Buddy The Dreamer

'Hate' volumes 6-10, including Follow that Dream', the eopic-length journey to the heart of the American grunge dream, plus more tales of losers, flakes and ditzes.'

For fans of Peter Bagge (b. 1957) and his bracing satirical writing and drawing, this collection offers a perfect means to track how he describes his career choices, work habits, preoccupations, and comedic sensibility since the 1980s. Featuring a new interview and much previously unavailable material, this book delivers insightful, occasionally gossipy, sometimes funny, and often tart conversations. His career has intersected with the modern history of comics, from underground comix and indie comics to comics journalism and graphic nonfiction. Bagge's detailed, garrulous, and often grotesquely funny (and discomfiting) work harks back to the underground generation, recalling Robert Crumb and Gilbert Shelton, while also pointing forward to the emergence of alternative comics as a distinct genre. His signature series, the rawly humorous Hate (1990-1998) and his editorship (1983-1986) of the often outrageous Weirdo magazine, founded by Crumb, established Bagge as a leading voice in alternative comics, and his rude, wildly expressive cartooning makes him a counterpoint to the still introspection of recent literary graphic novels. In his career over three decades, Bagge has left his mark on various formats and genres, as a prolific cartoonist, an accomplished musician, and a sometime essayist, editor, and animator. While his creative output encompasses autobiographical comics, graphic nonfiction, magazine illustrations, gag cartoons, minicomics, political commentary, superhero parodies, comic strips, animated videos, and one-page humor pieces, Bagge stands out for creating continuity-based graphic stories that revolve around sharply defined, over-the-top fictional characters. Libertarians know him for his comics journalism, as his graphic biography of Margaret Sanger in 2013 reaches new audiences. While some have lazily branded Bagge as a grunge-era visual satirist, his creative restlessness and expanding body of work make it difficult to confine him within any single genre, cultural niche, or historical moment.

In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.

Janson Sanders, part Cherokee, part poor-but-proud white, is intent on avenging his father’s death and taking back the land stolen from him by a wealthy planter. Parentless and alone, Janson sets out, hopping a train with only a few biscuits and some cold pieces of chicken to his name. Thus begins a journey across the Souh to earn enough money to return home and reclaim his birthright. He eventually settles on rich landowner William Whitley’s land, working alongside the poverty-stricken sharecroppers during the day and bootlegging illegal liquor at night, hoarding what little money he earns towrd the redemption of his own land. Along the way, he falls in love—despite himself—with Whitley’s daughter. Separated by class and culture, the two young lovers struggle with their own differences while trying to keep their relationship secret from her temperamental, overbearing, and dangerous father. Set against the backdrop of rural life in the Souh during the twenties, Behold, This Dreamer is a story of hope and heartbreak, in which Janson Sanders is pulled one way by his love of the land and another way by his love of a woman.

Your dreams are messages direct from the unconscious--so awaken yourself to their significance through correct analysis. Since a dream can have many interpretations depending upon your personal situation, each of the 1,300 alphabetically listed entries provides up to three meanings for each element--symbolic, psychological, and visionary-and then further distinguishes it by context. Because sometimes a cigar is only a cigar; but it could mean you are afraid of reality, about to conclude a business deal, or undergoing sexual urges!

Seeing the Light: Exploring Ethics Through Movies is an engaging and innovative approach to the study of philosophy and the development of moral reasoning skills. Features broad coverage of topics in ethics and moral reasoning Offers an innovative and imaginative approach to showing relevance of movies for ethical reflection Draws on a diverse selection of popular movies, foreign films, and documentaries to illustrate ethical dilemmas and character development on the big screen that has application to our lives Presents coverage of major ethical theories ranging from Ethical Egoism and Cultural Relativism to Utilitarianism, Kantian Ethics, Rawls' Justice Theory, Aristotle's Virtue Ethics, and Feminist Ethics Demonstrates how film is a powerful vehicle for sharpening skills in analysis and moral reasoning Includes accompanying website