Carnal Thoughts

In these innovative essays, Vivian Sobchack considers the key role our bodies play in making sense of today's image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film and other media, Carnal Thoughts shows how our experience always emerges through our senses and how our bodies are not just visible objects but also sense-making, visual subjects. Sobchack draws on both phenomenological philosophy and a broad range of popular sources to explore bodily experience in contemporary, moving-image culture. She examines how, through the conflation of cinema and surgery, we've all "had our eyes done"; why we are "moved" by the movies; and the different ways in which we inhabit photographic, cinematic, and electronic space. Carnal Thoughts provides a lively and engaging challenge to the mind/body split by demonstrating that the process of "making sense" requires an irreducible collaboration between our thoughts and our senses.

A group of sophisticated essays on how we experience film with all fives senses--and our sense of history .

A group of sophisticated essays on how we experience film with all fives senses--and our sense of history .

: Disregarding the political aggression that the white elitists demonstrate against the president it is most the humane aspect that concerns me. In the vicious world we live; we legitimize the destruction of opponents in the arena of politics. But to destroy the character of an opponent to deny the human dignity of a person that shows love and compassion for this fellow humane, is a diabolic behavior.

Cyril ibn Laqlaq’s Book of Confession offers the critical edition and translation of a treatise that is published here for the first time. Cyril, the 75th Coptic Patriarch, was a controversial figure who was judged for simony by his own bishops in an official synod. Despite his failure to promote auricular confession during his lifetime, the widespread distribution of his treatise had a significant impact on the practice's adoption. The Book of Confession is well attested in the manuscript tradition. The vast inventory of manuscripts attests to its popularity among diverse Christian denominations throughout the Middle East. Undoubtedly, it has been a highly influential text in the formation of spiritual life and penitential theology in the Middle Ages.

This collection of essays on transnational Chinese cinema explores the corporal, psychological, and affective aspects of experiencing bodies on screen; engages with the material and discursive elements of embodiment; and highlights the dynamics between the mind and body involved in bio-cultural practices of cinematic production, distribution, exhibition, and reception.

Art today is an increasingly multifaceted phenomenon, encompassing transgressive works that intervene in war and ecological disasters, in inequalities and revolutionary changes in technology. Carnal Aesthetics is a fascinating, new examination of this aspect of contemporary visual culture. Employing recent theories of transgressive body imagery, trauma, affect and sensation, it provides a fresh look at the meeting point between the politics of representation and the politics of perception through the prismatic lens of feminist theory. Acclaimed scholars analyse a wide range of seminal case studies coming from different media: digital photography, painting, video, film and multimedia art. They explore here a number of transgressive movements that significantly reconfigure the relationship between the body and the image. Unlike other books on the complex relationship between politics and aesthetics, Carnal Aesthetics seeks to provide a novel approach to art and culture by challenging the primacy of vision and by injecting an intersectional perspective into the fields of visual studies, film and media studies, as well as trauma studies. It is a significant contribution across these dynamic fields of exploration for scholars who deal with the socio-political nature of contemporary visual culture in their work.