Celtic Music

(Harp). "That Night in Bethlehem" is the gorgeous traditional Irish Christmas carol "Don Oiche ud i mBeithil." Sylvia has created a 4-verse arrangement playable on lever or pedal harp. Each verse is a bit harder than the one before, so less experienced players can play the verses at their level. The music is in the key of E minor (1 sharp). There is one C# lever change in the 3rd verse. Fingerings and chord symbols are included. The lyrics printed in the music are David Monks' English translation. The original Irish Gaelic and a phonetic version are included on the last page. This beautiful Celtic carol will be a wonderful addition to your Christmas repertoire.

Focusing on the Cornish Music and Dance Revival, this book investigates the revivalists’ claims about Cornwall’s cultural distinctiveness and Celtic heritage, both which are presently used as arguments to promote the English county’s political status as an independent Celtic nation. The author describes two different revival movements that aim at reviving Cornwall’s culture but seem to have entirely different ideas about the concept of authentic Celto-Cornish music and dance. In the first part, historical sources connect Cornwall to its Celtic roots, with an analysis of how the early Cornish revivalists used, changed and adapted this material during the 1980s in order to create a Celto-Cornish revival corpus. In the second part, the book addresses the desire of the Cornish people to express their local and Celtic identities through music and dance, and various practices musicians and dancers have developed to do so. The Nos Lowen movement, which started in the year 2000, is important in this study because it has expanded and newly interpreted the concepts of ‘traditional’, ‘Celtic’ and ‘authentic’.

This book is intended to be an introduction to a style of music which has a long and noble history that is inextricable intertwined with that of the ancient harp. the tunes contained in this book were chosen for their playability on the folk harp as well as for ease of separating into categories of skill.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

Includes a concise history of Celtic music, entries on noteworthy composers and musicians, listings of classic songs and compositions, a dictionary of Celtic music terminology, and a listing of the fifty most influential Celtic music CDs.

Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.

Music from the Heart follows Emile Benoit, a fiddler from French Newfoundland, through a rapidly changing musical milieu as he moves from a small rural community to international musical and folk festivals. Seeing himself as a representative of French Newfoundland, Benoit viewed his music as an expression of that identity. In Benoit's tunes one finds reference to the people, places, communities, roads, and natural landmarks that have framed his life. The compositions included represent a range of work that evokes his youthful experiences and follow his career as he leaves home, plays with other musicians, and presents his stories to audiences around the world. Quigley has based his study on years of observation of Benoit's compositional practices, his own experiences performing with Benoit, interviews, and analysis of the thoughts and conceptions of the artist himself.

Mark Nelson's knowledge and love of Celtic music is immediately evident through his choice of tunes for this comprehensive book. Harp music, the piper's repertoire, and fiddle tunes from Ireland, Scotland and Breton are all well-represented here, and a thorough historical foundation is carefully laid. Mark provides samples of Reels, Jigs, Hornpipes, Strathspeys, Polkas, Mazurkas, Slides, Marches, Piobaireachds, Set Dances, Airs, Plaxties, Country Dances, Morris Dances, as well as music from Breton in northwestern France. the CD contains 20 of the 109 songs from the book.