Building The Modern Church

Fifty years after the Second Vatican Council, architectural historian Robert Proctor examines the transformations in British Roman Catholic church architecture that took place in the two decades surrounding this crucial event. Inspired by new thinking in theology and changing practices of worship, and by a growing acceptance of modern art and architecture, architects designed radical new forms of church building in a campaign of new buildings for new urban contexts. A focussed study of mid-twentieth century church architecture, Building the Modern Church considers how architects and clergy constructed the image and reality of the Church as an institution through its buildings. The author examines changing conceptions of tradition and modernity, and the development of a modern church architecture that drew from the ideas of the liturgical movement. The role of Catholic clergy as patrons of modern architecture and art and the changing attitudes of the Church and its architects to modernity are examined, explaining how different strands of post-war architecture were adopted in the field of ecclesiastical buildings. The church building’s social role in defining communities through rituals and symbols is also considered, together with the relationships between churches and modernist urban planning in new towns and suburbs. Case studies analysed in detail include significant buildings and architects that have remained little known until now. Based on meticulous historical research in primary sources, theoretically informed, fully referenced, and thoroughly illustrated, this book will be of interest to anyone concerned with the church architecture, art and theology of this period.

This collection of twenty-three essays by Duncan Stroik shows the development and consistency of his architectural vision. Packed with informative essays and over 170 photographs, this collection clearly articulates the Church’s architectural tradition.

The last decade has seen the emergence of a whole new generation of church designs. Covering buildings across the world, Contemporary Church Architecture aims to appeal not only to architects and clergy involved directly in ecclesiastical architecture but also other practitioners and those with a broader interest in cutting-edge design. This book covers the development of contemporary church design by looking at how the rational and the sacred can be reconciled and can inform one another. It also outlines the main trends and approaches: the conflict between self-expression and expression of the sacred, between sculptural signification and functionalism. Beautifully illustrated with around 350 photographs.

Presents forty examples of twentieth-century Catholic and Protestant architecture, including monasteries and seminaries as well as church buildings. From Perret's Church of Notre Dame, Le Raincy, France, to Niemeyer's plans for the Cathedral of Brasilia. Several of the buildings are in the United States.

In No Place for God, Doorly traces the principles of modern architecture to the ideas of space that spread rapidly during the twentieth century. She sees a parallel between the desacralization of the heavens, and consequently of our churches, and the mass inward search for a God of one's own. This double movement away from the transcendent God, who reveals himself to man through Scripture and tradition, and toward an inner truth relevant only to oneself has emptied our churches, and the worship that takes place within them, of the majesty and beauty that once inspired reverence in both believers and unbelievers alike.

Imagine what Sundays in a parish could be if worshiping communities are assured that the liturgy in their spaces might be a foretaste of the heavenly liturgy. Or what town-hall meetings could also be in a place where parish committees are inspired to know that they can be the instruments of truth and beauty. The essays in Building from Belief focus on Catholic church architecture and invite those who are involved in the creation of worship space to be the world's memory of what beauty looks like, and what sanctity feels like." In Building from Belief, Michal DeSanctis treats a variety of topics that concern the creation and use of liturgical space. He brings the historical development of both the Church and its architecture into clear view and focuses on the need for catechesis and conversion. DeSanctis calls for a change of heart on the part of the worshiping community, the building committee, professionals involved in the design process, and of the Church. By keeping the theological concepts of grace and sacramentality in mind, he offers rich insights to these fundamental Christian realities and provides hope and excitement about using the gifts of beauty, grace, and holiness. The essays in Building from Belief are an invitation to build the promised kingdom, allowing the grace of God into our hearts and in our spaces. DeSanctis encourages those who embark on the journey of building to ask the same question that the Fathers of Vatican II asked: how to be Church in a modern world. He shows that the worship that rises from our communities is indeed a true expression of that belief. Chapters under Part I are *Beauty, Holiness and Liturgical Space, - *Catholic Sacramentality and the Reform of Sacred Architecture, - *The Pastoral Dimension of Church Renovation, - *Let's Stop Renovating Church Buildings (And Start Renovating the Church), - and *Coming to Terms with Modern Design. - Chapters under Part II are *Worshiping in 'No place' Casual Observations on Liturgy in the Second Machine Age, - *Images By Which We Live and Build, - and *The Quest for 'Noble Simplicity.'- Includes eight pages of full-color photographs with black-and-white photographs and illustrations throughout. Imagine what Sundays in a parish could be if worshiping communities are assured that the liturgy in their spaces might be a foretaste of the heavenly liturgy. Or what town-hall meetings could also be in a place where parish committees are inspired to know that they can be the instruments of truth and beauty. The essays in Building from Belief focus on Catholic church architecture and invite those who are involved in the creation of worship space to be *the world's memory of what beauty looks like, and what sanctity feels like. - In Building from Belief, Michal DeSanctis treats a variety of topics that concern the creation and use of liturgical space. He brings the historical development of both the Church and its architecture into clear view and focuses on the need for catechesis and conversion. DeSanctis calls for a change of heart on the part of the worshiping community, the building committee, professionals involved in the design process, and of the Church. By keeping the theological concepts of grace and sacramentality in mind, he offers rich insights to these fundamental Christian realities and provides hope and excitement about using the gifts of beauty, grace, and holiness. The essays in Building from Belief are an invitation to build the promised kingdom, allowing the grace of God into our hearts and in our spaces. DeSanctis encourages those who embark on the journey of building to ask the same question that the Fathers of Vatican II asked: how to be Church in a modern world. He shows that the worship that rises from our communities is indeed a true expression of that belief.

Allan Doig explores the Christian Church through the lens of twelve particular churches, looking at their history, archaeology, and how the buildings changed over time in response to developing usage and beliefs.