Caricaturing Culture In India

A highly original study of newspaper cartoons throughout India's history and culture, and their significance for the world today.

'One of the best books for 2023' Cosmopolitan Against a rising tide of fundamentalism in India, a mother and daughter lose the most important man in their lives. Shashi, fifty-something and suddenly widowed, tries to contact her only daughter, Tara, to break the news, but cannot reach her. As Shashi confronts her loss, she finds, amidst grief, unexpected new freedoms. Meanwhile, Tara, a spoiled but brilliant university student, has retreated to Dharamsala to deal with the fall out from an ill-advised relationship. Her self-imposed solitude makes contact near impossible, so by the time she learns of her loss, the funeral is already over. Without the man that bound them, Shashi and Tara struggle to reconcile. But his absence also makes them a target for an emerging religious group determined to put women in their place, and Shashi and Tara individually prepare to defend their independence. If mother and daughter are to come together, they must find a way to understand both their new world, and each other. But can you ever emerge from an eclipse unscathed? 'Lyrical throughout yet so deceptively easygoing... an extraordinary novel' André Aciman 'Powerful, evocative and accomplished – it's hard to believe The Illuminated is a debut' Alice Ryan 'Gives voice to a new generation' BBC Radio 4

Folk performances reflect the life-worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste-ridden society? In Cultural Labour, the author studies bhuiyan puja (land worship), bidesia (theatre of migrant labourers), Reshma-Chuharmal (Dalit ballads), dugola (singing duels) from Bihar, and the songs and performances of Gaddar, who was associated with Jana Natya Mandali, Telangana: he examines various ways in which meanings and behaviour are engendered in communities through rituals, theatre, and enactments. Focusing on various motifs of landscape, materiality, and performance, the author looks at the relationship between culture and labour in its immediate contexts. Based on an extensive ethnography and the author’s own life experience as a member of such a community, the book offers a new conceptual framework to understand the politics and aesthetics of folk performance in the light of contemporary theories of theatre and performance studies.

Suitable for both the academician as well as the layman, this book draws from sources as varied as fiction, essays, reviews, and more.

It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.

A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.

“A portrait of growing up in America, and a portrait of family, that pulls off the feat of being both intimately specific and deeply universal at the same time. I adored this book.”—Jonny Sun “[A] high-spirited graphical memoir . . . Gharib’s wisdom about the power and limits of racial identity is evident in the way she draws.”—NPR WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The New York Public Library • Kirkus Reviews I Was Their American Dream is at once a coming-of-age story and a reminder of the thousands of immigrants who come to America in search for a better life for themselves and their children. The daughter of parents with unfulfilled dreams themselves, Malaka navigated her childhood chasing her parents' ideals, learning to code-switch between her family's Filipino and Egyptian customs, adapting to white culture to fit in, crushing on skater boys, and trying to understand the tension between holding onto cultural values and trying to be an all-American kid. Malaka Gharib's triumphant graphic memoir brings to life her teenage antics and illuminates earnest questions about identity and culture, while providing thoughtful insight into the lives of modern immigrants and the generation of millennial children they raised. Malaka's story is a heartfelt tribute to the American immigrants who have invested their future in the promise of the American dream. Praise for I Was Their American Dream “In this time when immigration is such a hot topic, Malaka Gharib puts an engaging human face on the issue. . . . The push and pull first-generation kids feel is portrayed with humor and love, especially humor. . . . Gharib pokes fun at all of the cultures she lives in, able to see each of them with an outsider’s wry eye, while appreciating them with an insider’s close experience. . . . The question of ‘What are you?’ has never been answered with so much charm.”—Marissa Moss, New York Journal of Books “Forthright and funny, Gharib fiercely claims her own American dream.”—Booklist “Thoughtful and relatable, this touching account should be shared across generations.”– Library Journal “This charming graphic memoir riffs on the joys and challenges of developing a unique ethnic identity.”– Publishers Weekly

In this timely and important book, Abdel Bari Atwan draws on his unrivalled knowledge of the global jihadi movement and Middle Eastern geopoliti to reveal the origins and modus operandi of Islamic State. Based on extensive field research and exclusive interviews with IS insiders, Atwan offers a comprehensive review of the group's organisational structure and leadership, strategies, tacti and diverse methods of recruitment. He traces the salafi-jihadi lineage of IS, its ideological differences with al-Qa'ida, and the deadly rivalry that has emerged between their leaders. Atwan also shows how the group's rapid growth has been facilitated by its masterful command of social media platforms, the 'dark web', Hollywood 'blockbuster'-style videos, and even jihadi computer games, producing a powerful paradox where the ambitions of the Middle Ages have re-emerged in cyber-space. As Islamic State continues to dominate the world's media headlines with horrific acts of ruthless violence, Atwan considers the movement's chances of survival and expansion, and offers indispensable insights on potential government responses to contain the IS threat. 'A key voice explaining Islamist militancy to the English-speaking world' Peter Bergen 'Thank heavens we have writers such as Atwan – who knew the real Bin Laden better than any other journalist' Robert Fisk, Independent 'An extraordinarily gifted, experienced and knowledgeable analyst of Arab affairs' Ann Leslie, Daily Mail 'Atwan 'got it' from the moment bin Laden appeared on the scene' Michael Scheuer, former head of the CIA bin Laden 'Alec' unit