Capital Punishment In Twentieth Century Britain

Capital punishment for murder was abolished in Britain in 1965. At this time, the way people in Britain perceived and understood the death penalty had changed – it was an issue that had become increasingly controversial, high-profile and fraught with emotion. In order to understand why this was, it is necessary to examine how ordinary people learned about and experienced capital punishment. Drawing on primary research, this book explores the cultural life of the death penalty in Britain in the twentieth century, including an exploration of the role of the popular press and a discussion of portrayals of the death penalty in plays, novels and films. Popular protest against capital punishment and public responses to and understandings of capital cases are also discussed, particularly in relation to conceptualisations of justice. Miscarriages of justice were significant to capital punishment’s increasingly fraught nature in the mid twentieth-century and the book analyses the unsettling power of two such high profile miscarriages of justice. The final chapters consider the continuing relevance of capital punishment in Britain after abolition, including its symbolism and how people negotiate memories of the death penalty. Capital Punishment in Twentieth-Century Britain is groundbreaking in its attention to the death penalty and the effect it had on everyday life and it is the only text on this era to place public and popular discourses about, and reactions to, capital punishment at the centre of the analysis. Interdisciplinary in focus and methodology, it will appeal to historians, criminologists, sociologists and socio-legal scholars.

Capital punishment for murder was abolished in Britain in 1965. At this time, the way people in Britain perceived and understood the death penalty had changed – it was an issue that had become increasingly controversial, high-profile and fraught with emotion. In order to understand why this was, it is necessary to examine how ordinary people learned about and experienced capital punishment. Drawing on primary research, this book explores the cultural life of the death penalty in Britain in the twentieth century, including an exploration of the role of the popular press and a discussion of portrayals of the death penalty in plays, novels and films. Popular protest against capital punishment and public responses to and understandings of capital cases are also discussed, particularly in relation to conceptualisations of justice. Miscarriages of justice were significant to capital punishment’s increasingly fraught nature in the mid twentieth-century and the book analyses the unsettling power of two such high profile miscarriages of justice. The final chapters consider the continuing relevance of capital punishment in Britain after abolition, including its symbolism and how people negotiate memories of the death penalty. Capital Punishment in Twentieth-Century Britain is groundbreaking in its attention to the death penalty and the effect it had on everyday life and it is the only text on this era to place public and popular discourses about, and reactions to, capital punishment at the centre of the analysis. Interdisciplinary in focus and methodology, it will appeal to historians, criminologists, sociologists and socio-legal scholars.

This edited collection offers multi-disciplinary reflections and analysis on a variety of themes centred on nineteenth century executions in the UK, many specifically related to the fundamental change in capital punishment culture as the execution moved from the public arena to behind the prison wall. By examining a period of dramatic change in punishment practice, this collection of essays provides a fresh historical perspective on nineteenth century execution culture, with a focus on Scotland, Wales and the regions of England. From Public Spectacle to Hidden Ritual has two parts. Part 1 addresses the criminal body and the witnessing of executions in the nineteenth century, including studies of the execution crowd and executioners’ memoirs, as well as reflections on the experience of narratives around capital punishment in museums in the present day. Part 2 explores the treatment of the execution experience in the print media, from the nineteenth and into the twentieth century. The collection draws together contributions from the fields of Heritage and Museum Studies, History, Law, Legal History and Literary Studies, to shed new light on execution culture in nineteenth century Britain. This volume will be of interest to students and academics in the fields of criminology, heritage and museum studies, history, law, legal history, medical humanities and socio-legal studies.

The stories behind every execution in twentieth century Britain.

From the trial and execution of King Charles I of England in 1649 to the reading of A.E. Houseman's poems by Clarence Darrow in a Chicago murder trial in 1924, writers have registered their opinions and impressions of both public and private forms of execution. This collection of ten essays examines in detail the literary responses of various writers to the social issue of capital punishment during this four-century span.Several of the essays focus on one or two writers in particular--Henry Fielding and Samuel Johnson, for example. Others cover several writers or genres or apply insights from other disciplines (psychology, history, sociology) to make larger points about punishment, crime and crowd behavior. All of the essays seek to illuminate--by referring to the British experience in the past--what continues to be a controversial issue in United States society.

"This edited collection offers multi-disciplinary reflections and analysis on a variety of themes centred on nineteenth century executions in the UK, many specifically related to the fundamental change in capital punishment culture as the execution moved from the public arena to behind the prison wall. By examining a period of dramatic change in punishment practice, this collection of essays provides a fresh historical perspective on nineteenth century execution culture, with a focus on Scotland, Wales and the regions of England. Public Spectacle to Hidden Ritual has two parts. Part 1 addresses the criminal body and the witnessing of executions in the nineteenth century, including studies of the execution crowd and executioners' memoirs, as well as reflections on the experience of narratives around capital punishment in museums in the present day. Part 2 explores the treatment of the execution experience in the print media, from the nineteenth and into the twentieth century. The collection draws together contributions from the fields of Heritage and Museum Studies; History; Law; Legal History and Literary Studies, to shed new light upon execution culture in nineteenth century Britain. The volume will be of interest to students and academics, in the fields of criminology; heritage and museum studies; history; law; legal history; medical humanities, and socio-legal studies"--

A true-crime history of 20th-century, British judicial hangings from 1900 to 1964, and a look at the overall history of executions in Great Britain. It is a sobering thought that until the closing years of the twentieth century, Britain’s courts were technically able to impose the death penalty for several offenses, both civil and military. Although the last judicial hangings took place in 1964, the death penalty, in theory at least, remained for a number of crimes. During the twentieth century, 865 people were executed in Britain. This book examines each and every one of those executions, and in many cases highlights the crimes that brought these men and women to the gallows. The book also details the various forms of capital punishment used throughout British history. During past centuries people were burned at the stake, had the skin flayed from their bodies, were beheaded, garroted, hung, drawn and quartered, stoned, disemboweled, buried alive—and all under the guidance of a vengeful law, or at least what passed for law at any given period. The author, Gary M. Dobbs, has painstakingly collected together every available piece of evidence to provide as clear a picture as possible of a time when the law operated on the principle of an eye for an eye. Dobbs is a true-crime historian and has spent many hours researching the cases featured herein to bring the reader a definitive history of judicial punishment during the twentieth century, and this carefully researched, well-illustrated and enthralling text will appeal to anyone interested in the darker side of history. “A brilliant read.” —Books Monthly (UK)