Cameras Combat And Courage

What was it like to be a military combat photographer in the most photographed war in history — the Vietnam War? Shooting Vietnam takes you there as you read the firsthand accounts and view the hundreds of photographs by men who lived the war through the lens of a camera. They documented everything from the horror of combat to the people and culture of a land they suddenly found themselves immersed in. Some even juggled cameras with rifles and grenade launchers as they fought to survive while carrying out their assignments to record the war. “Shooting Vietnam” also finally brings recognition to these unheralded military combat photographers in Vietnam that documented the brutal, unpopular, and futile war.Firsthand accounts and photographs by military photographers in Vietnam from the mid-1960s to the early 1970s, “Shooting Vietnam” puts the reader right alongside these men as they struggle to document the war and stay alive while doing it — although some didn’t survive. The cameras around their necks often shared space with a rifle or grenade launcher that enabled them to stay alive while performing their assigned military duties, killing, if necessary, to survive.Often, during a brief respite from trudging through swamps and rice paddies or jumping from a chopper into a hot landing zone, they would wander the streets of villages or even downtown Saigon, curiously photographing a people and a culture so strange and different to them. It is these photographs, of a kinder, more personal nature, removed from the horror and death of war that they also share with the reader.The accounts in this book come from young men thrust into a conflict half way around the world, and all who had their own unique perspective on the war. Some were seasoned photographers before the military, others had only recently held a camera for the first time.

A chronicle of the frontline photographers of World War II recounts the sometimes harrowing exploits of the American Military Photographers, men armed with cameras who accompanied the Army, Marines, Air Force, and Navy into battle.

Thrills, action, the shock of battle-and the determination to get the picture, no matter what the danger-make COMBAT CAMERAMAN one of the most exciting books to come out of the Second World War.

Shooter is a visual portrait of war--the perseverance, heroism, and survival--narrated through stunning photographs and powerful essays from a female combat photographer.

May 2011, Afghanistan: Camp Bastion is under attack, the Sun's Defence Editor is about to catch the wrong helicopter, and a famous TV war reporter is missing half his kit and wants his trainers back. Amid the chaos, Christian Hill is preparing to lead his Combat Camera Team on the British Army's first big operation of the Helmand summer, inching through the IED-riddled fields of the notorious Green Zone, very probably getting shot at. A captain in the Media Operations Group, his job is to promote the war to the British media - and make it look like things are under control and getting better...Funny, offbeat, shocking and affectionate, Combat Camera offers a unique insight into the military's media operations in Afghanistan. As coalition troops return home after years of fighting, it will appeal to anyone who wants to know whether our campaign against the Taliban has really been worth the effort.

Fred Minnick spent more than a year in Iraq as a U.S. Army public affairs photojournalist, covering the good, bad and ugly sides of the conflict. With a Nikon in one hand and an M-16 in the other, he accompanied combat troops on missions ranging from raids on suspected terrorist strongholds to public relations events including the opening of a school for girls. Some of the stories made it back home, most did not.Camera Boy offers an eye-witness account of the Iraq War from a soldier with a different POV--from behind a camera and typewriter. Unfortunately, being assigned to public affairs did not shield Staff Sergeant Minnick from the horrors of war--including the deaths of two close friends--or from the devastating effects of PTSD upon his return home.It is a story of courage, frustration (with both the military and the mainstream media), dedication and redemption. Includes more than 40 black and white photos taken by the author.