Calligraphy In The Arts Of The Muslim World

Calligraphy occupies the central place in Islam's visual culture, yet Western art history has focussed far more on Islam's figural than on its calligraphic arts, and there is little awareness of the art that pervades Islamic civilization. This state of relative neglect has provided much of the initial impetus for this exhibition and this book; each in its way is an attempt to create balance in our understanding of one of the worlds great cultures. But the subejct is too vast and even too diffuse. What is presented here is a small sampling of the aesthetic, cultural, and scholarly wealth available. -- Preface.

This major reference work covers all aspects of architectural inscriptions in the Muslim world: the artists and their patrons, what inscriptions add to architectural design, what materials were used, what their purpose was and how they infuse buildings with meaning. From Spain to China, and from the Middle Ages to our own lifetime, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and market places bear masterpieces of calligraphy that rival the most refined of books and scrolls.

"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description

Family guide, Dazzling details in folded front cover.

"Behind the clamorous headlines of militant and political Islam lies the more serene and cultivated form that is traditional Islam, which now is increasingly under threat from both fundamentalists and modern secularists. Author Jean-Louis Michon unveils this lesser-known dimension of Islam while capturing the essence and beauty of this often misinterpreted religion, which has over 1.5 billion adherents (about a quarter of the world's population)." "Illustrated with over 270 color photographs, Introduction to Traditional Islam is divided into four parts: 1: the foundations of Islam, which highlights the pillars of the faith as well as the traditional Islamic city and its holistic vision of life; 2: the message of Islamic art; 3: music and spirituality; and 4: the way of Sufism, the inward or mystical dimension of Islam."--BOOK JACKET.

"Introduction to Islamic Arts - Calligraphy: The collection of the Islamic Arts Museum Malaysia presents in four sections some of the most important historical developments, artistic trends as well as selected masterpieces produced within the Islamic world, that took place within a span of 1000 years, covering a vast geographical area from the Iberian Peninsula to Southeast Asia and China. A special attention is given to calligraphy, highlighting the role it played in the design of both religious and everyday arts and crafts, as well as in developing a distinctive visual culture inspired by Islam"--(Islamic Arts Museum Malaysia).

"Traces of the Calligrapher" reconstructs the intimate world of the calligrapher during the early modern period of Islamic culture, bringing together the "tools of the trade" - works in their own right that are rarely exhibited or published - and the exquisite art made with these functional objects in India, Iran, and Turkey. Drawn primarily from a prestigious private collection in Houston, the works in this fascinating book include pens, pen boxes, chests, tables, paper scissors, knives, burnishers, and book bindings of superb manufacture and design. These objects are presented with examples of calligraphy that were executed as practice exercises, occasional works, wall hangings, and manuscripts. Seen together, these rare works reveal the traces of their makers."-- Cover.