Captured On Film

Captured tells the story of film and video in the Lower East Side and the East Village in the artists' own words. It is part formal history and part inspirational text, to remind people on the outside looking in how often their contributions form the invisible pillars of American art and popular life. Movements such as No Wave and the Cinema of Transgression are covered, as is the story of Pull My Daisy, considered among the true progenitors of indie film. Captured is a must-have for fans of independent film and students of cinema everywhere.

In 2008 the youtube video documenting the emotional reunion between two men and Christian the Lion became a worldwide sensation. Key themes of the essays in Captured: the Animal within Culture are encapsulated in Christian's story: the implications of the physical and cultural capture of animals.

Prison has long fascinated film makers and audiences alike. The author explores the dark enclosed world of prisons on film from light-hearted comedies to the deeper implications of people imprisoned for their political and religious beliefs.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

This illustrated guide is unique. Fans of Miami Vice, Scarface, Burn Notice, and 80s Miami movies will appreciate it. The guide will also interest students of Miami history and Art Deco as well as those nostalgic about Miami in the 80s. It explains for the first time that these shows are really a time capsule of long gone Miami scenes. They serve as a record of when Miami was 1980s America on steroids. Burn Notice, an innovative show in its own right, followed Miami Vice's lead. When compared to similar scenes from Vice, recent TV shows reveal the distinctiveness of the 80s. These TV shows also provide a window into today's Miami. The guide shows where views of long gone iconic locations and typical Miami scenes can be found on the DVDs. The value of Miami Vice to South Florida is explained. Personal observations are provided by the author who lived there during the Vice years. All music played on Miami Vice is listed as well as key locations in all Vice, movies, and recent TV episodes.

In this book, Jason B. Dorwart contends that the material presence of visible disability disrupts the framing devices that provide safe distancing for theatre’s fictive nature. Conceptions of disability that place the disabled body into a permanently liminal space between life and death are directly at odds with theatrical performances, which are geared toward moving through liminality into a new point of stasis. Dorwart reveals how this contradiction leads to performance practices that work to marginalize and eliminate the presence of disabled bodies of both character and actor, as disabled characters have historically been written with different character arcs than nondisabled characters and with the assumption that they would be played by nondisabled actors. As more disabled actors gain exposure in film and theatre, the difference in how disabled characters are written is also increasingly affected by whether the role is intended for a disabled or nondisabled actor. These performances are enacting new means to performatively and figuratively reincorporate or eliminate the liminal disabled body. The Incorporeal Corpse demonstrates how recent plays and films try to rectify this tension between the permanence of disability and the transitory nature of performance. Scholars of theatre, disability studies, and performance studies will find this book of particular interest.

A classic collection filled with tales of the paranormal past—illustrations included. Travel back into supernatural history with the early twentieth-century ghost hunter and author Elliott O’Donnell as he recounts the frightening stories of: · The Erskines of Mar · The Lambton Worm · The Peasant Boy’s Curse · The Screaming Skulls of Calgarth · Corfe Castle and the Curse of St. Dunstan · Dread Coruisk · The Curse of Rudesheim and more Famous Curses is part of The Paranormal, a series that resurrects rare titles, classic publications, and out-of-print texts, as well as publishes new supernatural and otherworldly ebooks for the digital age. The series includes a range of paranormal subjects from angels, fairies, and UFOs to near-death experiences, vampires, ghosts, and witchcraft.

Orlando Suero (*1925) started snapping photos with the Kodak Jiffy his father gave him in 1939. He later attended NY Institute of Photography and worked at camera shops and photo labs including Compo Photo Color where he printed the images for Edward Steichen's monumental exhibition, The Family of Man. One of his first assignments was to spend five days in May 1954 with newlyweds, Jackie and Senator John F. Kennedy at their Georgetown duplex, documenting their everyday lives. This was the beginning of a successful career shooting some of the most recognizable faces in Hollywood, among them Natalie Wood, Brigitte Bardot, Michael Caine, Sharon Tate, Paul Newman, Julie Andrews, Jack Nicholson, and Dennis Hopper. Because of his friendly and unaffected approach, his subjects opened up to him and his camera in a way not many others have been able to accomplish.This monograph contains many never-before seen images of celebrities from the 1950's to the 1980's that have been sitting in storage for 40-50 years.