British Rail Northern Scene

Avid train-spotter Andy Sparks' collection of photographs shows how thoroughly stations, track, motive power and working practices have been modernised.

Thinking Northern offers new approaches to the processes of identity formation which are taking place in the diverse fields of cultural, economic and social activity in contemporary Britain. The essays collected in this volume discuss the changing physiognomy of Northern England and provide a mosaic of recent thought and new critical thinking about the textures of regional identity in Britain. Looking at the historical origin of Northern identities and at current attitudes to them, the book explores the way received mental images about the North are re-deployed and re-contained in the ever-changing socio-cultural set-up of society in Northern England. The contributors address representation of Northernness in such diverse fields as the music scene, multicultural spaces, the heritage industries, new architecture, the arts, literature and film.

Taking railway photographs and capturing an age of impressive locomotives and atmospheric stations is a pastime that the age of steam passed down through generations, even after its own decline in favour of diesel and electric traction. It was certainly one that avid teenage trainspotter Andy Sparks sought to take up, emulating the work of prized 1960s railway photographer Colin T. Gifford. But by the 1970s, when Andy's camera was at the ready and after Beeching's axe had come down on the British railway network, modernisation and rationalisation were rapidly sweeping away the vestiges of the previous age, and dereliction and decay intertwined much of what could be seen. Desperate to capture the scene, Andy took thousands of photographs from 1972 until the early 1980s, and his images beautifully convey the nostalgic, gritty years of that era of change on Britain's railways. From his lens to the pages of this book, this is a unique look at an oft-overlooked period of British railway history.

In late nineteenth and early twentieth century Britain, there was widespread fascination with the technological transformations wrought by modernity. Films, newspapers and literature told astonishing stories about technology, such as locomotives breaking speed records and moving images seemingly springing into life onscreen. And, whether in films about train travel, or in newspaper articles about movie theatres on trains, stories about the convergence of the railway and cinema were especially prominent. Together, the two technologies radically transformed how people interacted with the world around them, and became crucial to how British media reflected the nation's modernity and changing role within the empire. Rebecca Harrison draws on archival sources and an extensive corpus of films to trace the intertwined histories of the train and the screen for the first time. In doing so, she presents a new and illuminating material and cultural history of the period, and demonstrates the myriad ways railways and cinema coalesced to transform the population's everyday life. With examples taken from more than 240 newsreels and 40 feature-length films, From Steam to Screen is essential reading for students and researchers working on film studies and British history at the turn of the century and beyond.

Allen Jackson explores signalling along the North British, Great North of Scotland and CLC railways, formerly part of the LNER.