Carved Histories

This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.

Agawam Massachusetts - Stories Carved in Stone by Rusty Clark is a fascinating collection of tales based on Colonial headstones found in the picturesque cemeteries of Agawam, Massachusetts. The book features information on early New England gravestone carvers, and includes over two hundred photos and illustrations, with over one hundred photographs of this Yankee folk art. It also contains historical and genealogical information about the pioneers who settled in the Connecticut River Valley. Take this field guide along as you visit these ancient burial grounds.

Han Dynasty (206 BC–AD 220) stone carved tombs were constructed from carved stone slabs or a combination of moulded bricks and carved stones, and were distributed in Central and Eastern China. In this book, the origins, meanings and influences of these tombs are presented as a part of the history of interactions between different parts of Eurasia.

Oral histories, legends, and accounts of contemporary life of a New Zealand Maori tribe are presented in this cultural that includes colonial histories of the Native Land Court and traditional histories from the Northern Hawke's Bay.

Craft practice has a rich history and remains vibrant, sustaining communities while negotiating cultures within local or international contexts. More than two centuries of industrialization have not extinguished handmade goods; rather, the broader force of industrialization has redefined and continues to define the context of creation, deployment and use of craft objects. With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls? Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization, whether inspired by a calculated refutation of industrial sameness, an essential means to sustain a cultural community under threat, or a rejection of the imposed definitions by a dominant culture. The broader effects of urbanizing, imperial and globalizing projects shape the multiple contexts of interaction and resistance that can define craft ventures through place and time. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.

Referred to by some as The Eighth Wonder of the World, Stone Mountain, located 16 miles from Atlanta, Georgia, is the largest exposed mass of granite in the world. Freeman, a freelance historian, narrates the development of the mountain from the days that it served as a Native American domain, through the carving of an historic Confederate monument, to its present status as a tourist attraction and recreational area. Enhanced with bandw photographs. Annotation copyrighted by Book News, Inc., Portland, OR