Bulletin Of The Atomic Scientists

The Doomsday Clock is many things all at once: It's a metaphor, it's a logo, it's a brand, and it's one of the most recognizable symbols of the past 100 years. Chicago landscape artist Martyl Langsdorf, who went by her first name professionally, created the Doomsday Clock design for the June 1947 cover of the Bulletin of the Atomic Scientists, published by the news organization and nonprofit behind the iconic Doomsday Clock. It sits at the crossroads of science and art, and therefore communicates an immediacy that few other forms can. As designer Michael Bierut says, the Clock is "the most powerful piece of information design of the 20th century." The Doomsday Clock has permeated not only the media landscape but also culture itself. As you'll see in the pages of this book, more than a dozen musicians, including The Who, The Clash, and Smashing Pumpkins, have written songs about it. It's referenced in countless novels (Stephen King, Piers Anthony), comic books (Watchmen, Stormwatch), movies (Dr. Strangelove, The Simpsons Movie, Justice League), and TV shows (Doctor Who, Madame Secretary). Even the shorthand, the way we announce time on the Doomsday Clock--"It is Two Minutes to Midnight" (or whatever the current time might be)--has been adopted into the global vernacular. Throughout the Doomsday Clock's 75 years, the Bulletin has worked to preserve its integrity and its scientific mission to educate and inform the public. This is why, in part, we wanted to explore this powerful symbol and how it has impacted culture, politics, and global policy--and how it's helped shape discussions and strategies around nuclear risk, climate change, and disruptive technologies. It's a symbol of danger, of hope, of caution, and of our responsibility to one another.

Conceived and published in recognition of the Bulletin of the Atomic Scientist's 75th year of publication, Now, Then, and the Future consists of two distinct collections of distinguished articles that are meant to comment on one another. The opening section of the book focuses on 21st century challenges and asks a diverse cast of respected strategic thinkers and doers of the 21st century-including two Nobel Prize laureates-to look forward a decade or two, and to answer a general question: Where might the Bulletin and its readers most profitably focus their attention as they work to keep the Doomsday Clock from striking midnight? The book's latter portion of consists of republications of noteworthy pieces that appeared in the Bulletin over the last seven-and-a-half decades. This retrospective is not comprehensive could not possibly be, given the trove of famous authors and weighty subjects the magazine has ushered into print and pixels since 1945. Even so, this portion of the book includes major work by authors so acclaimed as to be easily identified by single names: Einstein, Oppenheimer, Gorbachev, Nixon, Kennedy. As is fitting for the prominence of its expert authors, Now, Then, and the Future begins with a foreword by one of the most influential public intellectuals of modern history, Noam Chomsky.The Bulletin of the Atomic Scientists, founded in 1945, covers nuclear issues, climate change and disruptive technology. Our coverage of these issues is based on a driving belief that humans can successfully manage the technologies they create. The Bulletin is also the nonprofit behind the iconic Doomsday Clock. Notable contributors and figures featured in the Bulletin include Albert Einstein, J. Robert Oppenheimer, Ruth Adams, Stephen Hawking, Christine Todd Whitman, U.S. Secretary of Defense William J. Perry, and multiple Nobel laureates. The Bulletin was founded after World War II by Manhattan Project scientists who "could not remain aloof to the consequences of their work." Our mission is to equip the public, policymakers, and scientists with the information needed to reduce man-made threats to our existence.

An Association of Jewish Libraries Sydney Taylor Honor Winner With a masterful mix of comic timing and disarming poignancy, Newbery Honoree Eugene Yelchin offers a memoir of growing up in Cold War Russia. Drama, family secrets, and a KGB spy in his own kitchen! How will Yevgeny ever fulfill his parents’ dream that he become a national hero when he doesn’t even have his own room? He’s not a star athlete or a legendary ballet dancer. In the tiny apartment he shares with his Baryshnikov-obsessed mother, poetry-loving father, continually outraged grandmother, and safely talented brother, all Yevgeny has is his little pencil, the underside of a massive table, and the doodles that could change everything. With equal amounts charm and solemnity, award-winning author and artist Eugene Yelchin recounts in hilarious detail his childhood in Cold War Russia as a young boy desperate to understand his place in his family.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is an account of the change of direction on non-proliferation in Europe, and how it has affected the US and the third world.