Butrint 4

This richly illustrated volume discusses the histories of the port city of Butrint, and its intimate connection to the wider conditions of the Adriatic. In so doing it is a reading, and re-reading, of the site that adds significantly to the study of Mediterranean urban history over the longue durée . Firstly, the book proposes a new paradigm for the development-history of Butrint - based on discussions of the latest archaeological, historical and landscape studies from approximately 20 new excavations and surveys, together covering a temporal arch from prehistory to the early modern period. Secondly, it examines how the perception of the city influenced the archaeological methodology of 20th-century studies of the site, where iteration and reversal were often being applied in equal measure. In this it asks important questions on the management of heritage sites and the contemporary role of archaeological practise. Inge Lyse Hansen is Adjunct Professor of Art History at John Cabot University and specialises in the visual and material culture of the Roman world. She has published on portraiture, funerary art and the use of role models and patronage and has edited several archaeological volumes. Richard Hodges is Scientific Director of the Butrint Foundation, a leading medieval archaeologist and the author of more than 20 books. Sarah Leppard has led or participated in more than 15 excavations in eight countries and has managed major excavations at Butrint.

Butrint, ancient Buthrotum, has taken many forms in different ages, shaped by the near-constant interaction between the place, its lagoonal landscape and the Mediterranean. Though Butrint does not appear on any of the records of early Greek colonization to identify it as a Corcyrean settlement, strong links must have existed between it and the metropolitan Corinthian colony of Corfu. Blessed with springs that possessed healing qualities, a small polis was created - extended to incorporate a healing sanctuary dedicated to Asclepius. Julius Caesar, harboring at Butrint in urgent need of supplies to sustain his struggle against Pompey, must have viewed the sanctuary, ringed by largely dried-out marshland, as the perfect site to settle veterans as a colony. It was an obvious cornerstone in controlling the passage from the Adriatic to the Aegean. The early settlers seem to have been limited in number and possibly mainly of civilian status. However, the political changes to the city's magistrature were immediate, and within a relatively short time-span fundamental changes to the physical make-up of the city were set in motion. Its new Roman status also located Butrint as a directly before the highest authorities in Rome, and within fifteen years or so, under Augustus's guidance following his victory at Actium, the city was refounded as a colony and awarded a pivotal role in Virgil's court-sponsored foundation epic, The Aeneid. Now linked to the Victory City of Nicopolis rather than in the shadow of Corfu, Butrint prospered. The urban fabric evolved, sometimes faltered, but was essentially sustained until the later 6th century A.D. This present volume is an assessment of the Roman archaeology, a compilation of studies and field reports that focuses upon the foundation and early history of the colony.

This richly illustrated volume discusses the histories of the port city of Butrint, and its intimate connection to the wider conditions of the Adriatic. In so doing it is a reading, and re-reading, of the site that adds significantly to the study of Mediterranean urban history over the longue durée . Firstly, the book proposes a new paradigm for the development-history of Butrint - based on discussions of the latest archaeological, historical and landscape studies from approximately 20 new excavations and surveys, together covering a temporal arch from prehistory to the early modern period. Secondly, it examines how the perception of the city influenced the archaeological methodology of 20th-century studies of the site, where iteration and reversal were often being applied in equal measure. In this it asks important questions on the management of heritage sites and the contemporary role of archaeological practise. Inge Lyse Hansen is Adjunct Professor of Art History at John Cabot University and specialises in the visual and material culture of the Roman world. She has published on portraiture, funerary art and the use of role models and patronage and has edited several archaeological volumes. Richard Hodges is Scientific Director of the Butrint Foundation, a leading medieval archaeologist and the author of more than 20 books. Sarah Leppard has led or participated in more than 15 excavations in eight countries and has managed major excavations at Butrint.

Butrint 6 describes the excavations carried out on the Vrina Plain by the Butrint Foundation from 2002–2007. Lying just to the south of the ancient port city of Butrint, these excavations have revealed a 1,300 year long story of a changing community that began in the 1st century AD, one which not only played its part in shaping the city of Butrint but also in how the city interacted and at times reacted to the changing political, economic and cultural situations occurring across the Mediterranean World over this period. Volume III discusses the Roman and Late Antique pottery from the Vrina Plain excavations. This detailed study of the ceramics follows the archaeological sequence recovered from the excavations in chronological order and provides a comprehensive and in depth review of the pottery, context by context, offering an important insight into the supply, as well as typology, of local and imported pottery available to the inhabitants of the Vrina Plain during this period. This is followed by a discussion on how the pottery trends found on the Vrina Plain relate to that of other sites in Butrint, both within the town (Triconch Palace; the Forum) and outside (Vrina Plain training school villa excavations; the villa of Diaporit). The volume also presents an overview of some of the principal typological developments found across Butrint so as to allow the reader to place the Vrina finds in context, including a discussion of a number of key contexts from the Forum, as well as the findings from thin-section petrology of some of the ceramics.

