Catherine The Great And The Culture Of Celebrity In The Eighteenth Century

This highly original study provides a detailed analysis of Catherine the Great's celebrity avant la lettre and how gender, power, and scandal made it commercially successful. In 1762, when Catherine II overthrew her husband to seize the throne of the Russian Empire, her instant popular fame in regions of Europe far from her own domains fit the still new discourse of modern celebrity and soon helped shape it. Catherine the Great and Celebrity Culture in Eighteenth-Century Europe shows that over the next 35 years Catherine was part of a standard troika of celebrity-making agents-intriguing central figure, large-scale media, and an engaged public. Ruth P. Dawson reveals how writers, print makers, newspaper editors, playwrights, and more-the 18th-century's media workers-laboured to produce marketable representations of the empress, and audiences of non-elite readers, viewers, and listeners savoured the resulting commodities. This book presents long neglected material evidence of the tsarina's fantasy-inducing fame, examines the 1762 coup as the indispensable story that first constructed her distant public image, and explains how the themes of enlightenment, luxury consumption, clashing gender roles, and exotic Russia continued to attract non-elite fans and anti-fans during the middle decades of her reign. For the later years, the book considers the scrutiny inspired by the French Revolution and Catherine's skewering in unsparing misogynist cartoons as they applied to visual representations, her achievements as ruler, the long-ago overthrow of her husband, and her gradually revealed list of lovers. Dawson reflects on Catherine II's demise in 1796 and how this instigated a final burst of adoration, loathing, and ambivalence as new accounts of her life, both real and fictional, claimed to unwrap the final secrets of the first modern international female celebrity – even now the only woman in history widely known as 'the Great'.

"This highly original study provides a detailed analysis of Catherine the Great's celebrity avant la lettre and how gender, power, and scandal made it commercially successful. In 1762, when Catherine II overthrew her husband to seize the throne of the Russian Empire, her instant popular fame in regions of Europe far from her own domains fit the still new discourse of modern celebrity and soon helped shape it. Catherine the Great and Celebrity Culture in Eighteenth-Century Europe shows that over the next 35 years Catherine was part of a standard troika of celebrity-making agents--intriguing central figure, large-scale media, and an engaged public. Ruth Dawson reveals how writers, print makers, newspaper editors, playwrights, and more--the 18th-century's media workers--laboured to produce marketable representations of the empress, and audiences of non-elite readers, viewers, and listeners savoured the resulting commodities. This book presents long neglected material evidence of the tsarina's fantasy-inducing fame, examines the 1762 coup as the indispensable story that first constructed her distant public image, and explains how the themes of enlightenment, luxury consumption, clashing gender roles, and exotic Russia continued to attract non-elite fans and anti-fans during the middle decades of her reign. For the later years, the book considers the scrutiny inspired by the French Revolution and Catherine's skewering in unsparing misogynist cartoons as they applied to visual representations, her achievements as ruler, the long-ago overthrow of her husband, and her gradually revealed list of lovers. Dawson reflects on Catherine II's demise in 1796 and how this instigated a final burst of adoration, loathing, and ambivalence as new accounts of her life, both real and fictional, claimed to unwrap the final secrets of the first modern international female celebrity -- even now the only woman in history widely known as 'the Great'."--

Neither a comprehensive 'life and times' nor a conventional biography, this is an engaging and accessible exploration of rulership and monarchial authority in eighteenth century Russia. Its purpose is to see how Catherine II of Russia conceived of her power and how it was represented to her subjects. Simon Dixon asks essential questions about Catherin'es life and reign, and offers new and stimulating arguments about the Englightenment, the power of the monarch in early modern Europe, and the much-debated role of the "great individual" in history.

