Cathedral Of The Black Madonna

Explores the connection between ancient druidic worship of a virgin at Chartres and the veneration of the Black Madonna • Examines the Virgin Mary’s origins in the pagan worship of the Mother Goddess • Identifies Mary with the dominant solar goddess of matriarchal societies The great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass, considered alchemical glass, and its mystical labyrinth. But the sacred foundations of this sanctuary go back to a time long before Christianity when this site was a clearing where druids worshiped a Virgo Paritura: a virgin about to give birth. This ancient meeting place, where all the druids in Gaul gathered once a year, now houses the magnificent Chartres cathedral dedicated both to the Virgin Mary, Mother of God, and to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces Chartres’ roots back to prehistoric times and the appeal of the Black Madonna back to the ancient widespread worship of Mother Goddesses such as Cybele and Isis. Markale contends that the mother and child depicted by the Black Madonna are descended from the image worshipped by the druids of the Virgin forever giving birth. This image is not merely a representation of maternal love--albeit of a spiritual nature. It is a theological notion of great refinement: the Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming.

In 1944, the Nazis razed Warsaw’s historic Cathedral of St. John the Baptist. “They knew that the strength of the Polish nation was rooted in the Cross, Christ’s Passion, the spirit of the Gospels, and the invincible Church,” argued Cardinal Stefan Wyszyński in a letter celebrating the building’s subsequent reconstruction. “To weaken and destroy the nation, they knew they must first deprive it of its Christian spirit.” Wyszynski insisted that Catholicism was an integral component of Polish history, culture, and national identity. The faithfulness of the Polish people fortified them during times of trial and inspired much that was noble and good in their endeavors. Filling a sizable gap in the literature, White Eagle, Black Madonna is a systematic study of the Catholic Church in Poland and among the Polish diaspora. Polish Catholicism has not been particularly well understood outside of Poland, and certainly not in the Anglophone world, until now. Demonstrating an unparalleled mastery of the topic, Robert E. Alvis offers an illuminating vantage point on the dynamic tension between centralization and diversity that long has characterized the Catholic Church’s history. Written in clear, concise, accessible language, the book sheds light on the relevance of the Polish Catholic tradition for the global Catholic Church, a phenomenon that has been greatly enhanced by Pope John Paul II, whose theology, ecclesiology, and piety were shaped profoundly by his experiences in Poland, and those experiences in turn shaped the course of his long and influential pontificate. Offering a new resource for understanding the historical development of Polish Catholicism, White Eagle, Black Madonna emphasizes the people, places, events, and ritual actions that have animated the tradition and that still resonate among Polish Catholics today. From the baptism of Duke Mieszko in 966 to the controversial burial of President Lech Kaczyński in 2010, the Church has accompanied the Polish people during their long and often tumultuous history. While often controversial, Catholicism’s influence over Poland’s political, social, and cultural life has been indisputably profound.

A body-focused, trauma-informed art therapy that will appeal to art therapists, somatic experiencing practitioners, bodyworkers, artists, and mental health professionals While art therapy traditionally focuses on therapeutic image-making and the cognitive or symbolic interpretation of these creations, Cornelia Elbrecht instructs readers how to facilitate the body-focused approach of guided drawing. Clients draw with both hands and eyes closed as they focus on their felt sense. Physical pain, tension, and emotions are expressed without words through bilateral scribbles. Clients then, with an almost massage-like approach, find movements that soothe their pain, discharge inner tension and emotions, and repair boundary breaches. Archetypal shapes allow therapists to safely structure the experience in a nonverbal way. Sensorimotor art therapy is a unique and self-empowering application of somatic experiencing--it is both body-focused and trauma-informed in approach--and assists clients who have experienced complex traumatic events to actively respond to overwhelming experiences until they feel less helpless and overwhelmed and are then able to repair their memories of the past. Elbrecht provides readers with the context of body-focused, trauma-informed art therapy and walks them through the thinking behind and process of guided drawing--including 100 full-color images from client sessions that serve as helpful examples of the work.

