Canto

This volume presents a facsimile of the original draft manuscripts in the Harry Ransom Humanities Research Center of the University of Texas at Austin.

This book will be required reading for any serious Pound scholar but also for those who work in the area of modernist poetry. Many of the book' s contributors (and its editor) are affiliated with the Ezra Pound Society, which will provide a built-in audience and mechanism for promoting the work. Although the book will be of interest to any library containing a copy of Pound' s Cantos, it will also be attractive to individual scholars who may not want to wade through the considerable scholarship but are looking for entry into specific cantos

Reprint of the original, first published in 1881.

Great advances are currently being made in the understanding of Pound's lifework. Many of the essays in this book--the majority are published her for the first time--disclose hitherto unsuspected aspects of the poet's beliefs, while others are studies in depth of areas of his work which, although frequently discussed, have never before been properly examined. Seldom, in fact, have so many pioneering studies been assembled between the covers of a single volume. The various contributors are eminently qualified to treat the specific ideas and interests of Pound's about which they write, and the book as a co-ordinated whole comprehensively covers his--and our artistic culture. Eminent scholars and critics from five different countries have come together in this attempt to 'unscrew the inscrutable': Richard EllemannLeslie FiedlerForrest ReadN. Christoph de NagyWalter BaumannGuy DavenportJ. P. SullivanJohn EspeyDonal DavieGeorge DekkerBoris de RachewiltzAlbert CookHugh KennerChristine Broke-Rose Eva Hesse--well-known here and in Germany as a critic and translator--establishes the interrelationships between the various fields of study and examines some of Pound's key concepts from the aspect of the history of ideas. New Approaches to Ezra Pound should serve as a valuable source book for all students of literature and may above all be expected to act as a catalyst for future studies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

Winner of the PEN/Faulkner Award • Winner of the Orange Prize • National Book Critics Circle Award Finalist "Bel Canto is its own universe. A marvel of a book." —Washington Post Book World New York Times bestselling author Ann Patchett’s spellbinding novel about love and opera, and the unifying ways people learn to communicate across cultural barriers in times of crisis Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of the powerful businessman Mr. Hosokawa. Roxanne Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening—until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds and people from different continents become compatriots, intimate friends, and lovers. Patchett's lyrical prose and lucid imagination make Bel Canto a captivating story of strength and frailty, love and imprisonment, and an inspiring tale of transcendent romance.