Cape Town A Place Between

Cape Town is a place between two oceans, between first and third worlds, between east and west. The majority of its citizens: a people between black and white, native and settler, African and European. How can we understand a city that is most assuredly in Africa, though not””seemingly””of it? By exploring this city’s tween-ness, we can begin to understand the soul of this town””haunted by its past, unsure of its future. A short book just over 100 pages, it allows readers to quickly identify the unique pulse of the city, its throbbing historical, social, cultural and political beat that underlies the transactions between all Capetonians. This is not a substitute for a traditional guidebook, but a perfect companion to one, filling in the intimate details that other books leave out.

Sugar Girls & Seamen illuminates the shadowy world of dockside prostitution in South Africa, focusing on the women of Cape Town and Durban who sell their hospitality to foreign sailors. Dockside "sugar girls" work at one of the busiest cultural intersections in the world. Through their continual interactions with foreign seamen, they become major traffickers in culture, ideas, languages, styles, goods, currencies, genes and diseases. Many learn the seamen's tongues, develop emotional relationships with them, have their babies and become entangled in vast webs of connection. In many ways, these South African mermaids are the ultimate cosmopolitans, the unsung sirens of globalisation. Based on fifteen months of research at the seamen's nightclubs, plus countless interviews with sugar girls, sailors, club owners, cabbies, bouncers and barmaids, this book provides a comprehensive account of dockside "romance" at the southern tip of Africa. Through stories, analysis and first-hand experiences, it reveals this gritty world in all its raw vitality and fragile humanity. Sugar Girls & Seamen is simultaneously racy and light, critical and profound.

In 2003 Sihle Khumalo decided to give up a lucrative job and a comfortable life style in Durban and to celebrate his 30th birthday by crossing the continent from south to north. Celebrating life with gusto and in inimitable style, he describes a journey fraught with discomfort, mishap, ecstasy, disillusionment, discovery and astonishing human encounters. A journey that would be acceptable madness in a white man is regarded by the author’s fellow Africans as an extraordinary and inexplicable expenditure of time and money. Newly conscious of language barriers and regional difference in a continent still unexplored by the majority of Africans, the author presents a strikingly original and highly enjoyable account of a unique adventure. Each chapter is prefaced by a description of the ‘father of the nation’ of the country in question and ends with a hilarious ‘important tip’.

The gunshots came in rapid succession. There were three of them, followed by screeching tyres and a screaming engine. In a matter of seconds I recalled the conversation I’d had with Mary. She’d been right after all. ‘You’ll be fine for a few days,’ she’d said, ‘but after that they’ll turn on you. Our cultures are too different. You won’t live through it, not just because of the cultural differences, but because of the common crime. Find a home here in the suburbs where you belong.’ The three gunshots had been my first, but perhaps for those who’d lived in these streets for years they were only three gunshots among countless others. Who knows? Perhaps three a week, maybe even three a night? ither way, I’d have to get used to them – or leave.

Reveals how liberal democracy and free-market economics reproduce the inequalities of apartheid in Cape Town, South Africa.

In this astonishing series of portraits, award-winning photographer David Lurie explores a place and community that exist on the very fringes of Cape Town Here, in a mirror image of the beautiful and desirable city, life is lived at the very edge. Of his time spent photographing Manenberg, David Lurie says: I was welcomed, entertained, amused; I was also frightened, bewildered, often disoriented, incredulous. His portraits of a place and a people arrest us with their unsparing honesty and painstaking care."