Calling Back The Ghost Of Revolution

At a time when China is once again facing a major turning point in its direction, I firmly believe that my academic dispute with Wang Hui is in no way a personal or left-right dispute. Wang Hui's grand narrative about the Chinese revolution and the Chinese century is meant to provide a new legitimate basis for one party to rule forever, to place world history in the value system of the Chinese revolution, and to shape the Chinese revolution and its regime into the ultimate source and ultimate judge of universal justice in the world. There is no doubt that Wang Hui's new theoretical proposition is not only far from the basic idea of liberalism, but also far from the political democratic position that the Western left-wing tradition has always insisted on. Since liberal scholars have automatically given up head-on confrontation with Wang Hui, it is time to end Wang Hui's theories, which have never been subjected to comprehensive and systematic academic criticism in China's intellectual and intellectual spheres for nearly thirty years. Therefore, at such a time, it would be an unforgivable dereliction of duty for liberals to fail to take the initiative, as Raymond Aron did, to undertake the historical mission of criticizing barbaric ideologies–totalitarianism and statism– and to hold fast to the basic virtues given to intellectuals by providence. As Arendt said, "the storm of ideas is not characterized by knowledge, but by the ability to distinguish good from evil, beauty from ugliness. And this may indeed prevent disaster in that rare moment of crisis."

"Opening the enormous metal gate, the guard suddenly took away my blindfold and asked me, tauntingly, if I would recognize my parents. With my eyes hurting from the strange light and anger in my voice, I assured him that I would. Suddenly I was pushed through the gate and the door was slammed behind me. After more than eight years, here I was, finally, out of jail . . . ." In this haunting account, Shahla Talebi remembers her years as a political prisoner in Iran. Talebi, along with her husband, was imprisoned for nearly a decade and tortured, first under the Shah and later by the Islamic Republic. Writing about her own suffering and survival and sharing the stories of her fellow inmates, she details the painful reality of prison life and offers an intimate look at a critical period of social and political transformation in Iran. Somehow through it all—through resistance and resolute hope, passion and creativity—Talebi shows how one survives. Reflecting now on experiences past, she stays true to her memories, honoring the love of her husband and friends lost in these events, to relate how people can hold to moments of love, resilience, and friendship over the dark forces of torture, violence, and hatred. At once deeply personal yet clearly political, part memoir and part meditation, this work brings to heartbreaking clarity how deeply rooted torture and violence can be in our society. More than a passing judgment of guilt on a monolithic "Islamic State," Talebi's writing asks us to reconsider our own responses to both contemporary debates of interrogation techniques and government responsibility and, more simply, to basic acts of cruelty in daily life. She offers a lasting call to us all. "The art of living in prison becomes possible through imagining life in the very presence of death and observing death in the very existence of life. It is living life so vitally and so fully that you are willing, if necessary, to let that very life go, as one would shed chains on the legs. It is embracing, and flying on the wings of death as though it is the bird of freedom."

The American Revolution is stained with blood and its ghosts are still lurking in the shadows seeking postmortem revenge. Come explore the haunts associated with the colonial rebels' fight for independence, from an aura of disaster lingering from the “shot heard round the world” in Concord, Massachusetts, to the battle cries of our forefathers in Philadelphia, Pennsylvania. Using a paranormal lens, Baltrusis breathes new life into the ghosts of the American Revolution that include both unknown patriots and familiar names.

Winner: CHOICE Outstanding Academic Book Award, CHOICE Magazine (2008) Winner: Morris D. Forkosch Prize for the best book in intellectual history, Journal of the History of Ideas (2008) The French revolts of May 1968, the largest general strike in twentieth-century Europe, were among the most famous and colourful episodes of the twentieth century. Julian Bourg argues that during the subsequent decade the revolts led to a remarkable paradigm shift in French thought - the concern for revolution in the 1960s was transformed into a fascination with ethics. Challenging the prevalent view that the 1960s did not have any lasting effect, From Revolution to Ethics shows how intellectuals and activists turned to ethics as the touchstone for understanding interpersonal, institutional, and political dilemmas. In absorbing and scrupulously researched detail Bourg explores the developing ethical fascination as it emerged among student Maoists courting terrorism, anti-psychiatric celebrations of madness, feminists mobilizing against rape, and pundits and philosophers championing humanitarianism. From Revolution to Ethics provides a compelling picture of how May 1968 helped make ethics a compass for navigating contemporary global concerns. In a new preface for the second edition published to mark the fiftieth anniversary of the events, Bourg assessses the worldwide influence of the ethical turn, from human rights to the return of religion and the new populism.

