Bud Brothers 8 Bewitched Bothered Bewildered

“Kung mawawala ang bisa ng gayuma, di loveless na naman ako? Alam ko sa puso ko na kahit i-program pa ako na limutin ka, hindi ko magagawa.” Gilalas si Ginger nang malamang ginayuma ng lola niya si Dick para paibigin sa kanya. Hindi pa pala lumilipas ang galing ng kanyang lola sa mga ganoong bagay, kaya heto siya ngayon, may masugid na suitor. At walang matimtimang birhen kung ang nananalangin ay kasinsimpatiko ng lalaki. Minahal niya ito kahit pa masasabing hindi naman totoo ang pag-ibig nito sa kanya. Akala naman ni Dick ay true love na ang dumapo rito at imbes na maguluhan, tuwang-tuwa pa ito. Idineklara pa sa lahat na pakakasalan nito si Ginger sa lahat ng simbahan. Ngunit gumuho ang kaligayahan nito nang malamang hindi ito in love, nagayuma lang. Sa sama ng loob, binalak nitong gantihan si Ginger, bagay na nakarating naman sa kaalaman ng babae. Ngayon, pareho na silang naghahanap ng magbe-brainwash sa kanila para makalimutan ang kanilang `di totoong pag-ibig sa isa’t isa. Pero paano nga ba ibe-brainwash ang puso?

From the Tin Pan Alley 32-bar form, through the cyclical forms of modal jazz, to the more recent accumulation of digital layers, beats, and breaks in Electronic Dance Music, repetition as both an aesthetic disposition and a formal property has stimulated a diverse range of genres and techniques. From the angles of musicology, psychology, sociology, and science and technology, Over and Over reassesses the complexity connected to notions of repetition in a variety of musical genres. The first edited volume on repetition in 20th- and 21st-century popular music, Over and Over explores the wide-ranging forms and use of repetition - from large repetitive structures to micro repetitions - in relation to both specific and large-scale issues and contexts. The book brings together a selection of original texts by leading authors in a field that is, as yet, little explored. Aimed at both specialists and neophytes, it sheds important new light on one of the fundamental phenomena of music of our times.

A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

Describes the character types of a number of men who compete for the love of one woman. One of her primary admirers is a scientist, and a major theme is the tension between the administration of reason-based science and human emotional life. Pidmohylny, a member of the literary group "The Link," wrote short stories and novels on existentialist themes. His last novel, A Little Touch of Drama, published in 1930, shows the influence of French writers such as Guy de Maupassant. In his earlier works he experimented with impressionistic psychological stories and with literary expressionism. Although he was not politically involved, he was arrested and eventually perished in a concentration camp.

Paul Shaffer—born and bred music junkie and longtime leader of David Letterman’s Late Show band—opens up in this candid, endearing, hilarious, and star-studded memoir. From playing seedy strip joints in Toronto, to being the first musical director of Saturday Night Live and helping to form the Blues Brothers, to being onstage every night with David Letterman and playing with the greatest musicians of our time, Shaffer has lived the ultimate showbiz life. Now—dishing on everyone from John Belushi and Jerry Lewis to Mel Gibson and Britney Spears—Paul gives us the full behind-the-scenes story of his life, from banging out pop tunes on the piano at the age of twelve to leading the band every night at the Sullivan Theater.