Brood

Completely original, full of surprise, humor, grief, and wisdom and just the right amount of chickens.' Karen Joy Fowler, author of We Are All Completely Beside Ourselves ‘The coop houses no predators, but the chickens do not know this. A chicken knows only what it can see. A chicken’s life is full of magic. Lo and behold.’ Meet Gloria, Gam Gam, Darkness, Miss Hennepin County, and their unlikely owner. Over the course of a single year, our nameless narrator heroically tries to keep her small brood of four chickens alive despite the seemingly endless challenges that caring for another creature entails. From the freezing nights of a brutal winter to a sweltering summer which brings a surprise tornado, she battles predators, bad luck, and the uncertainty of a future that may not look anything like the one she always imagined. Brood by Jackie Polzin is a darkly funny, deeply moving and startling original debut novel of motherhood and grief, full of sorrow, joy and unrelenting hope. Perfect for fans of Jenny Offill and Elizabeth Strout.

Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas. PRAISE FOR OCTAVIA'S BROOD: "Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society's imagination and its desire for change. In adrienne maree brown and Walidah Imarisha's visionary conception, and by its activist-artists' often stunning acts of creative inception, Octavia's Brood makes for great thinking and damn good reading. The rest will be up to us." —Jeff Chang, author of Who We Be: The Colorization of America “Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change....This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier "Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side." —Steven Barnes, author of Lion’s Blood “Never has one book so thoroughly realized the dream of its namesake. Octavia's Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody.... Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy “Like [Octavia] Butler's fiction, this collection is cartography, a map to freedom.” —dream hampton, filmmaker and Visiting Artist at Stanford University’s Institute for Diversity in the Arts Walidah Imarisha is a writer, organizer, educator, and spoken word artist. She is the author of the poetry collectionScars/Stars and facilitates writing workshops at schools, community centers, youth detention facilities, and women's prisons. adrienne maree brown is a 2013 Kresge Literary Arts Fellow writing science fiction in Detroit, Michigan. She received a 2013 Detroit Knight Arts Challenge Award to run a series of Octavia Butler–based writing workshops.

Two teenagers struggle with a horrific family legacy in the sequel to Chase Novak's novel, Breed. Thirteen years ago, a radical fertility doctor helped bring Adam and Alice Twisden into the world. The treatment came at a great cost: it turned the twins' parents into barbarous animals and threatens to transform the children, too. As Adam and Alice find themselves on the brink of maturity, they starve themselves in a desperate attempt to stop their bodies from changing. Will they succumb to the same bodily horrors that destroyed their parents? Their aunt, Cynthia, who has always wanted to be a mother, oversees renovations to the Twisden family's Upper East Side residence-violently torn apart by the children's parents--and struggles to give her niece and nephew the unconditional love and stable home life they never had. Meanwhile, in the world outside, the forces of good and evil collide as a troop of wild teenagers, growing steadily in number, threatens to invade the calm refuge Cynthia is so determined to construct behind the safety of the Twisdens' walls. As New York City transforms into a battleground, Adam and Alice will have to decide where their loyalties lie. They are determined to lead normal lives--and yet their unnatural urges, which grow ever stronger by the day, can only be stifled for so long...

A breathtaking and sweeping epic of a family at its breaking point, Devil’s Brood shows how Henry II and Eleanor of Aquitaine—two monumental figures once bound by all-consuming love—became the bitterest of adversaries... A.D. 1172. Henry II’s three eldest sons conspire against him and align themselves with his greatest enemy, King Louis of France, but it’s Eleanor of Aquitaine’s involvement in the plot to overthrow her husband that proves to be the harshest betrayal. As a royal family collapses and a marriage ends in all but name, the clash between these two strong-willed and passionate souls will have far-reaching and devastating consequences throughout Christendom.

After the Romans withdraw from Britain, chaos breaks out. The military commander, Caius Merylin Britannicus of Arthurian legend describes the fighting, as well as the political and religious intrigues.

The year is AD 7000. The human species is extinct—for the fourth time—due to its fragile nature. Krina Alizond-114 is metahuman, descended from the robots that once served humanity. She’s on a journey to the water-world of Shin-Tethys to find her sister Ana. But her trip is interrupted when pirates capture her ship. Their leader, the enigmatic Count Rudi, suspects that there’s more to Krina’s search than meets the eye. He’s correct: Krina and Ana each possess half of the fabled Atlantis Carnet, a lost financial instrument of unbelievable value—capable of bringing down entire civilizations. Krina doesn’t know that Count Rudi suspects her motives, so she accepts his offer to get her to Shin-Tethys in exchange for an introduction to Ana. And what neither of them suspects is that a ruthless body-double assassin has stalked Krina across the galaxy, ready to take the Carnet once it is whole—and leave no witnesses alive to tell the tale…

The third and final volume in the House of Serpents trilogy, from New York Times–bestselling author Lisa Smedman Medusanna is a priestess of terrifying power and ambition. Never satisfied, she convinces the Se’sehen—a yuan-ti tribe from the distant jungles of Chult—to serve her growing cult of Sseth, who specialize in dangerous games of deception, poison, and murder. It is in the Sseth’s foul plane of Smaragh that Karell, a yuan-ti half-blood, lies trapped and desperate. Her only hope for rescue and survival is Arvin, a mind-mage of growing psionic gifts. But time is quickly running out for Arvin to find her—and with each passing minute, the House of Serpents slithers closer to destroying their last hope for freedom.

Brood parasitism has become one of the most flourishing areas of research in evolutionary ecology and one of the best model systems for investigating coevolution. This subject has undergone remarkable advances during the last two decades, but has not been covered by any book in the 21st century. This book offers a comprehensive and up-to-date overview of the fascinating field of avian brood parasitism. The topics covered include conspecific brood parasitism; evolution and phylogenetic history of avian brood parasites; parasitic behaviour used by brood parasites; adaptations and counter-adaptations of brood parasites and their hosts at every stage of the breeding cycle (before laying, egg, chick and fledgling stages); factors affecting the evolution of host defences and parasitic attacks; the role of phenotypic plasticity in host defences; mechanisms driving egg recognition and rejection; evolution of nest sharing or nest killing by brood parasite chicks; begging behaviour in parasitized nests and food delivery by host adults; and recognition of conspecifics by juvenile brood parasites. This volume provides a comprehensive reference resource for readers and researchers with an interest in birds, behaviour and evolution, as well as a source of hypotheses and predictions for future investigations into this dynamic subject.