An experiential guide to the ancient healing rituals of the Black Madonna • Reveals the practices and rites of the still-living cult of the Black Madonna in the remote villages of Southern Italy, including the healing rites of the tarantella dance • Details shamanic chants, rhythms, and songs and how to use them for self-healing, transformation, and recovery from abuse, trauma, depression, and addiction • Explores the many sacred sites of the Madonnas and connects them to other Great Goddesses, such as Isis, Aphrodite, Cybeles, and the Orisha Yemanja and Ochun • Includes access to 12 audio tracks The mysteries of the Black Madonna can be traced to pre-Christian times, to the ancient devotion to Isis, the Earth Goddess, and the African Mother, to the era when God was not only female but also black. Sacred sites of the Black Madonna are still revered in Italy, and, as Alessandra Belloni reveals, the shamanic healing traditions of the Black Madonna are still alive today and just as powerful as they were millennia ago. Sharing her more than 35 years of research and fieldwork at sacred sites around the world, Belloni takes you on a mystical pilgrimage of empowerment, initiation, and transformation with the Black Madonna. She explains how her love for Italian folk music led her to learn the ancient tammorriata musical tradition of the Earth Goddess Cybele and the Moon Goddess Diana and discover the still-living cult of the Black Madonna in the remote villages of Southern Italy. She vividly describes the sensual shamanic drumming and ecstatic trance dance rituals she experienced there, including the rites of the tammorriata, the transgender rite of Femminielli, and the erotic “spider dance” of the tarantella, which has been used for centuries in the Mediterranean for healing. Sharing chants, rhythms, and sacred songs, she details how she uses these therapeutic musical and trance practices to heal women and men from abuse, trauma, depression, and addiction and shows how these practices can be used for self-healing and transformation, including her personal story of using the tarantella to overcome cervical cancer. Revealing the profound transformative power of the Black Madonna, Belloni shows how She is the womb of the earth, the dark side of the moon, and the Universal Mother to all. Truly alive for all to call upon, She embraces and gives everyone access to Her divine strength and unconditional love.

This murder mystery set in the Parisian cathedral is “a twisted and riveting story . . . Highly original” (Toronto Star). Fifty thousand believers and photo-hungry tourists jam into Notre Dame Cathedral on August 15 to celebrate the Feast of the Assumption. The next morning, a stunningly beautiful young woman clothed all in white kneels at prayer in a cathedral side chapel. But when an American tourist accidentally bumps against her, her body collapses. She has been murdered. The autopsy reveals disturbing details. Police investigators and priests search for the killer as they discover other truths about guilt and redemption within the walls of this soaring Paris refuge for the lost, the damned, and the saved. The suspect is a disturbed young man obsessed with the Virgin Mary who spends his days hallucinating in front of a Madonna. But someone else knows the true killer of the white-clad daughter of Algerian immigrants, in this thrilling novel of good and evil that illuminates shadowy corners of the world’s most famous cathedral.

The Catholic Church has admitted its error in the smearing of The Magdalene as a prostitute, thereby removing an image that has dominated the minds of religious authors and painters since the 6th century. And although Mary The Magdalene is almost always mentioned first ahead of the Virgin Mary, only a handful of scholars have attempted to reconstruct why she could have been so important, that she carried a royal title that translates as "The Great One." According to the Gnostics, Jesus referred to her as "The One who knew all," who took a front row seat at all of the main events in the life of The Christ. These Gnostics also believed that mankind was the hybrid result of a genetic experiment Today we have mapped our DNA, the mitochondria of which traces all the races of the world back to a single woman in Ethiopia in 200,000 BCE, the exact place and time stipulated by the cuneiform tablets of the ancient Sumerian peoples for the emergence of the genus Homo sapiens. Those Sumerians called this great woman Ninmah, the Egyptians called her Isis, the Greeks called her Athena, The Sophia, and the ancient Hebrews called her Asherah, The Woman of the Tree and the very consort to the Lord God YHWH. But in the hands of the Catholic Church, She became The Black Madonna. Legend connects this Black Madonna with both Isis and The Magdalene. This book, The Black Madonna, sets forth the revelation of that connection, which forms the greatest secret of all time.

This is the story, in words and pictures, of one woman's quest for wholeness and release from despair. Fighting the scars of abuse and a war-ravaged childhood, Tataya Mato looked inward - to her dreams and active imaginations, and to her drawings, which increasingly became pervaded by the luminous presence of the divine feminine figure, the Black Madonna. Long a folk image in Europe, the Black Madonna archetype has recently begun to appear in the dreams and other unconscious material of hundreds of North American women and men. Some Jungian thinkers have identified this striking phenomenon with the emergence of a latent feminine force, demanding conscious recognition. The collective dream pattern, so often in advance of consciousness, here asserts a new caring relationship to the Earth and all its creatures. The Black Madonna Within includes 191 of Tataya's drawings, offering insight and healing through their development from the earliest and most naive images to their more matureartistic form. The drawings are accompanied by the artist-author's poignant narrative text.