Catesby S Birds Of Colonial America

With this lovely and informative volume, Alan Feduccia preserves the pathbreaking work of Mark Catesby, the English naturalist and illustrator who founded natural history and bird art in America. First published by UNC Press in 1985, the book features all

What draws us to the beauty of a peacock, the flight of an eagle, or the song of a nightingale? Why are birds so significant in our lives and our sense of the world? And what do our ways of thinking about and experiencing birds tell us about ourselves? Birdscapes is a unique meditation on the variety of human responses to birds, from antiquity to today, and from casual observers to the globe-trotting "twitchers" who sometimes risk life, limb, and marriages simply to add new species to their "life lists." Drawing extensively on literature, history, philosophy, and science, Jeremy Mynott puts his own experiences as a birdwatcher in a rich cultural context. His sources range from the familiar--Thoreau, Keats, Darwin, and Audubon--to the unexpected--Benjamin Franklin, Giacomo Puccini, Oscar Wilde, and Monty Python. Just as unusual are the extensive illustrations, which explore our perceptions and representations of birds through images such as national emblems, women's hats, professional sports logos, and a Christmas biscuit tin, as well as classics of bird art. Each chapter takes up a new theme--from rarity, beauty, and sound to conservation, naming, and symbolism--and is set in a new place, as Mynott travels from his "home patch" in Suffolk, England, to his "away patch" in New York City's Central Park, as well as to Russia, Australia, and Greece. Conversational, playful, and witty, Birdscapes gently leads us to reflect on large questions about our relation to birds and the natural world. It encourages birders to see their pursuits in a broader human context--and it shows nonbirders what they may be missing.

Completed in 1747, Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands was the first major illustrated publication on the flora and fauna of Britain's American colonies. Together with his Hortus Britanno-Americanus (1763), which detailed plant species that might be transplanted successfully to British soil, Catesby's Natural History exerted an important, though often overlooked, influence on the development of art, natural history, and scientific observation in the eighteenth century. Inspired by a major traveling exhibition of Catesby's watercolor drawings from the Royal Library, Windsor Castle, this collection of interdisciplinary essays considers Catesby's endeavors as a naturalist-artist, scientific explorer, experimental horticulturist, ornamental gardener, and early environmental thinker in terms of the interests held by the various, overlapping communities in which he functioned_particularly as those interests related to the British colonial enterprise. The contributors are David R. Brigham, Joyce E. Chaplin, Mark Laird, Amy R. W. Meyers, Therese O'Malley, and Margaret Beck Pritchard. The contributors: David R. Brigham (Worcester Art Museum) Joyce E. Chaplin (Vanderbilt University) Mark Laird (University of Toronto) Amy R. W. Meyers (Huntington Library & Art Collections) Therese O'Malley (National Gallery of Art) Margaret Beck Pritchard (Colonial Williamsburg Foundation)

Completed in 1747, Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands was the first major illustrated publication on the flora and fauna of Britain's American colonies. Together with his Hortus Britanno-Americanus (1763), which detailed plant species that might be transplanted successfully to British soil, Catesby's Natural History exerted an important, though often overlooked, influence on the development of art, natural history, and scientific observation in the eighteenth century. Inspired by a major traveling exhibition of Catesby's watercolor drawings from the Royal Library, Windsor Castle, this collection of interdisciplinary essays considers Catesby's endeavors as a naturalist-artist, scientific explorer, experimental horticulturist, ornamental gardener, and early environmental thinker in terms of the interests held by the various, overlapping communities in which he functioned_particularly as those interests related to the British colonial enterprise. The contributors are David R. Brigham, Joyce E. Chaplin, Mark Laird, Amy R. W. Meyers, Therese O'Malley, and Margaret Beck Pritchard. The contributors: David R. Brigham (Worcester Art Museum) Joyce E. Chaplin (Vanderbilt University) Mark Laird (University of Toronto) Amy R. W. Meyers (Huntington Library & Art Collections) Therese O'Malley (National Gallery of Art) Margaret Beck Pritchard (Colonial Williamsburg Foundation)

In 1712, English naturalist Mark Catesby (1683–1749) crossed the Atlantic to Virginia. After a seven-year stay, he returned to England with paintings of plants and animals he had studied. They sufficiently impressed other naturalists that in 1722 several Fellows of the Royal Society sponsored his return to North America. There Catesby cataloged the flora and fauna of the Carolinas and the Bahamas by gathering seeds and specimens, compiling notes, and making watercolor sketches. Going home to England after five years, he began the twenty-year task of writing, etching, and publishing his monumental The Natural History of Carolina, Florida, and the Bahama Islands. Mark Catesby was a man of exceptional courage and determination combined with insatiable curiosity and multiple talents. Nevertheless no portrait of him is known. The international contributors to this volume review Catesby’s biography alongside the historical and scientific significance of his work. Ultimately, this lavishly illustrated volume advances knowledge of Catesby’s explorations, collections, artwork, and publications in order to reassess his importance within the pantheon of early naturalists.