Casas

The Unheard Voice of Law in Bartolomé de las Casas’s Brevísima relación de la destruición de las Indias reinterprets Las Casas’s controversial treatise as a legal document, whose legal character is linked to civil and ecclesial genres of the Early Modern and late Renaissance juridical tradition. Bartolomé de las Casas proclaimed: "I have labored to inquire about, study, and discern the law; I have plumbed the depths and have reached the headwaters." The Unheard Voice also plumbs the depths of Las Casas’s voice of law in his widely read and highly controversial Brevísima relación—a legal document published and debated since the 16th century. This original reinterpretation of his Very Brief Account uncovers the juridical approach voiced in his defense of the Indigenous peoples of the Americas. The Unheard Voice innovatively asserts that the Brevísima relación’s legal character is intimately linked to civil and ecclesial genres of the late Renaissance juridical tradition. This paradigm-shifting book contextualizes the formation of Las Casas’s juridical voice in canon law and theology—initially as a secular cleric, subsequently as a Dominican friar, and finally as a diocesan bishop—and demonstrates how his experienced juridical voice fought for justice in trans-Atlantic debates about Indigenous peoples’ level of humanity, religious freedom, enslavement, and conquest. Reaching the headwaters of Las Casas’s hitherto unheard juridical voice of law in the Brevísima relación provides readers with a previously unheard interpretation—an appealing voice for readers and students of this powerful Early Modern text that still resonates today. The Unheard Voice of Law is a valuable companion text for many in the disciplines of literature, history, theology, law, and philosophy who read Bartolomé de las Casas’s Very Brief Account and study his life, labor, and legacy.

Adding to the momentum of Lascasian Studies, this interdisciplinary effort of seventeen scholars offers sophisticated explorations of colonial Latin American and early modern Iberian studies.

"Michael E. Whalen and Paul E. Minnis have worked extensively in the Casas Grandes area and now offer new research arguing that it was not as similar to the highly developed complex societies of Mesoamerica as has been thought. In the first book of its kind in 25 years, the authors analyze settlement pattern data from more than 300 communities in the area surrounding Casas Grandes to show that its Medio period culture was a local development."--BOOK JACKET.

Sixteen scholars on both sides of the border present recent research on the economy, history, religion, and far-reaching influence of Casas Grandes. Macaw feathers, copper, shells, ritual mounds, and ball fields all reveal the secrets of Casas Grandes, a massive town whose trading network extended from the Chihuahua Desert up through the American Southwest.

Reproduction of the original: Bartholomew de Las Casas. His life, apostolate, and writings by Francis Augustus MacNutt

This is a short history of the age of exploration and the conquest of the Americas told through the experience of Bartolomé de las Casas, a Dominican friar who fervently defended the American Indians, and the single most important figure of the period after Columbus. Explores the period known as the Encounter, which was characterized by intensive conflict between Europeans and the people of the Americas following Columbus’s voyages Argues that Las Casas, ‘protector of Indians,' was primarily motivated by Scripture in his crusade for justice and equality for American Indians Draws on the 14 volume Complete Works of Las Casas as a window into his mind and actions Encourages students to understand history through the viewpoint of individuals living it

Sanaa’s housing projects, both finished (House A, S House, House in a Plum Grove, Small House and Moriyama House), and unfinished projects (Flower House, Garden & House, Seijo Apartments, Ichikawa Apartments, House in China and Eda Apartments). SANAA's architecture embraces complexities within deceptively simple appearances. It has many elements that are impossible to understand unless actually “experienced”. In contrast with modern architecture, SANAA has many aspects that cannot be revealed in “representative” media such as plans, models, and photographs. The “representations” of their architectural works incorporate ambiguity and chronological elements. This characteristic makes Sanaa one of the most innovative offices in the current architectural panorama.