chronologically through a series of topics including major military incidents, youth, food, family, psychological warfare, sports and work, as presented by different radio stations – in particular Radiodiffusion, controlled by Vichy France; Radio Paris, controlled by the Nazis; and the BBC – offering a systematic comparative analysis of radio propaganda messages and building a vivid picture of the evolution of broadcasts in the context of the complex political and social impact of the war on the French population. Using original primary sources from archives in Britain and France, broadcast recordings, radio magazines, and interviews conducted by British Intelligence with those arriving from France during the war, this is a fascinating and unique insight into wartime radio propaganda from 1940 to 1942.

In occupied France, the Nazis pursued aggressive, tightly orchestrated measures designed to monopolize the French market and foster agitation against Americans, Jews, Communists, and others. The documentary film was one instrument of propaganda employed by the Nazi occupiers, as well as the Vichy government and collaborationists. Nearly two hundred of those documentaries have been restored by the French Film Archives. Jean-Pierre Bertin-Maghit’s Propaganda Documentaries in France: 1940–1944 is the first volume specifically devoted to nonfiction propaganda films distributed in France during the “dark years” of the German Occupation. This book provides a concise overview of Vichy and German film policies, including the purchase of an extensive network of movie houses, many of which were expropriated from Jewish owners. In addition, popular prewar American and French feature films were banned, while theaters were flooded with propagandist titles. Bertin-Maghit also illustrates how ideological priorities and political negotiations played out in both topical documentaries and weekly newsreels, juxtaposing Vichy’s integrationist propaganda with German-sponsored documentaries of agitation and exclusion. While documentaries are the primary focus of this work, the author also addresses other forms of propaganda, such as newsreels and posters. Appearing in English for the first time—and featuring a filmography of 178 restored works—Propaganda Documentaries in France: 1940–1944 is a provocative and wide-ranging work of history and cinema that will be of interest to film scholars and historians as well as sociologists and political scientists.

Philip M. Taylor analyses the period from World War One to the present day and demonstrates how Britain has established a model for the dissemination of democratic propaganda world-wide. His writing covers films, radio, television and the press.

This is a study of the British state's generation, suppression and manipulation of news to further foreign policy goals during the early Cold War. Bribing editors, blackballing "e;unreliable"e; journalists, creating instant media experts through provision of carefully edited "e;inside information"e;, and exploiting the global media system to plant propaganda--disguised as news--around the world: these were all methods used by the British to try to convince the international public of Soviet deceit and criminality and thus gain support for anti-Soviet policies at home and abroad. Britain's shaky international position heightened the importance of propaganda. The Soviets and Americans were investing heavily in propaganda to win the "e;hearts and minds"e; of the world and substitute for increasingly unthinkable nuclear war. The British exploited and enhanced their media power and propaganda expertise to keep up with the superpowers and preserve their own global influence at a time when British economic, political and military power was sharply declining. This activity directly influenced domestic media relations, as officials used British media to launder foreign-bound propaganda and to create the desired images of British "e;public opinion"e; for foreign audiences. By the early 1950s censorship waned but covert propaganda had become addictive. The endless tension of the Cold War normalized what had previously been abnormal state involvement in the media, and led it to use similar tools against Egyptian nationalists, Irish republicans and British leftists. Much more recently, official manipulation of news about Iraq indicates that a behind-the-scenes examination of state propaganda's earlier days is highly relevant. John Jenks draws heavily on recently declassified archival material for this book, especially files of the Foreign Office's anti-Communist Information Research Department (IRD) propaganda agency, and the papers of key media organisations, journalists, politicians and officials. Readers will therefore gain a greater understanding of the depth of the state's power with the media at a time when concerns about propaganda and media manipulation are once again at the fore.

Aerial Propaganda and the Wartime Occupation of France, 1914-1918 explores the combined role played by the French and British Governments and Armies in creating and distributing millions of aerial newspapers and leaflets aimed at the French population trapped behind German lines. Drawing on extensive research and French, German and British primary sources, the book highlights a previously unknown aspect of psychological warfare that challenges the established interpretation that the occupied populations lived in a state of total isolation and that the Allied governments had no desire to provide them with morale support. Instead a very different picture emerges from this study, which demonstrates that aerial propaganda not only played a fundamental role in raising morale in the occupied territories but also fuelled resistance and clandestine publications. This book demonstrates that the existing historiographical portrayal of the occupied civilian as an uninformed victim must be replaced by a more nuanced interpretation.

The essential WWII historical reference detailing RAF Bomber Command’s extensive campaign of strategic bombings across occupied Europe. The Royal Air Force Bomber Command's strategic bombing campaign started on the first day of the Second World War and ended five and a half years later with the final victory in Europe. It was a campaign of such enormous scale that historians have only recently begun to piece together the finer details of the individual raids. Aviation historian Martin Middlebrook and his research colleague, Chris Everitt, were the first to compile a complete review of all the raids and their background stories. The Bomber Command War Diaries not only documents every Bomber Command operation but also details their effects on the ground, drawing on local archives from Germany, Italy, and the occupied countries. It is a groundbreaking work on historical research, bringing together the two sides of Bomber Command’s war. This edition includes retrospective observations and a new appendix.