Carl Allen Schoner S Big Cartoon Sketchbook

Offers a glimpse into the creative process of developing cartoon characters and style. This 400 plus page phonebook-size volume includes four serialized newspaper style cartoon strips and many single panel magazine and free style cartoons. This book is useful to those interested in the process of cartooning.

In the author's words, "A friendly invasion is an invasion nonetheless." This is a humorous, outrageous perspective of how the new wave of Asian immigrants pouring into the San Gabriel Valley has transformed life there. As seen through the eyes of the Artist/Author (who has lived in the area for 45 years) this book paints a picturesque exposi of the changing demographics of the Valley that is as serious as it it is funny. This is a wild ride of essays and cartoons that touch upon such flash-points of interest as Samurai Image and Wealth, Politics, Samurai Restaurants and Dining Experiences, Music and Entertainment, Feng Shui, the Dating Disparity Issue, the Asian Intellectual Superiority Myth, Karaoke Clubs, Suburban Samurai Supermarket Adventures, and much more! This perspective is essential reading for anyone interested in Asian American studies!

For military cartoonists the absurdity of war inspires a laugh-or-cry response and provides an endless source of un-funny amusement. Cartoons by hundreds of artists-at-arms from more than a dozen countries and spanning two centuries are included in this study--the first to consider such a broad range of military comics. War and military life are examined through the inside jokes of the men and women who served. The author analyzes themes of culture, hierarchy, enemies and allies, geography, sexuality, combat, and civilian relations and describes how comics function within a community. A number of artists included were known for their work with Disney, Marvel Comics, the New Yorker and Madison Avenue but many lesser known artists are recognized.

Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.

Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.

The Museum of Fine Arts, Budapest, preserves six drawings by Raphael. Ever since the nineteenth century, they have been widely discussed and included in every significant modern œuvre catalogue and most monographs on the artist. Like the majority of Raphael’s sheets, these drawings have also given rise to a large amount of debate. Among the subjects under constant discussion are the authorship of the early pen drawing for the painter’s first Perugian altarpiece, the Coronation of the Virgin, the compositional study for The Massacre of the Innocents, engraved by Marcantonio Raimondi, and the Angel Head associated with the fresco decoration of the Sala di Costantino in the Vatican Palace. The present exhibition, drawn entirely from our collection, focuses on drawings by Raphael, and endeavours to shed further light on his artistic legacy by including drawings by his most talented assistants, as well as some outstanding prints from the period. As part of the preparations of the exhibition a research project was carried out by András Fáy, chief conservator of the Museum of the Fine Arts, Budapest, on Raphael’s drawings as well as the Esterházy Madonna. Ultraviolet and infrared imaging provided information on the materials of the drawings and their condition, the results of which have contributed to the studies in this volume. 0Exhibition: Museum of Fine Arts, Budapest, Hungary (18.12.2013-30.03.2014).

In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.

Musical Theatre: A History is a new revised edition of a proven core text for college and secondary school students – and an insightful and accessible celebration of twenty-five centuries of great theatrical entertainment. As an educator with extensive experience in professional theatre production, author John Kenrick approaches the subject with a unique appreciation of musicals as both an art form and a business. Using anecdotes, biographical profiles, clear definitions, sample scenes and select illustrations, Kenrick focuses on landmark musicals, and on the extraordinary talents and business innovators who have helped musical theatre evolve from its roots in the dramas of ancient Athens all the way to the latest hits on Broadway and London's West End. Key improvements to the second edition: · A new foreword by Oscar Hammerstein III, a critically acclaimed historian and member of a family with deep ties to the musical theatre, is included · The 28 chapters are reformatted for the typical 14 week, 28 session academic course, as well as for a two semester, once-weekly format, making it easy for educators to plan a syllabus and reading assignments. · To make the book more interactive, each chapter includes suggested listening and reading lists, designed to help readers step beyond the printed page to experience great musicals and performers for themselves. A comprehensive guide to musical theatre as an international phenomenon, Musical Theatre: A History is an ideal textbook for university and secondary school students.