Dutiful daughter, frustrated wife, passionate lover, domineering mother, doting grandmother, devoted friend, tireless legislator, generous patron of artists and philosophers—the Empress Catherine II, the Great, was all these things, and more. Her reign, the longest in Russian Imperial history, lasted from 1762 until her death in 1796; during those years she built on the work begun by her most famous predecessor, Peter the Great, to establish Russia as a major European power and to transform its new capital, St Petersburg, into a city to rival Paris and London in the beauty of its architecture, the glittering splendor of its Court and the magnificence of its art collections. Yet the great Catherine was not even Russian by birth and had no legitimate claim to the Russian throne; she seized it and held on to it, through wars, rebellions and plagues, by the force of her personality, by her charm and determination, and by an unshakable belief in her own destiny. This is the story of Catherine the woman, whom power alone could never satisfy, for she also wanted love, affection, friendship and humor. She found these in letter-writing, in grandchildren, in gardens, architecture and greyhounds—as well as in a succession of lovers which gave rise to salacious rumors throughout Europe. The real Catherine, however, was more interesting than any rumor. Using many of Catherine's own words from her voluminous correspondence and other documents, as well as contemporary accounts by courtiers, ambassadors and foreign visitors, Virginia Rounding penetrates the character of this most powerful, fascinating and surprisingly sympathetic of eighteenth-century women.

Catherine and the making of Russian foreign policy -- Prussia, Poland and the 'northern system', 1762-74 -- Austria, the Ottoman Empire and the Crimea, 1774-89 -- Catherine and the French Revolution -- CHAPTER 9 Epilogue: power transferred and transformed -- The death of an empress -- Further Reading -- Index

There is no shortage of biographies of Catherine the Great, of varying quality and degrees of sensationalism. But there exists no brief account of her reign that incorporates the extensive research findings of the last twenty years and presents them accessibly, accurately, and concisely to the student and the general reader. Following her magisterial Russia in the Age of Catherine the Great, Isabel de Madariaga has written the most informative, balanced and up-to-date short study of this spectacular period in Russian history. De Madariaga establishes an authoritative account of the events of Catherine's life, disentangling the myth from the verifiable reality. But her principal aim is to provide an account of the achievements of the thirty-four-year reign. Well-read and intelligent, Catherine presided over a fundamental reorganization of central and local government, of financial administration, of law, and of literary and cultural life. De Madariaga tracks the changes and explains the reforms, placing them in the context of eighteenth-century Europe and the ideas of the Enlightenment and of the French Revolution. Chapters on the wars against the Turkish empire, the annexation of the Crimea in 1783, and the partition of Poland demonstrate Catherine's part in building Russia into a formidable European power. The text is distinguished throughout by the attention paid to historical controversies over the interpretation of Catherine's policies and to teh historiography on the period in general. Praised by French writers of her day and attacked by later historians for her neglect of the welfare of the serfs, Catherine's achievements are now measured against the difficulties she met. The book points to the problems Catherine faced, the human and material resources on which she could draw, and the intellectual climate in which she operated. De Madariaga considers past and present assessments of Catherine and consolidates balanced judgments, profound understanding, and exhaustive reserach into a highly assimilable form.

This study examines how the British Empire of the 18th century contained revolution by integrating opposition agents as new spaces of power opened up. Monika Barget convincingly argues that this process of constitutionalisation meant that groups from the aristocracy to religious communities, from the army to the people at large, were brought into the system in a way that balanced the obvious, serious challenges that the Glorious Revolution, the Jacobite Rebellion, the American Revolution, and Jacobin threats of the late-18th century posed to the Empire. Barget highlights the lasting political and legal repercussions of this process. The structure of the chapters, each focussing on specific agents and conflict media, also links the history of political agency and political institutions with an expanding European and even trans-continental media market.

Catherine the Great: A Reference Guide to Her Life and Works covers all aspects of her life and work. Empress Catherine the Great was one of the most famous and amazing women in world history. Includes a detailed chronology of Catherine’s life, family, and work. The A to Z section includes the major events, places, and people in Catherine’s life. The bibliography includes a list of publications concerning her life and work. The index thoroughly cross-references the chronological and encyclopedic entries.