Cappawhite

The second book in the Cappawhite trilogy. These stories tell of the horrifying events which befall the residents of Cappawhite, a small village in Ireland, when a demon is unwittingly unveiled lurking in an isolated house at the edge of the forest ... The events of this second story unfold in a cemetery in Los Angeles, some thirty five years after the first frightening events ended in Cappawhite, then returns to the forests outside Cappawhite. A small band, led by Dan Winters, formulates a plan to take on a grieving supernatural being which lurks in the forest of Cappawhite. A creature of such power that even the military cannot stop it. This is a story of self sacrifice and love, and a determination to fight the evil that engulfs them, even though the odds seem impossible to overcome.

For centuries the Irish have been associated with a stick weapon called the Shillelagh. And for generations of Irishmen, the Shillelagh was a badge of honor - a symbol of their courage, their martial prowess and their willingness to fight for their rights and their honor. In modern popular culture, the Shillelagh has acquired a less appealing image, one that attempts to declaw the Irish through negative racial stereotypes of the Victorian era, which depict the Irish as harmless club-weilding Leprecauns or drunken, half-witted brawlers. John Hurley's illuminating study forever alters our view of this much maligned and misunderstood cultural icon by revealing the true martial arts culture of the Irish people, its history, evolution and decline and the resulting effects on the Shillelagh - the most powerful and controversial of Irish icons.

"An ocean of consolation" was what one young Irish emigrant in rural Australia called a letter from his father in County Clare in 1855. Similar strength of feeling is often found in the intriguing letters that David Fitzpatrick has unearthed for this extraordinary collection. Oceans of Consolation offers historians and family researchers novel and sophisticated ways of reading old letters. It opens to us the daily preoccupations of ordinary women and men with little education and fewer material possessions, as they try to overcome the separation from family and friends created by emigration. Fitzpatrick includes the personal correspondence of fourteen families of Irish emigrants in the Australian colonies, giving equal attention to letters to and from Australia. He reproduces in full more than one hundred letters dating from 1843 to 1906, and includes a generous selection of contemporary engravings and photographs. Fitzpatrick's detailed commentaries offer biographical narratives for all of these emigrants, tracing their Irish backgrounds and Australian careers. Parting company with editors of comparable collections, he pays special attention to the words and idiom by which letterwriters expressed their everyday concerns and sought or offered reassurance and advice. He believes that personal letters provide not only unique evidence of the hopes and fears of emigrants but also an important avenue for exploring popular Irish culture.