Candide Illustrated Edition

David Wootton's scalpel-sharp translation of Candide features a brilliant Introduction, a map of Candide's travels, and a selection of those writings of Voltaire, Leibniz, Pope and Rousseau crucial for fully appreciating this eighteenth-century satiric masterpiece that even today retains its celebrated bite.

Candide is characterised by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel with a story similar to that of a more serious bildungsroman, it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. Voltaire's men and women point his case against optimism by starting high and falling low. A modern could not go about it after this fashion. He would not plunge his people into an unfamiliar misery. He would just keep them in the misery they were born to. But such an account of Voltaire's procedure is as misleading as the plaster cast of a dance. Look at his procedure again. Mademoiselle Cunégonde, the illustrious Westphalian, sprung from a family that could prove seventy-one quarterings, descends and descends until we find her earning her keep by washing dishes in the Propontis. The aged faithful attendant, victim of a hundred acts of rape by negro pirates, remembers that she is the daughter of a pope, and that in honor of her approaching marriage with a Prince of Massa-Carrara all Italy wrote sonnets of which not one was passable. We do not need to know French literature before Voltaire in order to feel, although the lurking parody may escape us, that he is poking fun at us and at himself. His laughter at his own methods grows more unmistakable at the last, when he caricatures them by casually assembling six fallen monarchs in an inn at Venice. A modern assailant of optimism would arm himself with social pity. There is no social pity in "Candide." Voltaire, whose light touch on familiar institutions opens them and reveals their absurdity, likes to remind us that the slaughter and pillage and murder which Candide witnessed among the Bulgarians was perfectly regular, having been conducted according to the laws and usages of war. Had Voltaire lived today he would have done to poverty what he did to war. Pitying the poor, he would have shown us poverty as a ridiculous anachronism, and both the ridicule and the pity would have expressed his indignation.

A new, beautifully laid-out, easy-to-read edition of Voltaire's Candide. Candide is Voltaire's 1759 satirical masterpiece, wreaking havoc on the excesses of 18th century French Enlightenment culture. The story begins with our protagonist Candide, a young man living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism by his mentor, Professor Pangloss. This idyllic life is abruptly interrupted, however, by a series of painfully disillusioning events that set him off on a wide-ranging journey. This edition is based on the unattributed 1918 translation published in the U.S. by Boni & Liveright in 1918.François-Marie Arouet (1694-1778), known by his nom de plume Voltaire, was a French enlightenment writer, historian, and philosopher famous for his wit and his advocacy for freedom of speech and religion.

A new, beautifully laid-out, easy-to-read edition of Voltaire's Candide. Candide is Voltaire's 1759 satirical masterpiece, wreaking havoc on the excesses of 18th century French Enlightenment culture. The story begins with our protagonist Candide, a young man living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism by his mentor, Professor Pangloss. This idyllic life is abruptly interrupted, however, by a series of painfully disillusioning events that set him off on a wide-ranging journey. This edition is based on the unattributed 1918 translation published in the U.S. by Boni & Liveright in 1918.François-Marie Arouet (1694-1778), known by his nom de plume Voltaire, was a French enlightenment writer, historian, and philosopher famous for his wit and his advocacy for freedom of speech and religion.

Candide is a French satire that begins with a young man who is living a sheltered life in an Edenic paradise and being indoctrinated with optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. The Novel is characterized by its sarcastic tone as well as by its erratic, fantastical and fast-moving plot. It parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best" in the "best of all possible worlds". This satire on Leibniz's philosophy of optimistic determinism remains the work for which Voltaire is best known. François-Marie Arouet (1694-1778), known by his nom de plume Voltaire, was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma, and the French institutions of his day.

Voltaire’s masterpiece of satire Candide was written between July and December 1758 and published simultaneously in Geneva, Paris and Amsterdam in January 1759. The events in the book unlike most works of fiction are astutely based on the current state of Voltaire’s contemporary world and culled from the headlines of his day. No major power center was omitted. Arbiters of social status, sex/love, money, war and religion were all lambasted within the pages of Candide.

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