Certain Delightful English Towns With Glimpses Of The Pleasant Country Between

DigiCat Publishing presents to you this special edition of "Certain delightful English towns, with glimpses of the pleasant country between" by William Dean Howells. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Excerpt from the Book: NO American, complexly speaking, finds himself in England for the first time, unless he is one of those many Americans who are not of English extraction. It is probable, rather, that on his arrival, if he has not yet visited the country, he has that sense of having been there before which a simpler psychology than ours used to make much of without making anything of. His English ancestors who really were once there stir within him, and his American forefathers, who were nourished on the history and literature of England, and were therefore intellectually English, join forces in creating an English consciousness in him. Together, they make it very difficult for him to continue a new-comer, and it may be that only on the fourth or fifth coming shall the illusion wear away and he find himself a stranger in a strange land. But by that time custom may have done its misleading work, and he may be as much as ever the prey of his first impressions. I am sure that some such result in me will evince itself to the reader in what I shall have to say of my brief stay with the English foster-mother of our American Plymouth; and I hope he will not think it altogether to be regretted.My first impressions of England, after a fourth or fifth visit, began even before I landed in Plymouth, for I decided that there was something very national in the behavior of a young Englishman who, as we neared his native shores, varied from day to day, almost from hour to hour, in his doubt whether a cap or a derby hat was the right wear for a passenger about landing. He seemed also perplexed whether he should or should not speak to some of his fellow-passengers in the safety of parting, but having ventured, seemed to like it. On the tender which took us from the steamer to the dock I fancied another type in the Englishman whom I asked which was the best hotel in Plymouth. At first he would not commit himself; then his humanity began to work in him, and he expressed a preference, and abruptly left me. He returned directly to give the reasons for his preference, and to excuse them, and again he left me. A second time he came back, with his conscience fully roused, and conjured me not to think of going elsewhere.

Excerpt from Certain Delightful English Towns: With Glimpses of the Pleasant Country Between My first impressions of England, after a fourth or fifth visit, began even before I landed in Plymouth, for I decided that there was something very national in the behavior of a young Englishman who, as we neared his native Shores, varied from day to day, almost from hour to hour, in his doubt whether a cap or a derby hat was the right wear for a passenger about landing. He seem ed also perplexed whether he should or Should - T not speak to some of his fellow-passengers In the safety of parting, but having ventured, seemed to like it. On the tender which took us from the steamer to the dock I fancied another type in the Englishman whom I asked which was the best hotel in Plymouth. At first he would not commit himself; then his humanity began to work in him, and he expressed a preference, and abruptly left me. He returned directly to give the reasons for his preference, and to excuse them, and again he left me. A second time he came back, with his conscience fully roused, and conjured me not to think of going else where. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.

Glamour subverts convention. Models, images, and even landscapes can skew ordinary ways of seeing when viewed through the lens of photography, suggesting new worlds imbued with fantasy, mystery, sexuality, and tension. In Old Fields, John Stilgoe—one of the most original observers of his time—offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history. Through the medium of "shop theory"—the techniques, tools, and purpose-made equipment a maker uses to realize intent—Stilgoe looks at the role of Eastman Kodak in shaping the ways photographers purchased cameras and films, while also mapping the divisions that were created by European-made cameras. He then goes on to argue that with the proliferation of digital cameras, smart phones, and Instagram, young people’s lack of knowledge about photographic technique is in direct correlation to their lack of knowledge of the history of glamour photography. In his exploration of the rise of glamour and fantasy in contemporary American culture, Stilgoe offers a provocative and very personal look into his enduring fascination with, and the possibilities inherent in, creating one’s own images.