By The King S Design

Filled with gorgeous illustrations and artwork from HBO's hit series, The Art of Game of Thrones is the definitive collection. Beautifully crafted and presented in a deluxe, large format, these pages present a visual chronicle of the meticulous work done by artists to bring the world of Westeros to life on-screen.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Exploring an unjustly overlooked figure in 20th-century British visual culture This book offers a comprehensive overview to the work and legacy of David King (1943-2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain's Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism. He developed a particular interest in revolutionary Russia and began amassing a collection of graphic art and photographs--ultimately accumulating around 250,000 images that he shared with news outlets. Throughout his life, King blended political activism with his graphic design work, creating anti-Apartheid and anti-Nazi posters, covers for books on Communist history, album artwork for The Who and Jimi Hendrix, catalogues on Russian art and society for the Museum of Modern Art in Oxford, and typographic covers for the left-wing magazine City Limits. This well-researched and finely illustrated publication ties together King's accomplishments as a visual historian, artist, journalist, and activist.

Strong-willed Annabelle Stirling is more than capable of running the family draper shop after the untimely death of her parents. Under her father's tutelage, she became a talented cloth merchant, while her brother Wesley, the true heir, was busy philandering about Yorkshire. Knowing she must change with the times to survive, Belle installs new machinery that finishes twice the fabric in half the time it takes by hand. But not everyone is so enthusiastic. Soon, riled up by Belle's competitors, the outmoded workers seek violent revenge. Her shop destroyed, Belle travels to London to seek redress from Parliament. While there, the Prince Regent, future King George IV, commissions her to provide fabrics for his Royal Pavilion. As Belle's renown spreads, she meets handsome cabinetmaker Putnam Boyce, but worries that marriage will mean sacrificing her now flourishing shop. And after Wesley plots to kidnap the newly-crowned King—whose indiscretions are surfacing—she finds herself entangled in a duplicitous world of shifting allegiances. Painting a vivid portrait of life in the British Regency, Christine Trent spins a harrowing tale of ambition, vengeance, love, and complex loyalties against the dynamic backdrop of the early Industrial Revolution. Praise for the novels of Christine Trent "Marguerite is a strong heroine, and following her adventures is enjoyable. . ..Readers interested in the battle of Trafalgar will find this retelling compelling." --Publishers Weekly on A Royal Likeness "Readers are truly gifted with a wondrous portrait." --Romantic Times on A Royal Likeness (4 stars) "Exuberant, sparkling, beguiling. . .brims with Dickensian gusto!" --Barbara Kyle, author of The Queen's Lady on The Queen's Dollmaker "Winningly original. . .glittering with atmospheric detail!" --Leslie Carroll, author of Royal Affairs on The Queen's Dollmaker

This book, which resulted from an intensive discourse between experts from several disciplines – complexity theorists, cognitive scientists, philosophers, urban planners and urban designers, as well as a zoologist and a physiologist – addresses various issues regarding cities. It is a first step in responding to the challenge of generating just such a discourse, based on a dilemma identified in the CTC (Complexity Theories of Cities) domain. The latter has demonstrated that cities exhibit the properties of natural, organic complex systems: they are open, complex and bottom-up, have fractal structures and are often chaotic. CTC have further shown that many of the mathematical formalisms and models developed to study material and organic complex systems also apply to cities. The dilemma in the current state of CTC is that cities differ from natural complex systems in that they are hybrid complex systems composed, on the one hand, of artifacts such as buildings, roads and bridges, and of natural human agents on the other. This raises a plethora of new questions on the difference between the natural and the artificial, the cognitive origin of human action and behavior, and the role of planning and designing cities. The answers to these questions cannot come from a single discipline; they must instead emerge from a discourse between experts from several disciplines engaged in CTC.

An interdisciplinary introduction to key-concepts and project applications of energy geostructures