Carolingian Scholarship And Martianus Capella

It is well known that the Carolingian royal family inspired and promoted a cultural revival of great consequence. The courts of Charlemagne and his successors welcomed lively gatherings of scholars who avidly pursued knowledge and learning, while education became a booming business in the great monastic centres, which were under the protection of the royal family. Scholarly emphasis was placed upon Latin language, religion, and liturgy, but the works of classical and late antique authors were collected, studied, and commented upon with similar zeal. A text that was read by ninth-century scholars with an almost unrivalled enthusiasm is Martianus Capella's De nuptiis Philologiae et Mercurii, a late antique encyclopedia of the seven liberal arts embedded within a mythological framework of the marriage between Philology (learning) and Mercury (eloquence). Several ninth-century commentary traditions testify to the work's popularity in the ninth century. Martianus's text treats a wide range of secular subjects, including mythology, the movement of the heavens, numerical speculation, and the ancient tradition on each of the seven liberal arts. De nuptiis and its exceptionally rich commentary traditions provide the focus of this volume, which addresses both the textual material found in the margins of De nuptiis manuscripts, and the broader intellectual context of commentary traditions on ancient secular texts in the early medieval world.

The essays collected in this volume (including one hitherto unpublished, one in a revised version, and others now provided with additional notes) examine the intellectual and cultural life of early medieval western Europe from a number of different perspectives. The author argues that Carolingian learning must be seen within the general context of the Dynasty's attempt to reform society along Christian lines, and not as a medieval renaissance or revival of classical culture. The efforts of Carolingian leaders and scholars often led to varied results - one of the hallmarks of intellectual and cultural life of the period. Several of the essays focus on prominent themes in 9th century intellectual history - the arts, Bible, education, the role of the Irish - while others shed new light major Carolingian figures such as John Scottus Eriugena, Martin Scottus, Haimo of Auxerre, and Hincmar of Laon. The centrality of the manuscript to the reconstruction of intellectual life of the period is a theme common to all the essays.

In this book, Katie Reid argues that the fifth-century author Martianus Capella was a significant influence in the late Middle Ages and Renaissance. His poetic encyclopaedia, The Marriage of Philology and Mercury, was a source for writing on the liberal arts, allegory and classical mythology from 1300 to 1650. In fact, writers of this period had much more in common with Martianus Capella than they did with older ancients like Homer and Virgil. As such, we must reshape our understanding of late medieval and Renaissance encounters with the classical world by exploring their roots in Late Antiquity.

This book considers the great cultural and geopolitical changes in western Eurasia in the fifth century CE. It focuses on the Roman Empire, but it also examines the changes taking place in northern Europe, in Iran under the Sasanian Empire, and on the great Eurasian steppe. Attila is presented as a contributor to and a symbol of these transformations.

An overview of the context, thought, writings and legacy of John Scottus Eriugena, the most important philosopher and theologian in the Latin West from the death of Boethius until the thirteenth century.

"This volume presents a comparative approach to textual glossing practices in both the West and East Asia, looking for evidence of historical and cultural continuity in this wide-spread practice"--

Peter Adamson presents a lively introduction to six hundred years of European philosophy, from the beginning of the ninth century to the end of the fourteenth century. The medieval period is one of the richest in the history of philosophy, yet one of the least widely known. Adamson introduces us to some of the greatest thinkers of the Western intellectual tradition, including Peter Abelard, Anselm of Canterbury, Thomas Aquinas, John Duns Scotus, William of Ockham, and Roger Bacon. And the medieval period was notable for the emergence of great women thinkers, including Hildegard of Bingen, Marguerite Porete, and Julian of Norwich. Original ideas and arguments were developed in every branch of philosophy during this period - not just philosophy of religion and theology, but metaphysics, philosophy of logic and language, moral and political theory, psychology, and the foundations of mathematics and natural science.

This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.