Camelot Rising

A damaged King Arthur falls in love and must rise once again to fight the dreaded Red Knight and the forces of Morgana. It’s been three years after the events in Excalibur and Arthur still hasn’t changed his ways. Now, a new threat has invaded the kingdom—the dreaded Red Knight. He leads an army of Death Reapers and plans to finish Arthur and Camelot for good. Arthur is once again forced to play the role of the reluctant hero, unite his kingdom, and lead his armies against this dangerous foe—while his feelings for Gwen continue to grow. It’s battle after battle in this thrilling adventure that concludes with an unforgettable confrontation between Arthur and the Red Knight. Can Camelot be saved once again?

The second book in the fantasy trilogy from #1 New York Times bestselling author Kiersten White, exploring the nature of self, the inevitable cost of progress, and, of course, magic and romance and betrayal so epic Queen Guinevere remains the most famous queen who never lived. EVERYTHING IS AS IT SHOULD BE IN CAMELOT: King Arthur is expanding his kingdom's influence with Queen Guinevere at his side. Yet every night, dreams of darkness and unknowable power plague her. Guinevere might have accepted her role, but she still cannot find a place for herself in all of it. The closer she gets to the people around her--Brangien, pining for her lost love Isolde; Lancelot, fighting to prove her worth as Queen's knight; and Arthur, everything to everyone and thus never quite enough for Guinevere--the more she realizes how empty she is. The more she tries to claim herself as queen, the more she wonders if Mordred was right: she doesn't belong. She never will. When a rescue goes awry and results in the death of something precious, a devastated Guinevere returns to Camelot to find the greatest threat yet has arrived. Not in the form of the Dark Queen or an invading army, but in the form of the real Guinevere's younger sister. Is her deception at an end? And who is she really deceiving--Camelot, or herself?

From #1 New York Times bestselling author Kiersten White comes a new fantasy series reimagining the Arthurian legend, set in the magical world of Camelot . . . . There was nothing in the world as magical and terrifying as a girl. Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution--send in Guinevere to be Arthur's wife . . . and his protector from those who want to see the young king's idyllic city fail. The catch? Guinevere's real name--and her true identity--is a secret. She is a changeling, a girl who has given up everything to protect Camelot. To keep Arthur safe, Guinevere must navigate a court in which the old--including Arthur's own family--demand things continue as they have been, and the new--those drawn by the dream of Camelot--fight for a better way to live. And always, in the green hearts of forests and the black depths of lakes, magic lies in wait to reclaim the land. Deadly jousts, duplicitous knights, and forbidden romances are nothing compared to the greatest threat of all: the girl with the long black hair, riding on horseback through the dark woods toward Arthur. Because when your whole existence is a lie, how can you trust even yourself? *THE FIRST BOOK IN THE CAMELOT RISING TRILOGY*

The gripping conclusion to the acclaimed Arthurian fantasy trilogy from #1 New York Times bestselling author Kiersten White finds Guinevere questioning everything—friends and enemies, good and evil, and, most of all, herself. While journeying north toward the Dark Queen, Guinevere falls into the hands of her enemies. Behind her are Lancelot, trapped on the other side of the magical barrier they created to protect Camelot, and Arthur, who has been led away from his kingdom, chasing after false promises. But the greatest danger isn’t what lies ahead of Guinevere—it’s what’s been buried inside her. Vowing to unravel the truth of her past with or without Merlin’s help, Guinevere joins forces with the sorceress Morgana and her son, Mordred—and faces the confusing, forbidden feelings she still harbors for him. When Guinevere makes an agonizing discovery about who she is and how she came to be, she finds herself with an impossible choice: fix a terrible crime, or help prevent war. Guinevere is determined to set things right, whatever the cost. To defeat a rising evil. To remake a kingdom. To undo the mistakes of the past...even if it means destroying herself. Guinevere has been a changeling, a witch, a queen—but what does it mean to be just a girl?

Exploring space: Spatial notions in cultural, literary and language studies falls into two volumes and is the result of the 18th PASE (Polish Association for the Study of English) Conference organized by the English Department of Opole University and held at Kamień Śląski in April 2009. The first volume embraces cultural and literary studies and offers papers on narrative fiction, poetry, theatre and drama, and post-colonial studies. The texts and contexts explored are either British, American or Commonwealth. The second volume refers to English language studies and covers papers on lexicography, general linguistics and rhetoric, discourse studies and translation, second language acquisition/foreign language learning, and the methodology of foreign language teaching. The book aims to offer a comprehensive insight into how the category of space can inform original philological research; thus, it may be of interest to those in search of novel applications of space-related concepts, and to those who wish to acquire an update on current developments in English Studies across Poland (from the Preface).

The gripping conclusion to the acclaimed Arthurian fantasy trilogy from New York Times bestselling author Kiersten White finds Guinevere questioning everything—friends and enemies, good and evil, and, most of all, herself. While journeying north toward the Dark Queen, Guinevere falls into the hands of her enemies. Behind her are Lancelot, trapped on the other side of the magical barrier they created to protect Camelot, and Arthur, who has been led away from his kingdom, chasing after false promises. But the greatest danger isn’t what lies ahead of Guinevere—it’s what’s been buried inside her. Vowing to unravel the truth of her past with or without Merlin’s help, Guinevere joins forces with the sorceress Morgana and her son, Mordred—and faces the confusing, forbidden feelings she still harbors for him. When Guinevere makes an agonizing discovery about who she is and how she came to be, she finds herself with an impossible choice: fix a terrible crime, or help prevent war. Guinevere is determined to set things right, whatever the cost. To defeat a rising evil. To remake a kingdom. To undo the mistakes of the past...even if it means destroying herself. Guinevere has been a changeling, a witch, a queen—but what does it mean to be just a girl?

Sir Gawain is a knight as good as his word. Fiercely loyal to Arthur, he will do anything to serve his king. So when a hideous crone promises to give Arthur the answer to a riddle that will save his life, if only Gawain pledges to marry her, the knight does not hesitate. But the loathly lady is not who she appears to be. In truth she is the lovely Aislyn, former apprentice to a sorceress, and once desperately in love with Gawain, who rejected her because of her magic—or so she believes. Now she has transformed herself so she may exact her revenge. Yet Gawain’s gallantry and courteous treatment soften Aislyn’s bitter heart, and she is horrified to discover she has actually been enchanted. Only a kiss given with love can break the spell and restore her to the beautiful maiden she truly is.

Scholars of popular culture turn their attention to various expressions of the Arthurian legend, most from the 20th century, with a more balanced consideration of women (writers, characters, and critics) than has traditionally been the case. Among the topics are the image of Morgan Le Fay, postmodern Arthur, Mark Twain, Joseph Campbell, and several recent movies. No index. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR