Call It North Country

From Back Cover: This is a newspaperman's history of the Upper Peninsula. Intrigued by the place name Michigamme, Martin and his wife stopped there on their wedding trip in 1940 and became enchanted with the Upper Peninsula. Out of that attraction came more visits, a string of interviews and a series of tales told by miners, loggers, hunters and trappers. Originally published in 1944, it is a collection of nineteen lively stories told in convenient chunks for quick reading.-Detroit Free Press. The passage of time provides a better test of the quality of a book than litmus paper does of the acidity of a solution. This book was originally written in 1944 by one of our most powerful documentary authors. [Call it North Country] reads like a novel. If you're a history buff, it reads better than a novel. This book could not be written today. The witnesses to the development of upper Michigan would be missing and twice or thrice told tales would lose much detail and would not have the ring of truth which authenticates history.-Inland Seas.

John Bartlow Martin, a freelance writer who had spent long weeks in northern Wisconsin and Michigan, was struck with the idea of a book on Michigan's Upper Peninsula when he was there on his wedding trip. Returning each summer to the area, Martin discovered the region's diverse history, full of colorful and interesting personalities and events. The territory has been wilderness, a haunt of the Chippewas and the Hurons, copper country, iron country, lumber country, and lastly, a vacation land. Filled with stories of adventure and daring, Call It North Country recounts the lives of miners, hunters, trappers, and lumberjacks- the hardy breeds who first populated the harsh land of the Upper Peninsula.

“The idea is inspired and the treatment piercingly beautiful . . . Two formidable artists have shown respect for the integrity of each other’s work here and the result is magnificent.” —Independent “Bob Dylan’s back catalogue is used to glorious effect in Conor McPherson’s astonishing cross-section of hope and stoic suffering . . . It is the constant dialogue between the drama and the songs that makes this show exceptional.” —Guardian “Beguiling and soulful and quietly, exquisitely, heartbreaking. A very special piece of theatre.” —Evening Standard “A populous, otherworldly play that combines the hard grit of the Great Depression with something numinous and mysterious.” —Telegraph Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse. The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for. So when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return . . . In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at the Old Vic, London, in July 2017, in a production directed by the author. Conor McPherson is an award-winning Irish playwright. His best-known works include The Weir (Royal Court; winner of the 1999 Olivier Award for Best New Play), Dublin Carol (Atlantic Theater Company) and The Seafarer (National Theatre). Bob Dylan, born in Duluth, Minnesota, in 1941, is one of the most important songwriters of our time. Dylan was awarded the Nobel Prize for Literature in 2016. He released his thirty-ninth studio album, Triplicate, in April 2017, and continues to tour worldwide.

“A richly observant memoir of a coast-to-coast journey along the US-Canada border . . . An armchair traveler’s delight” (Kirkus Reviews). “Part travelogue, part memoir, part meditation, part exploration,” North Country is an account of a trip along the northern border of the United States in search of the country’s last unspoiled frontiers (The Boston Sunday Globe). In this vast, sparsely settled territory, Howard Frank Mosher found both a harsh and beautiful landscape and some of the continent’s most independent men and women. Here, he brings this remote area to vivid life in a book “bright with anecdote and history and lore and most importantly with affection for his human subjects” (Richard Ford, Pulitzer Prize–winning author of Independence Day). “A classic road book. You could, with confidence, place this book on the shelf next to such American classics as John Steinbeck’s Travels with Charley and Jonathan Raban’s Old Glory.” —Detroit Free Press “What Mosher’s northern journey is really about is our society’s loss of Eden, the garden we were promised when we came here. The garden we’ve turned into pulp fiction and rocket ranges. The very fact that this brave book can stir up so many thoughts about the predicaments of civilization is surely an indication that it is well worth reading.” —Ottawa Citizen

Travel north from the upper Midwest’s metropolises, and before long you’re “Up North”—a region that’s hard to define but unmistakable to any resident or tourist. Crops give way to forests, mines (or their remains) mark the landscape, and lakes multiply, becoming ever clearer until you reach the vastness of the Great Lakes. How to characterize this region, as distinct from the agrarian Midwest, is the question North Country seeks to answer, as a congenial group of scholars, journalists, and public intellectuals explores the distinctive landscape, culture, and history that define the northern margins of the American Midwest. From the glacial past to the present day, these essays range across the histories of the Dakota and Ojibwe people, colonial imperial rivalries and immigration, and conflicts between the economic imperatives of resource extraction and the stewardship of nature. The book also considers literary treatments of the area—and arguably makes its own contributions to that literature, as some of the authors search for the North Country through personal essays, while others highlight individuals who are identified with the area, like Sigurd Olson, John Barlow Martin, and Russell Kirk. From the fur trade to tourism, fisheries to supper clubs, Finnish settlers to Native treaty rights, the nature of the North Country emerges here in all its variety and particularity: as clearly distinct from the greater Midwest as it is part of the American heartland.