Call Of Nature

'a true gem' —London Naturalist 'I love this book' —Nick Baker The author completes the book with an identification guide to dung itself, so that you can identify the animal that left it behind. Pellets or pats? Scats, spraints, frass, guano, spoor learn your way around different species droppings. There's also a dung-feeder s identification guide that includes the species you re most likely to encounter on an exploration of the dung heap. Journey through the digestive systems of humans, farm and wild animals, and meet some of nature’s ultimate recyclers as they eat, breed in and compete for dung. The fall of bodily waste onto the ground is the start of a race against the clock as a multitude of dung-feeders and scavengers consume this rich food source. From the enigmatic dung-rolling beetles to bat guano and giant elephant droppings, dung creates a miniature ecosystem to be explored by the aspiring dung watcher. The author completes the book with an identification guide to dung itself, so that you can identify the animal that left it behind. Pellets or pats? Scats, spraints, frass, guano, spoor – learn your way around different species’ droppings. There’s also a dung-feeder’s identification guide that includes the species you’re most likely to encounter on an exploration of the dung heap.

A Call of Nature and Other Short Stories By: David Vahlberg A Call of Nature and Other Short Stories is a trip into the unknown. Stories of love, fear, death, and the supernatural come together to express a deeper part of the human condition. Fall into the deep, dark worlds venturing over a multitude of landscapes and time periods. Experience love and loss, and be willing to endure many hardships with each troubled character. A collection not to be missed, these stories will stay with you from the first page to the last.

Arguing for a renewed view of objects and nature, Ethical Responses to Nature’s Call considers how it is possible to understand our ethical duties - in the form of ethical intuitionalism - to nature and the planet by listening to and releasing ourselves over to the call or address of nature. Blending several strands of philosophical thought, such as Graham Harman’s Object-Oriented Ontology, W. D. Ross’s prima fathics, Alphonso Lingis’s phenomenological ethics traceable to The Imperative, and Michael Bonnett’s ecophilosophy, this book offers a unique rejoinder to the problems and issues that continue to haunt humans’ relationship to nature. The origins of such problems and issues largely remain obscured from view due to the oppressive influence of the "Cultural Framework" which gives form and structure to the ways we understand, discourse on, and comport ourselves in relation to the natural world. Through understanding this "Cultural Framework" we also come to know the responses we continue to offer in answer to nature’s call and address, and are then in a position to analyze and assess those responses in terms of their potential ethical weight. Such a phenomenon is made possible through the descriptive-and-interpretive method of eco-phenomenology. This renewed vision of the human-and-nature provides direction for our interaction with and behavior toward nature in such a way that the ethical insight offers a diagnosis and provides a potentially compelling prescriptive for environmental ills.

Commentary and photographs of the Greylag goose tell the story of their family life structures which is similar to human family life.

Arguing for a renewed view of objects and nature, Ethical Responses to Nature’s Call considers how it is possible to understand our ethical duties - in the form of ethical intuitionalism - to nature and the planet by listening to and releasing ourselves over to the call or address of nature. Blending several strands of philosophical thought, such as Graham Harman’s Object-Oriented Ontology, W. D. Ross’s prima fathics, Alphonso Lingis’s phenomenological ethics traceable to The Imperative, and Michael Bonnett’s ecophilosophy, this book offers a unique rejoinder to the problems and issues that continue to haunt humans’ relationship to nature. The origins of such problems and issues largely remain obscured from view due to the oppressive influence of the "Cultural Framework" which gives form and structure to the ways we understand, discourse on, and comport ourselves in relation to the natural world. Through understanding this "Cultural Framework" we also come to know the responses we continue to offer in answer to nature’s call and address, and are then in a position to analyze and assess those responses in terms of their potential ethical weight. Such a phenomenon is made possible through the descriptive-and-interpretive method of eco-phenomenology. This renewed vision of the human-and-nature provides direction for our interaction with and behavior toward nature in such a way that the ethical insight offers a diagnosis and provides a potentially compelling prescriptive for environmental ills.

David Whitley's compelling study complicates our understanding of the classic Disney canon by focusing on the way images of the natural world are mediated within popular art for children. He examines a range of Disney's feature animations, from Snow White to Finding Nemo, to show that, even as the films communicate the central ideologies of their times, they also express the ambiguities and tensions that underlie these dominant values.