Captured Landscape

The enclosed garden, or hortus conclusus, is a place where architecture and landscape come together. It has a long and varied history, ranging from the early paradise garden and cloister, the botanic garden and giardini segreto, the kitchen garden and as a stage for social display. The enclosed garden has continued to develop into its many modern forms: the city retreat, the redemptive garden, the deconstructed building. As awareness of climate change becomes increasingly important, the enclosed garden, which can mediate so effectively between interior and exterior, provides opportunities for sustainable design and closer contact with the natural landscape. By its nature it is ambiguous. Is it an outdoor room, or captured landscape; is it architecture or garden? Kate Baker discusses the continuing relevance of the typology of the enclosed garden to contemporary architects by exploring influential historical examples and the concepts they generate, alongside some of the best of contemporary designs – brought to life with vivid photography and detailed drawings – taken primarily from Britain, the Mediterranean, Japan and North and South America. She argues that understanding the potential of the enclosed garden requires us to think of it as both a design and an experience. Captured Landscape provides a broad range of information and design possibilities for students of architectural and landscape design, practising architects, landscape designers and horticulturalists and will also appeal to a wider audience of all those who are interested in garden design. This second edition of Captured Landscape is enriched with new case studies throughout the book. The scope has now been broadened to include an entirely new chapter concerning the urban condition, with detailed discussions on issues of ecology, sustainability, economy of means, well-being and the social pressures of contemporary city life.

The enclosed garden, or hortus conclusus, is a place where architecture, architectural elements, and landscape, come together. It has a long history, ranging from the paradise garden and cloister, the botanic garden and the giardini segreto, the kitchen garden and the stage for social display, to its many modern forms; the city retreat, the redemptive garden, and the deconstructed building. By its nature it is ambiguous. Is it an outdoor room, or captured landscape; is it garden or architecture? Kate Baker discusses the continuing relevance of the typology of the enclosed garden to contemporary architects by exploring influential historical examples alongside some of the best of contemporary designs - brought to life with vivid photography and detailed drawings - taken mainly from Britain, the Mediterranean, Japan and South America. She argues that understanding the potential of the enclosed garden requires us to think of it as both a design and an experience. As climate change becomes an increasingly important component of architectural planning, the enclosed garden, which can mediate so effectively between interior and exterior, provides opportunities for sustainable design and closer contact with the natural landscape. Study of the evolution of enclosed gardens, and the concepts they generate, is a highly effective means for students to learn about the design requirements of outdoor space proximal to the built environment. Captured Landscape provides architectural design undergraduates, and practising architects, with a broad range of information and design possibilities. It will also appeal to landscape architects, horticulturalists and a wider audience of all those who are interested in garden design.

Desertification has occurred worldwide. The biophysical and socio-economic complexity of this phenomenon has challenged our ability to categorize, inventory, monitor and repair the condition of degraded lands. One of the most important distinctions to be made in relation to land degradation is between cultivated land used for annual crop production and `rangelands'. Grazing by free-roaming livestock is the traditional primary use of the world's rangelands. However, there is growing recognition of the importance of these vast acreages for wildlife habitat, hydrology and ground water recharge, recreation and aesthetics. This text focuses on the desertification of rangelands and explores processes, problems and solutions. Chapters in the first section evaluate interactions between `natural' and human-induced disturbance regimes, thresholds, and non-linear change with respect to vegetation, hydrology, nutrients and erosion. Chapters in the second section examine socio-economic constraints and approaches for preventing and reversing degradation. The book provides a contemporary, process-oriented perspective on rangeland degradation of value to students, policy-makers and professionals alike.

Learn all the features and functionality of the complete Nik family of products Styled in such a way as to resemble the way photographers think, Nik Software Captured aims to help you learn to apply all the features and functionality of the Nik software products. With Nik Software Captured, authors and Nik Software, Inc. insiders Tony Corbell and Josh Haftel help you use after-capture software products easier and more creatively. Their sole aim is to ensure that you can apply the techniques discussed in the book while gaining a thorough understanding of the capabilities of programs such as Dfine 2.0, Viveza 2, Color Efex Pro 4.0, Silver Efex Pro 2, Sharpener Pro 3.0, and HDR Efex Pro. Helps you learn all the features and functionality of the Nik family of products Shares tips and techniques on retouching and exposure Offers a solid understanding of the importance of light Explores ways to save time in the digital workflow Answers the demand from readers to compile a variety of techniques conceived to help when using Adobe Photoshop, Adobe Photoshop Lightroom, and Apple's Aperture With Nik Software Captured, you'll quickly benefit from the array of helpful techniques featured in this single resource.

This book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form and import of geography-art relations. Such reflections are increasingly important as geography-art intersections come to encompass not only relationships built through interpretation, but also those built through shared practices, wherein geographers work as and with artists, curators and other creative practitioners. For Creative Geographies features seven diverse case studies of artists’ works and exhibitions made towards the end of the twentieth and the beginning of the twentieth-first century. Organized into three analytic sections, the volume explores the role of art in the making of geographical knowledge; the growth of geographical perspectives as art world analytics; and shared explorations of the territory of the body, In doing so, Hawkins proposes an analytic framework for exploring questions of the geographical “work” art does, the value of geographical analytics in exploring the production and consumption of art, and the different forms of encounter that artworks develop, whether this be with their audiences, or their makers.

Landscape architecture and photography are closely interrelated, since the former is a constantly evolving thing that can be captured in stills, even eternalized, by photography. What role does photography play in landscape design? How does photography create a new context for landscape? The book investigates such questions in nine essays by North-American and French scientists, using landscape designs that were created from the 1950s to today.

Ansel Adams was an American photographer born in San Francisco, California on February 20, 1902. He is considered one of the most important and influential photographers of the 20th century. Adams developed a passion for photography at a young age and began taking pictures with a Box Brownie camera. His first published photograph appeared in the Sierra Club Bulletin in 1922. Adams is best known for his work in landscape photography, particularly his images of the American West. His black and white photographs captured the rugged beauty of the landscapes and helped to influence how people viewed and appreciated the natural world. Adams was also a writer and a conservationist, and he dedicated much of his life to protecting the environment and promoting conservation efforts. Adams was a pioneer in the use of the zone system, a photographic technique that he developed to ensure consistent exposure and tonality in his photographs. He was also an advocate for the use of large-format cameras that produced high-quality images with sharp detail and tonal range. Adams’ photography was characterized by his use of bold contrasts, deep shadows, and rich textures. His images often featured dramatic skies, natural patterns, or the interplay of light and shadow. His photographs helped to redefine landscape photography as a fine art, and his impact on the field continues to be felt today. Adams died in Monterey, California on April 22, 1984, but his legacy lives on through his photographs and his contributions to the world of photography and conservation.