Cash Mccall

A financial adventurer becomes a hero to some, a villain to many, and a lover to one as he buys and sells companies in a thrilling game of wits and cunning in this New York Times bestseller from the author of Executive Suite Cash McCall is a believer in free enterprise, a man not yet forty who buys, sells, and merges companies to make huge profits in a postwar nation of conformist “company men.” McCall is an enigma who operates out of an expensive tenth-floor suite in a Philadelphia hotel that he may or may not own. He’s single, conducts secret business meetings, and is both envied and hated. No one knows where he came from. Grant Austen spent three decades building his plastics company. Now, as he seeks counsel from his banker and lawyer about selling out, he unwittingly triggers a whirlwind of corporate and financial maneuvering he doesn’t fully understand. And his daughter, Lory, commits the cardinal sin of falling in love with Cash McCall, the man who’s about to buy her father’s company out from under him. But who is Cash McCall? A ruthless operator or a rugged individualist? Reminiscent of Ayn Rand’s The Fountainhead, this is a novel about love, the free enterprise system, and one man’s refusal to be anyone but himself.

A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.

Fiction, including novels, plays, and films, can be a powerful force in educating students and employees in ways that lectures, textbooks, articles, case studies, and other traditional teaching approaches cannot. Works of fiction can address a range of issues and topics, provide detailed real-life descriptions of the organizational contexts in which workers find themselves, and tell interesting, engaging, and memorable stories that are richer and more likely to stay with the reader or viewer longer than lectures and other teaching approaches. For these reasons, Exploring Capitalist Fiction: Business through Literature and Film analyzes 25 films, novels, and plays that engage the theories, concepts, and issues most relevant to the business world. Through critical examinations of works such as Atlas Shrugged and Wall Street, Younkins shows how fiction is a powerful teaching tool to sensitize business students without business experience and to educate and train managers in real businesses.

Since his television debut in the mid-1950s, James Garner entertained millions of fans on screens both big and small. From supporting roles in memorable films like Sayonara and The Notebook to leading roles in box office hits including The Great Escape, Victor / Victoria, and the feature film version of Maverick, the actor appeared in some of the most entertaining movies of all time. In The Essential James Garner, Stephen H. Ryan and Paul J. Ryan consider the prolific output of one of America’s most beloved actors. This book looks at the key feature films, made-for-television movies, and television episodes of Garner’s career. The authors discuss each of the actor’s most well-known films—The Great Escape, The Americanization of Emily, Support Your Local Sheriff! and Murphy’s Romance, among others—as well as critically acclaimed television movies including Barbarians at the Gate, Breathing Lessons, Decoration Day, Heartsounds, My Names Is Bill W., and Promise. Each entry provides details about the film’s production, critical reception, and commercial success. The best episodes of Garner’s two iconic television, Maverick and The Rockford Files—as well as his highly regarded but little seen series Nichols—are also identified. The authors make clear why these choices are indispensable viewings, not only for those already familiar with Garner, but also for those who have yet to enjoy the work of this Oscar nominee and multiple Emmy winner. A tribute to the career of a Hollywood legend, The Essential James Garner will appeal to anyone wanting to know more about the actor’s best films and programs.

This landmark text by Paul Baran and Paul Sweezy is a classic of twentieth-century radical thought, a hugely influential book that continues to shape our understanding of modern capitalism. “This book… deals with a vital area of economics, has a unique approach, is stimulating and well written. It represents the first serious attempt to extend Marx’s model of competitive capitalism to the new conditions of monopoly capitalism.” — Howard J. Sherman, American Economic Review

Eugene McCarraher challenges the conventional view of capitalism as a force for disenchantment. From Puritan and evangelical valorizations of profit to the heavenly Fordist city, the mystically animated corporation, and the deification of the market, capitalism has hijacked our intrinsic longing for divinity, laying hold to our souls.

Corporate Wrongdoing on Film: The ‘Public Be Damned’ provides a unique and ground-breaking analysis of corporate wrongdoing depictions, identifying, describing, and categorizing harms perpetrated by corporations. The book provides a history of corporate wrongdoing in film, from the silent film to the present day. Early films are summarized and discussed within the historical, social and political contexts in which they were released. Examining films produced after 1979, the book classifies them by corporate harms to the environment, workers, consumers, and the economy. The book includes a discussion of well over 100 films, from obscure television movies to Hollywood blockbusters. Finally, the book concludes with a narrative analysis exploring the depiction of the protagonists, antagonists, and victims within the corporate wrongdoing film. Detailed and accessible, Corporate Wrongdoing on Film: The ‘Public Be Damned’ will be of great interest to scholars and students of Criminology and Film and Media Studies.