Came The Dawn

Taking its title from one of Wallace Wood’s all-time classics, the evil little paranoid thriller “Came the Dawn,” this collection features page after page after page of Wood’s sleek and meticulously crafted artwork put in the service of cunning twist-ending stories, most often from the typewriter of EC editor Al Feldstein. These tales range from supernatural shockers from the pages of Tales From the Cryptand The Haunt of Fear (“The Living Corpse,” “Terror Ride,” “Man From the Grave,” “Horror in the Freak Tent”) to often pointedly contemporary crime thrillers from Crime SuspenStories (“The Assault,” “The Whipping,” and “Confession,” which was singled out for specific excoriation in the anti-comics screed Seduction of the Innocent, thus giving it a special cachet), but the breathtaking art and whiplash-inducing shock endings are constants throughout.

Assigned to Russia during the Second World War, Philip Sutherland falls in love with, and marries, Marya, a ballet dancer. When it comes time for him to return to England, the Soviet Government refuses permission for Marya to join him and Philip decides to take matters into his own hands. His first move is to buy the ten-ton auxiliary yacht Dawn. His second, to persuade Jack Denny, whose Russian wife, Svetlana, is also unable to leave Russia, to join forces with him. They plan to sail to Tallinn, in Esthonia, and there smuggle the two women aboard. Their friend Steve Quillan, an American radio correspondent in Moscow, promises valuable help. Came The Dawn is a gripping piece of writing in which two men are willing to risk everything in order to be reunited with those they love.

INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action. Includes Black-and-White Illustrations

"A model of popular-science writing" STEVEN POOLE Who was "the first speaker" and what was their first message? An erudite, tightly woven and beautifully written account of one of humanity's greatest mysteries - the origins of language. Drawing on evidence from many fields, including archaeology, anthropology, neurology and linguistics, Sverker Johansson weaves these disparate threads together to show how our human ancestors evolved into language users. The Dawn of Language provides a fascinating survey of how grammar came into being and the differences or similarities between languages spoken around the world, before exploring how language eventually emerged in the very remote human past. Our intellectual and physiological changes through the process of evolution both have a bearing on our ability to acquire language. But to what extent is the evolution of language dependent on genes, or on environment? How has language evolved further, and how is it changing now, in the process of globalisation? And which aspects of language ensure that robots are not yet intelligent enough to reconstruct how language has evolved? Johansson's far-reaching, authoritative and research-based approach to language is brought to life through dozens of astonishing examples, both human and animal, in a fascinatingly erudite and entertaining volume for anyone who has ever contemplated not just why we speak the way we do, but why we speak at all. Translated from the Swedish by Frank Perry

The allies of the night prepare for the final, deadly confrontation. Darren and Mr Crepsley will get more than they bargained for when they come face to face with the Vampaneze Lord.

A memoir of the final days of the Second World War from the London of the flying bombs to the liberation of the concentration camps. Arthur Marshall, Sunday Telegraph "1945 - we are lucky indeed to have it here chronicled in such absorbing, if often horrifying, detail. Future historians will bless Tom Pocock's name, for other pivotal periods of our world's troubled life were less well served ... one would have given much for Mr. Pocock's presence accompanied by a Leica, at the Battle of Hastings." Marghanita Laski, Country Life "It is hard to think of where Pocock was not in that eventful year... Pocock's story is that of the year as a whole, not only of his own experiences, rich, terrible, funny as these were... It is clear that young Pocock had not only an eye for events but a feel for them. On nothing is he better than of the sudden switch of feeling as the war ended." John Grigg, Evening Standard "A picture of that extraordinary year which will be an eye-opener to those (now a large majority) who did not live through it and intensely evocative to those who did. Tom Pocock writes unusually well... His idealism never inhibits his curiosity or his lively sense of the absurd... The book conveys to perfection the atmosphere of 1945, in which exhilaration was tinged with doubt and disgust."

The fifth book in an epic six-volume, 3,000 page Trilogy, with achingly beautiful, thought-provoking, thoroughly unique and skillfully crafted collections of poetry, short stories, and romantic verse, that portray the heartfelt and truly profound endeavor as a timeless and deeply memorable wedding of Word and Art . . . A wing-swept journey through the Universe, beginning in the heart of a 'fallen angel' called Ever, as he wanders through the chances and circumstances of humanity, as he drifts within the vast emptiness of his abandonment and exile among the stars, along with all the far-reaching consequences his self-serving pursuit of an ideal has brought to bear upon all Creation, and especially upon his beloved Always, whose tears are the river of this tale . . . A journey that unfolds around his surrender to a spiritual awakening, and ends with his discovery and final embrace of a remarkably simple notion - when fools set out to find what they already possess, they discover only the follies of men . . . born of an ancient yet unremembered legend, a fairy's tale, old as rhyme and even Time itself, captured in the echoes of uncountable voices across the millennia, comes an achingly beautiful love story, wrapped in the mists and myths of a place called Avalon, and whispering of the mysteries and majesties of God . . . A thoroughly unique collection of short stories and lyrical prose, called DoveTales, that weave an amazing trilogy of dreams into the most vibrant threads of faith, courage, and devotion, which are all then so cleverly crafted to become a glorious tapestry of love, loss, and the triumph of love, again . . . as seen through the eyes of Angels, as they peer into the very hearts and souls of those who always seem to search for Glory, when all they really ever need, is Grace . . . And who might enjoy reading this story ? Demographically speaking, any female between the ages of 9 and 90; any male between those very same benchmarks who would like to get to know those females (who now have a remarkably heightened view of themselves after reading it, and a whole new set of standards for those males to measure up to) . . . anyone possessing even a small spark of spiritual insight or inclination, and would be open to considering a vastly simple concept of where they might fit in the grand scheme of things, and the quite attainable realities of their role within it . . . anyone possessing a sense of wonder, and a welcoming regard for a heavenly presence in their world, along with the acknowledgement and embrace of the more compassionate virtues such as patience, tolerance, acceptance and forgiveness, with all respect given to uplifting the human condition beyond measure . . . anyone seeking a remarkably different view of mankind, as it relates to womankind; a dramatically elevated concept regarding the Feminine Ideal and its divine or spiritual significance . . . that will turn all male-dominated religious biases and historically gender-centric portrayals of a woman's place, position or importance in the pantheon of God's cast of characters, on its collective head . . . anyone seeking inspirational, lyrical, romantic, or poetic verse or prose, and wishes to explore alternative expressions of inspired, enlightened, theological, or purpose-driven thought . . . are fully cognizant and accepting of a Christian paradigm of living, and believe that when our creative knowledge embraces our artistic desires, we can achieve global understanding . . .