This volume brings together unpublished Italian and Albanian archaeological reports and new archaeological studies from recent fieldwork that throw new light on the archaeology and history of the Pavllas River Valley, the Mediterranean alluvial plain in the territory of Butrint, ancient Buthrotum, in southwestern Albania. It gives prominence for the first time to two important sites, Kalivo and Çuka e Aitoit, which are here reinterpreted and shown to have played major roles in the early history of Butrint as it evolved in the later first millennium BC to emerge as the key city of Chaonia in Epirus. Butrint 7 also presents the full excavation report of the Late Bronze Age and Hellenistic fortified site of Mursi, in addition to other Butrint Foundation surveys and excavations in the hinterland of Butrint, including the Roman villa maritima at Diaporit, the villa suburbana on the Vrina Plain, and Roman sites on Alinura Bay and at the Customs House, as well as new surveys of the early modern Triangular Fortress and a survey to locate the lost Venetian village of Zarópulo. The volume also features a new study of the Hellenistic bronze statuette of Pan found on Mount Mile and of his sanctuary at Butrint. The volume concludes with a comprehensive reassessment of the Pavllas River Valley in relation to Butrint, from the Palaeolithic to the modern eras, examining how dominion, territory, environment and the ‘corrupting sea’ reshaped Butrint and its fluvial corridor diachronically and particularly brought profound territorial, economic and social alterations under the Roman Empire.

This is the second volume arising from the 1994–2003 excavations of the Triconch Palace at Butrint (Albania), which charted the history of a major Mediterranean waterfront site from the 2nd to the 15th centuries AD. The sequence (Butrint 3: Excavations at the Triconch Palace: Oxbow 2011) included the development of a palatial late Roman house, followed by intensive activity between the 5th and 7th centuries involving domestic occupation, metal-working, fishing and burial. The site saw renewed activity from the 10th century, coinciding with the revival of the town of Butrint, and for the following 300 years continued in intermittent use associated with its channel-side location. This volume reports on the finds from the site (excluding the pottery), which demonstrate the ways in which the lives, diet and material culture of a Mediterranean population changed across the arc of the late Roman and Medieval periods. It includes discussion of the environmental evidence, the human and faunal remains, metal-working evidence, and the major assemblages of glass, coins and small finds, giving an insight into the health, subsistence base and material culture of the population of a Mediterranean site across more than 1000 years. The findings raise important questions regarding the ways in which changes in the circumstances of the town affected the population between Late Antiquity and the Middle Ages. They illustrate in particular how an urban Roman center became more rural during the 6th century with a population that faced major challenges in their health and living conditions.

Butrint 6 describes the excavations carried out on the Vrina Plain by the Butrint Foundation from 2002–2007. Lying just to the south of the ancient port city of Butrint, these excavations have revealed a 1,300 year long story of a changing community that began in the 1st century AD, one which not only played its part in shaping the city of Butrint but also in how the city interacted and at times reacted to the changing political, economic and cultural situations occurring across the Mediterranean World over this period. Volume II discusses the finds from the Vrina Plain excavations. This volume provides an insight into how the Vrina Plain community lived, worked and ultimately died and includes chapters on the medieval and post-medieval ceramics from the excavations, analysis of the human and faunal remains, environmental evidence, Roman and Medieval coins, a detailed study of the small finds as well as a discussion of the glass including a report on a number of glass cakes, ingots of raw glass associated with glass working that were found during the excavations. The volume also reports on five lead seals dating from the late 9th to the 10th century, an uncommon find but one which when considered with the contemporary coins suggests that for 100 years the Vrina Plain was Butrint.

Maskwork is a new way of looking at the art of masks and mask-making: a unique combination of ethnography, design and practical advice. Jenny Foreman's book for teachers and practitioners of drama, art, design and technology grew out of a research bursary from the UK's National Society for Education in Art and Design. They received her report with great enthusiasm as "one of the very best projects . . . likely to make a valuable and useful contribution" to both specific and cross-discipline school and college courses as well as to adult performing groups. The first part explains the anthropology, nature, use and meaning of masks around the world, from prehistory to modern times. Richly illustrated with colour and black-and-white photographs, this section introduces the ethical implications of free use of masks which have ethnographical connections - an important aspect completely neglected elsewhere. The second part comprises eight theme workshops, including theory, background and instructions for mask-making, supplemented by photographs of assembly and use by groups of people from all age-ranges. Materials are inexpensive and easy to acquire, while line drawings aid step-by-step construction. A bibliography and reference section helps readers go on to even greater understanding and achievements.