Butch Queens Up In Pumps

20 years after Paris Is Burning, a rare look at Ballroom culture—from the inside

An Electric Literature “Most Anticipated LGBTQ+ Book of 2022” Selection A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture. What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations. Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a “category” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose lives, work, and activism drive home that very category. At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX’s Pose, Tucker’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.

Even as substantial legal and social victories are being celebrated within the gay rights movement, much of working-class America still exists outside the current narratives of gay liberation. In Steel Closets, Anne Balay draws on oral history interviews with forty gay, lesbian, and transgender steelworkers, mostly living in northwestern Indiana, to give voice to this previously silent and invisible population. She presents powerful stories of the intersections of work, class, gender, and sexual identity in the dangerous industrial setting of the steel mill. The voices and stories captured by Balay--by turns alarming, heroic, funny, and devastating--challenge contemporary understandings of what it means to be queer and shed light on the incredible homophobia and violence faced by many: nearly all of Balay's narrators remain closeted at work, and many have experienced harassment, violence, or rape. Through the powerful voices of queer steelworkers themselves, Steel Closets provides rich insight into an understudied part of the LGBT population, contributing to a growing body of scholarship that aims to reveal and analyze a broader range of gay life in America.

At the end of the 1980s, 'Voguing' suddenly entered the mainstream when featured in Madonna's 'Vogue' video, Malcolm McClaren's 'Deep in Vogue' single and the 1990 documentary 'Paris is Burning' won the Grand Jury Prize at the Sundance Film Festival. Photographer Chantal Regnault spent many years capturing the emergent underground gay ballroom scene in Harlem at the end of the 1980s, from where Voguing emerged. A riot of fashion, image, poly-sexuality and a radical subversion of style, sexuality and race is vividly captured in the hundreds of amazing, never before seen, photographs in this deluxe book. The book also features interviews with key figures from the movement, essays, flyers and documents from this momentous era.

Set across the arc of an active protest and the lives behind it – a group of silent Mothers, and one of their children now working for the city – This Brutal House explores a group’s resilience, trauma, and determination to hold truth to power. On the steps of New York's City Hall, five aging Mothers sit in silent protest. They are the guardians of the Ballroom community - queer men who opened their hearts and homes to countless lost children, providing safe spaces for them to explore their true selves. Through epochs of city nightlife, from draconian to liberal, the Children have been going missing; their absences ignored by the authorities and uninvestigated by the police. In a final act of dissent the Mothers have come to pray: to expose their personal struggle beneath our age of protest, and commemorate their loss until justice is served. Watching from City Hall's windows is city clerk, Teddy. Raised by the Mothers, he is now charged with brokering an uneasy truce. With echoes of James Baldwin, Marilynne Robinson and Rachel Kushner, Niven Govinden asks what happens when a generation remembered for a single, lavish decade has been forced to grow up, and what it means to be a parent in a confused and complex society.

At age thirteen, Major Wiley Gremillion sat with Aubrey Tarver under their dragon tree, sure of her future. She'd share her life with Aubrey and continue her family's tradition of military service. But as a sniper with Special Forces, code name Black Dragon, her enemies cost her a future with Aubrey. Walking away was the only way to keep Aubrey whole. Now retired, Wiley knows she'll be alone, dividing her time between her canvasses and helping others with her unique military skill set. Time hasn't dulled the pain of losing Wiley for Aubrey, but she has to set that aside when her choices put her life and her family's lives in real danger. The only way out is Wiley, but after so many years, Aubrey's not sure that's an option. Aubrey's first call sets off a firestorm that will take all Wiley's experience to escape, and along the way they might find what they lost. Together they started their story under a tree, and they'll fight to make sure it doesn't end on the streets of New Orleans.

"Stephen Vider considers how the meanings of domesticity shifted for gay men and lesbians from the late 1960s to early 1980s, from a site of supposed isolation or deviance, to a source of identity, community, and pleasure. His manuscript reveals the multiple uses, appeals, and limits of domesticity for LGBTQ people in the post-World War II period, in their efforts to make social and sexual connections, and to appeal for expanded rights and freedoms. For example, the 1970s witnessed an efflorescence of gay communal households that proved to be seedbeds for alternative modes of domesticity, using the privacy of domestic space to achieve broader social and political changes. Vider brings a novel perspective to gay identity and culture, examining domesticity as a meeting point between practices and discourse, the local and national, the private and the public"--

Legendary features Gerard H. Gaskin's radiant color and black-and-white photographs of house balls, underground pageants where gay and transgender men and women, mostly African American and Latino, come together to see and be seen.