Caught In The Mix

For Clark Anderson, her senior year promises to be her finest yet. Savvy, sexy and smart, she has it all in front of her - and now handsome law student Devin Patterson has caught her eye. The two quickly team up as the perfect, storybook pair - the street-smart girl made good and the sheltered rich boy with a heart of gold. But then senior year is over and the demands of high-profile jobs, well-meaning but misguided friends and the new passions and players around them make a long-distance relationship hard to handle. Will their relationship survive the test?

For two soulmates from different worlds caught in the mix of secrets, family drama, lies, career struggles, and the hard truths of growing up and moving on, love is anything but easy. Doing the right thing is the hardest lesson of all.

The most creative moments of African American culture have always emanated from a lower class or "ghetto" perspective. In contemporary society, this ghetto aesthetic has informed a large segment of the popular marketplace from the incendiary nature of gangsta rap, through the choreographed violence of films like Menace II Society, to recurrent debates around the use of the word "nigga," and even the assertion of this perspective in professional basketball. In each case, most of the discussion around these cultural circumstances tends to be dismissive, if not completely uninformed. In analyzing the ranges of images from the O. J. Simpson trial to Snoop Doggy Dogg, Am I Black Enough for You looks at the way in which the nuances of ghetto life get translated into the politics of popular culture, and especially the way these politics have become such a profitable venture, for both the entertainment industry and the actual producers of these topical narratives. The book follows the widening generation gap represented by Bill Cosby's pristine "race man" image in the mid-80's, culminating in the proliferation of the hard-core sentiments associated with the nigga in the 1990's. The book argues for a historical understanding of these contemporary examples, which is rooted in the social policies of the Reagan/Bush era, the declining industrial base of urban communities and the increasing significance of the drug trade and gang culture. In addition, the book follows the evolution of gangster culture in twentieth century American popular culture and the shift from ethnicity to race that slowly begins to emerge over this time period. Contrary to mainstream conservative sentiment, Am I Black Enough for You suggests that the criticism of gangsta culture is a misguided attempt which reaffirms traditional views about Black culture. This criticism is articulated across race, so that in many cases, African Americans articulate the same sentiments as their white conservative counterparts. Am I Black Enough for You offers astute analysis of the liberating possibilities of representation that lie at the core of contemporary black popular culture.

Caught in the Middle was born from the thought of how we are caught between society, the day to day challenges, temptations and doing what is right according to our Maker, God. These are my observations of how we have forgotten that with a little faith and a lot of love, we can overcome some of life's most devastating pains.

Mixing Audio: Concepts, Practices, and Tools is a vital read for anyone wanting to succeed in the field of mixing—covering the entire mixing process, from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teaches the importance of a mixing vision, how to craft and evaluate your mix, and then take it a step further. Mixing Audio describes the theory, the tools, and how these are put into practice while creating mixes. The companion website, featuring over 2,000 audio samples as well as Multitrack Audio Sessions, is a perfect complement to the book. The new edition includes: An extension of the discussion on mastering which now includes the loudness war, LUFS targets, and DIY mastering Updated figures and illustrations throughout A new section covering console emulation