Call Me Ishmael Tonight A Book Of Ghazals

"Ali's ghazals are contemporary and colloquial, deceptively simple, yet still grounded in tradition....Highly recommended."—Library Journal The beloved Kashmiri-American poet Agha Shahid Ali presents his own American ghazals. Calling on a line or phrase from fellow poets, Ali salutes those known and loved—W. S. Merwin, Mark Strand, James Tate, and more—while in other searingly honest verse he courageously faces his own mortality.

"An incomparable work, an unmatched achievement."—Anthony Hecht In this stunningly inventive collection—a finalist for the 2001 National Book Award in poetry—Ali excavates the devastation wrought upon his childhood home, Kashmir, and reveals a more personal devastation: his mother's death and the journey with her body back to Kashmir.

A star-studded anthology infuses English poetry with the rigor and wit of a foreign form. In recent years, the ghazal (pronounced "ghuzzle"), a traditional Arabic form of poetry, has become popular among contemporary English language poets. But like the haiku before it, the ghazal has been widely misunderstood and thus most English ghazals have been far from the mark in both letter and spirit. This anthology brings together ghazals by a rich gathering of 107 poets including Diane Ackerman, John Hollander, W. S. Merwin, William Matthews, Paul Muldoon, Ellen Bryant Voigt, and many others. As this dazzling collection shows, the intricate and self-reflexive ghazal brings the writer a unique set of challenges and opportunities. Agha Shahid Ali's lively introduction gives a brief history of the ghazal and instructions on how to compose one in English. An elegant afterword by Sarah Suleri Goodyear elucidates the larger issues of cultural translation and authenticity inherent in writing in a "borrowed" form.

Beginning with the impassioned, never-before-published title poem, here is the life's work of a beloved Kashmiri-American poet. Agha Shahid Ali died in 2001, mourned by myriad lovers of poetry and devoted students. This volume, his shining legacy, moves from playful early poems to themes of mourning and loss, culminating in the ghazals of Call Me Ishmael Tonight. The title poem appears in print for the first time. from "The Veiled Suite" I wait for him to look straight into my eyes This is our only chance for magnificence. If he, carefully, upon this hour of ice, will let us almost completely crystallize, tell me, who but I could chill his dreaming night. Where he turns, what will not appear but my eyes? Wherever he looks, the sky is only eyes. Whatever news he has, it is of the sea.

Here Is A Haunted And Haunting Volume That Establishes Agha Shahid Ali As A Seminal Voice Writing In English. Amidst Rain And Fire And Ruin, In A Land Of `Doomed Addresses`, The Poet Evokes The Tragedy Of His Birth Place, Kashmir.

Presents a collection of ghazals by the Kashmiri-American poet.

Agha Shahid Ali (1949) Is Among The Handful Of Post-Independence Indian Poets To Have Gained International Recognition As A Writer Of Great Originality And Technical Accomplishment. This Volume Comprises His Final Two Verse Collections.

Sea of Poppies is a stunningly vibrant and intensely human work that confirms Amitav Ghosh's reputation as a master storyteller. At the heart of this epic saga is a vast ship, the Ibis. Its destiny is a tumultuous voyage across the Indian Ocean to the Mauritius Islands. As to the people on board, they are a motley array of sailors and stowaways, coolies and convicts. In a time of colonial upheaval in the mid-nineteenth century, fate has thrown together a truly diverse cast of Indians and Westerners, from a bankrupt Raja to a widowed village-woman, from a mulatto American freedman to a free-spirited European orphan. As they sail down the Hooghly and into the sea, their old family ties are washed away, and they view themselves as jahaj-bhais, or ship-brothers, who will build whole new lives for themselves in the remote islands where they are being taken. It is the beginning of an unlikely dynasty.