Can T Buy Me Like

Today's brands face an apparent choice between two evils: continue betting on their increasingly ineffective advertising or put blind faith in the supposedly mystical power of social media, where "likes" stand in for transactions and a mass audience is maddeningly elusive. There has to be a better way . . . As Lennon and McCartney wrote a half century ago, money can't buy you love. But in today's world, where people have become desensi­tized-even disillusioned-by ad campaigns and marketing slogans, that maxim needs an update: Money can't even buy you like.

That the Beatles were an unprecedented phenomenon is a given. In Can’t Buy Me Love, Jonathan Gould explains why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise. Nearly twenty years in the making, Can’t Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. Beginning with their adolescence in Liverpool, Gould describes the seminal influences––from Elvis Presley and Chuck Berry to The Goon Show and Alice’s Adventures in Wonderland––that shaped the Beatles both as individuals and as a group. In addition to chronicling their growth as singers, songwriters, and instrumentalists, he highlights the advances in recording technology that made their sound both possible and unique, as well as the developments in television and radio that lent an explosive force to their popular success. With a musician’s ear, Gould sensitively evokes the timeless appeal of the Lennon-McCartney collaboration and their emergence as one of the most creative and significant songwriting teams in history. Behind the scenes Gould explores the pivotal roles played by manager Brian Epstein and producer George Martin, credits the influence on the Beatles’ music of contemporaries like Bob Dylan, Brian Wilson, and Ravi Shankar, and traces the gradual escalation of the fractious internal rivalries that led to the group’s breakup after their final masterpiece, Abbey Road. Most significantly, by chronicling their revolutionary impact on popular culture during the 1960s, Can’t Buy Me Love illuminates the Beatles as a charismatic phenomenon of international proportions, whose anarchic energy and unexpected import was derived from the historic shifts in fortune that transformed the relationship between Britain and America in the decades after World War II. From the Beats in America and the Angry Young Men in England to the shadow of the Profumo Affair and JFK’s assassination, Gould captures the pulse of a time that made the Beatles possible—and even necessary. As seen through the prism of the Beatles and their music, an entire generation’s experience comes astonishingly to life. Beautifully written, consistently insightful, and utterly original, Can’ t Buy Me Love is a landmark work about the Beatles, Britain, and America.

He can't buy his way out of trouble this time?Housekeeper-slash-entrepreneur Ella Bradley prides herself on being ready for anything. After all, with a father who died-and lied to her-and a stepmom and stepsister who despise her, she has no one else to depend on. But on the biggest night of her life, she's unprepared to be trapped in an elevator with the man of her dreams.Wealthy prince-to-a-fortune Adrian Vassos wants nothing more than to shed his reputation as a party boy and prove that he is a savvy businessman. Even, a gentleman. But when he's trapped with a woman who knows his reputation but not his face, he gives into the temptation to be someone else-and lies.When serendipity brings them together again-this time to work off community service-can their combined sentences spark a new ending? Maybe?if Adrian's lies don't find him out. Again.The magic of Deep Haven enchants in this modern-day Cinderella story.

"When was the last time you felt this comfortable in a relationship?" -- An ad for sneakers "You can love it without getting your heart broken." -- An ad for a car "Until I find a real man, I'll settle for a real smoke." -- A woman in a cigarette ad Many advertisements these days make us feel as if we have an intimate, even passionate relationship with a product. But as Jean Kilbourne points out in this fascinating and shocking exposé, the dreamlike promise of advertising always leaves us hungry for more. We can never be satisfied, because the products we love cannot love us back. Drawing upon her knowledge of psychology, media, and women's issues, Kilbourne offers nothing less than a new understanding of a ubiquitous phenomenon in our culture. The average American is exposed to over 3,000 advertisements a day and watches three years' worth of television ads over the course of a lifetime. Kilbourne paints a gripping portrait of how this barrage of advertising drastically affects young people, especially girls, by offering false promises of rebellion, connection, and control. She also offers a surprising analysis of the way advertising creates and then feeds an addictive mentality that often continues throughout adulthood.

Tess and Max have lost everything. They've had to move out of their large detached house in affluent 'Nappy Valley'. They've had to take their children out of private school. They've had to close the organic deli and café that they had borrowed a small fortune to open. And now, they're forced to sell their car and move to a rented flat in an adjoining area known to smug 'Nappy Valley' residents as 'Crappy Valley'. 'Money doesn't matter', their friends all say. But money changes everything - including friendships. And while their old neighbours are still busy having lifestyles, can Tess and Max rebuild theirs?

In his bawdy and uproarious debut novel, Chris Kenry takes readers on a rollicking ride with an irreverent, resilient jack of all trades--and master of the naughtiest one. . . Buffed, Bereaved. . .And Broke Thanks to his wealthy, doting lover, Jack Thompson's biggest daily challenges are the Stairmaster® and deciding whether to read this week's issue of People before or after Entertainment Weekly. That changes with his smitten benefactor's sudden demise--and a decade-old will that naturally doesn't include Jack. Unceremoniously tossed out of their shared home with little more than his rollerblades, Jack wonders who will support him in the style to which he's become accustomed. He certainly can't. . .or can he? To Jack's dismay, his half-hearted stints as a terminally bored office temp and disastrously clumsy waiter barely cover the minimum payments on his maxed out credit cards, let alone sprees at Neiman Marcus and Sunday brunches with the boys. What's a homeless and unemployed shopaholic to do? Perhaps nothing more than what comes naturally. After all, with his perfect pecs and sculpted abs, he's one of the most sought-after guys in town. . . Though he stumbles into his newfound career running Harden Up, a male escort service, purely by accident, it doesn't take long for Jack to reap the financial rewards of all those workouts. Soon business is booming, especially after he teams up with dark and decadent fellow hustler Ray, who shares his resourceful spirit--among other things. Now they're making more money than they ever imagined--and falling for each other in the process. With everything going his way at last, Jack can't help wondering. . .can a pair of entrepreneurial escorts really live happily ever after in suburban Denver? "A rollicking debut. . .the author's talent for catchy, catty dialogue and innovative (and often quite humorous) sexual interplay buoys his storyline. . .Kenry shows promise with this first effort and his moxie shines through. . .a satisfying confection." --Publishers Weekly Former milkman, UPS driver, and teacher of English conversation to throngs of adoring Japanese housewives, Chris Kenry currently lives and paints houses in Denver.

Now an original movie on Prime Video starring Anne Hathaway and Nicholas Galitzine! When Solène Marchand, the thirty-nine-year-old owner of a prestigious art gallery in Los Angeles, takes her daughter, Isabelle, to meet her favorite boy band, she does so reluctantly and at her ex-husband’s request. The last thing she expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things. What begins as a series of clandestine trysts quickly evolves into a passionate relationship. It is a journey that spans continents as Solène and Hayes navigate each other’s disparate worlds: from stadium tours to international art fairs to secluded hideaways in Paris and Miami. And for Solène, it is as much a reclaiming of self, as it is a rediscovery of happiness and love. When their romance becomes a viral sensation, and both she and her daughter become the target of rabid fans and an insatiable media, Solène must face how her new status has impacted not only her life, but the lives of those closest to her.