Exploring this theme, Robinson examines Plato's Ion, Philo Judaeus and Augustine on the Septuagint, Paul on inspired interpreters, Joseph Smith on the Book of Mormon, and Schleiermacher, Marx, and Heidegger on translation. He traces the imaginative and historical linkages between twentieth-century conceptions of ideology and ancient conceptions of spirit-channeling, and the performative inversion of power relations by which the "channel" (or translator) comes to wield the source author as his or her tool.

The tragedy of European civilization is a protracted historical event spanning the twentieth century and in many ways is ongoing. During this time some of the greatest modern thinkers were active, producing works that both reflected what was happening in history and contributed towards shaping it. This work is a critique of their ideas. Harry Redner establishes where and how they went wrong, in some cases with apocalyptic consequences for Europe and the world. The great intellectuals of the age, at once philosophers, sociologists, political theorists, historians and much else besides, include Marx, Weber, Freud, Elias, Spengler, Wittgenstein, Heidegger, Arendt, Nietzsche, and Foucault. All of them had a historical impact, even if only in molding academic disciplines and shaping of public opinion, as was the case with the philosophers Wittgenstein and Arendt. This book explores the close links between anti-Semitism and cultural pessimism and the relation between psychology and sociology. Other themes range from the history and theory of the state, to the misconception of language and power. Suitable for students of sociology, philosophy, political theory, history, and cultural studies, this brilliant exploration of our civilization and its tragedies will also be of interest to intellectual general readers.

Ruth Klüger (1931 – 2020) passed away on October 5, 2020 in the U.S. Born in Vienna and deported to Theresienstadt, she survived Auschwitz and the Shoah together with her mother. After living in Germany for a short time after the War, she immigrated to New York. She was educated in the U.S. and received degrees in English literature as well as her Ph.D. in German literature at the University of California, Berkeley. She taught at several American universities. She has numerous scholarly publications to her credit, mostly in the fields of German and Austrian literary history. She is also recognized as a poet in her own right, an essayist, and a feminist critic. She returned to Europe, where she was a guest professor in Göttingen and Vienna. Her memoir, entitled weiter leben (1992), which she translated and revised in an English parallel-text as Still Alive, was a major bestseller and highly regarded autobiographical account of a Holocaust survivor. It was subsequently translated into more than a dozen languages. It has also generated a vigorous critical discussion in its own right. Ruth Klüger received numerous prestigious literary prizes and other distinctions. The present volume, The Legacy of Ruth Klüger and the End of the Auschwitz Century, aims to honor her memory by assessing critically her writings and career. Taking her biography and writings as points of departure, the volume includes contributions in fields and from perspectives which her writings helped to bring into focus acutely. In the table of contents are listed the following contributions: Sander L. Gilman, "Poetry and Naming in Ruth Klüger’s Works and Life"; Heinrich Detering, "’Spannung’: Remarks on a Stylistic Principle in Ruth Klüger’s Writing"; Stephan Braese, "Speaking with Germans. Ruth Klüger and the ‘Restitution of Speech between Germans and Jews’"; Irène Heidelberger-Leonard, "Writing Auschwitz: Jean Améry, Imre Kertész, and Ruth Klüger"; Ulrike Offenberg, "Ruth Klüger and the Jewish Tradition on Women Saying Kaddish; Mark H. Gelber, "Ruth Klüger, Judaism, and Zionism: An American Perspective"; Monica Tempian, "Children’s Voices in the Poetry of the Shoah"; Daniel Reynolds, "Ruth Klüger and the Problem of Holocaust Tourism"; Vera Schwarcz, "A China Angle on Memory and Ghosts in the Poetry of Ruth Klüger."