Canti Postumi

Providing a broad, definitive account of how the 'archival turn' in humanities scholarship has shaped modernist studies, this book also functions as an ongoing 'practitioner's toolkit' (including useful bibliographical resources) and a guide to avenues for future work. Archival work in modernist studies has revolutionised the discipline in the past two decades, fuelled by innovative and ambitious scholarly editing projects and a growing interest in fresh types of archival sources and evidence that can re-contextualise modernist writing. Several theoretical trends have prompted this development, including the focus on compositional process within genetic manuscript studies, the emphasis on book history, little magazines, and wider publishing contexts, and the emphasis on new material evidence and global and 'non-canonical' authors and networks within the 'New Modernist Studies'. This book provides a guide to the variety of new archival research that will point to fresh avenues and connect the methodologies and resources being developed across modernist studies. Offering a variety of single-author case studies on recent archival developments and editing projects, including Samuel Beckett, Hart Crane, H.D., James Joyce, Dorothy Richardson, May Sinclair and Virginia Woolf, it also offers a range of thematic essays that examine an array of underused sources as well as the challenges facing archival researchers of modernism

This third and final volume of A. David Moody's critical life of Ezra Pound presents Pound's personal tragedy in a tragic time. In this volume, we experience the 1939-1945 World War, and Pound's hubristic involvement in Fascist Italy's part in it; we encounter the grave moral and intellectual error of Pound holding the Jewish race responsible for the war; and his consequent downfall, being charged with treason, condemned as an anti-Semite, and shut up for twelve years in an institution for the insane. Further, we see Pound stripped for life, by his own counsel and wife, of his civil and human rights. Pound endured what was inflicted upon him, justly and unjustly, without complaint; and continued his lifetime's effort to promote, in and through his Cantos and his translations, a consciousness of a possible humane and just social order. The contradictions run deep and compel, as tragedy does, a steady and unprejudiced contemplation and an answering depth of comprehension.

"This third and final volume of A. David Moody's critically acclaimed three-part biography of Ezra Pound opens at the outbreak of the Second World War. A tragic time for Europe and the world, the middle years of the twentieth century saw great personal tragedy for Pound. After blaming the Jewish race for the outbreak of the war and supporting Fascist Italy's role throughout, he was charged with treason and condemned as an anti-Semite. Following months in a US detention camp, he was committed to an institution for the insane where he would spend twelve years of his life"--Dust jacket flap.

The three volumes of Readings in the Cantos bring together, in a ground-breaking format, a number of critical readings by world-renowned scholars of the central modernist long poem, The Cantos of Ezra Pound. Each contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive reading that includes an up-to-date assessment of sources and an idea of recent critical approaches. Together the contributors offer a remarkably diverse reading of The Cantos that at the same time demonstrates the coherence of Pound's text.

T. S. Eliot greatly enhanced Dante's profound influence on European literature. The essays in this volume explore Dante's importance through a focus on Eliot. Probing the questions what Eliot made of Dante, and what Dante meant to Eliot, the essays here assess the legacy of modernism by engaging its "classicist" roots, covering a wide spectrum of topics stemming from Dante's relevance to the poetry and criticism of Eliot. The essays reflect on Eliot's aesthetic, philosophical, and religious convictions in relation to Dante, his influence upon literary modernism through his embracing and championing of the Florentine, and his desire to promote European unity. The first section of the book deals with aesthetic and philosophical issues related to Eliot's engagement with Dante, beginning with Jewel Spears Brooker's masterful essay on the concepts of immediate experience and primary consciousness in Eliot's work, and moving on to essays considering his idea of a "unified sensibility," as well as Eliot's engagement with Hindu-Buddhist and Christian themes and motifs. The second part of the book focuses on Dante's importance to Eliot's founding work in the modernist movement. In what ways did Dante directly and indirectly influence the exemplary path that Eliot blazed for his contemporaries, especially Ezra Pound? How early did Dante's influence show itself in Eliot's work? Why was he unable to complete the great trilogy he seems to have sought to write, based on Dante's Inferno, Purgatorio, and Paradiso? These questions and their answers lead to the book's final section, which considers Eliot's (and Dante's) role in the formation of a twentieth-century concept of Europe. Incisive essays on Eliot's varied sources of "tradition" in his attempt to promote the idea of a European union and his anxiety over the heritage of Romanticism are capped by a magisterial contribution from Dominic Manganiello showing precisely how Eliot's reformulation of the Dantesque "European Epic" continues to influence the work of Anglo-European and Commonwealth writers.

This first book-length study of Pound criticism investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked.

Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.