Celebrities Of London And Paris Being A Third Series Of Reminischences And Anecdotes

Captain Gronow, joined the Grenadier guards as a young subaltern in 1812, having completed his studies at Eton and was widely know in England and the Continent thereafter as a raconteur and a fine pistol shot. His “Reminiscences” span four volumes in their original edition, an edited version was produced around the turn of the 19th century, having varied titles but following a stream of collected anecdotes set in distinct eras. These memoirs have achieved a high degree of fame and are justly accorded much historical respect, especially in those incidents where Gronow was personally present to record the words and deeds of those around him. Although admitted to the highest society, Gronow is far from being a snob and his works bear the stamp of a high degree of moral probity, they could not be described as the handiwork of a gossip. In this third volume of reminiscences, military matters are in the background of Gronow’s recollections, although they do appear occasionally, he mainly focuses on anecdotes on the celebrities of his time. The Duke of Wellington, Ouvrard, Louis Philippe, Marshal Soult, Sheridan, Shelley, Rossini, Guizot, Theirs, and Louis Napoleon are featured in varying descriptions of vivid detail. Gronow goes to some length in describing the events that led to the revolution of 1851 and the movements that led Louis Napoleon to become the last monarch of France. “Reading Gronow is like drinking champagne - effervescent and mildly addictive” Author - Captain Rees Howell Gronow - (1794–1865)

This book is a fascinating collection of anecdotes and reminiscences about the celebrities of London and Paris during the 19th century. The author, R.H. Gronow, was a British cavalry officer who was an avid socialite, and his firsthand accounts of the high society of his time are as entertaining as they are informative. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Pursuit of Pleasure presents the figures of the rambler and the cyprian, the Eighteenth Century precursors to the Parisian flaneur and prostitute. The urban spaces traced by these figures were the clubs, sporting venues, operas, assembly rooms, streets and arcades of central London. Drawing on critical theory, geography and philosophy, The Pursuit of Pleasure extends and critiques the discipline of architectural history from a feminist perspective. The gendering of public space is considered to be a complex and shifting series of moves and looks between men and women, constructed and represented through spatial and social relations of consumption, display and exchange."--Book cover.

Mercers journal is the most outstanding eyewitness account of the Waterloo campaign ever published. It is a classic of military history. This new, fully illustrated edition, featuring an extensive introduction and notes by Andrew Uffindell, one of the leading authorities on the Napoleonic Wars, contains a mass of additional material not included in the original. As the bicentenary of Waterloo approaches, this beautifully prepared, scholarly edition of Mercers work will be essential reading for anyone who wishes to know what it was really like to fight in the final, great battle against Napoleon.