Chandragupta The Path Of Fallen Demygod

This is a comprehensive work dealing with the life and times of India's first historical emperor, and a picture of the civilization of India in the early period of the fourth century BC. The author while enlightening on the origin and early life, conquests and chronology, administration, ideals, divisions, presents the reader in the court of the first historical emperor of India, duly attended by his popular ministers and officers and acquaints the student with the rules of service and administrative departments. Land system and rural administration are surveyed along with the municipal administration of the times. Justice personified in the King appears before us along with the huge divisions of the army to maintain it. Social and economic conditions have been so elaborately discussed as to cause surprise and curiosity. As a matter of fact, the author takes the reader back to the golden times as if by magic. To render the matter easily accessible to the reader an Index of subjects, an Index of Technical Terms, three Appendices and a plate of typical Mauryan coins, have also been added. This work is meant to fill up a gap in the knowledge of Ancient India.

We take it for granted that some historical figures become heroes, and others do not. Chandragupta Maurya evolved from obscure ruler to contemporary national icon. The key moment in the making of this Indian hero was a meeting by the banks of the River Indus between Chandragupta and Seleucus, founder of the Seleucid empire and one of Alexander the Great’s generals, in c.305-3 BC. This significant event was a moment of peace-making at the end of conflict. But no reliable account exists in early sources, and it is not even clear which ruler was victorious in battle. This uncertainty enabled British and Indian historians of the nineteenth and twentieth centuries to interpret the sources in radically different ways. With Chandragupta representing India and Seleucus standing in for Britain, British scholars argued that Seleucus defeated Chandragupta, while Indian academics contended the opposite. The writing and reception of history fundamentally influences how we engage with the past, and the evolving colonial and post-colonial relationship between Britain and India is crucial here. In India, the image of Chandragupta as an idealised hero who vanquished the foreign invader has prevailed and found expression in contemporary popular culture. In plays, films, television series, comic books and historical novels, Chandragupta is the powerful and virtuous Hindu ruler par excellence. The path to this elevated standing is charted in this book.

GHANDRAGUPTA MAURYA BY PURUSHOTTAM LAL BHARCAVA. Text extracted from opening pages of book: PREFACE: As a student of history I have always been fascinated by the career of Chandragupta Maurya, one of the greatest of kings, conquerors and administrators the world has produced. It is indeed strange that such a great personage should have passed almost unnoticed by historians, for there is so far, to my knowledge, not a single book in English describing exclusively his Achievements, I was aware of my incompetence to take up this task, yet 1 thought 1 might make an attempt. This small monograph is the result. In it, I have tried to describe, in a brief compass, the life and career of Chandragupta making use of all the original source! I could lay my hands upon. I have deviated from the accepted views where I found better evidence to the contrary. For instance, I have accepted the Jain date for the coronation of Chandragupta as it is better supported by facts than the date hitherto generally i accepted. In some matters, of course, it is difficult to achieve any kind of finality till further evidence comes to notice, for example in the case of the pre-Maurya history ot Magadha; in such oases I have simply men tioned the probabilities without emphasising the correct* ness of my views. Recently, there have been controversies on many points, of more or less important bearing on the subject. I have referred to them in the text where relevant, but 1 would like to mention one of them here as the text was already printed when it came to my notice.I refer to the controversy regarding the relation of the Brihatkatha to the Mudrarakshasa. Mr. C. D. Chatterji, in a very learned article, which appeared in the Indian Culture, Vol. I no 2, has expressed doubt on the authen ticity of the statement found in the Dasarupavaloka that the Mudrarakshasa was based on the Brihatkatha, and has shown at length that the two verses following in support of this statement are later interpolations. His arguments in support of the view that the plot of the Mudrarakshasa can not have been taken from the Brihatkatha are, no doubt, convincing. Yeti there is nothing to disprove the probability that the idea of Chandragupta's Nanda descent was suggested to Visakhadatta by the Brihatkatha. Unfortunately, the book suffers from the lack of proper diacritical marks for Sanskrit words as from a lew printing errors here and there. I hope to remedy them in the second edition if and when that comes to be published.

Devika has an unstable mind, or so the doctors have been saying. While working on her second book, she starts receiving letters from an enigmatic woman who was already dead. While a bewildered police force investigates mysterious cases happening around town, Devika decides to unfold the true story behind these strange psychotic incidents and the purpose of those letters. Is there more to all this than what meets the eye? Is all this real at all, or just a figment of her imagination? In her search for truth, Devika cannot trust anybody, not even herself. Struggling between her volatile mind and a personal crisis that saps every bit of sanity out of her, Devika has to find answers. She has to take the journey which could take her to the doorstep of a complete mental breakdown…a wild ride between the real and the paranormal world to find the truth behind The Dead Woman Writing.

Bharatvarsha, Land Of The Aryas: 272 BC Bindusar, the second Samrat Chakravartin of all the Aryas, rules the Indian sub-continent from his capital, Patliputra. Fifty years previously, his father, Chandragupta Maurya, had laid the foundations of this vast Samrajya, guided by the famed Guru, Arya Chanakya. But the pinnacle of the Empire’s wealth and glory has now passed… As the Samrat’s health declines due to .a mysterious illness, problems and factions, in-fighting and rebellion, raise their heads across his realm. There is no clear successor as the ninety-nine sons of Bindusar vie to ascend the throne. Bharatvarsha waits for a warrior-king to rise up and lead the Empire once again. Can young Prince Asoka, least favoured of Bindusar’s sons, take on his grandfather’s mantle? Can Radhagupta, a mere Councillor at Court, be the inspiration Chanakya was to his Emperor and his people? Book I of the epic Asoka Trilogy revolves around the haunting question: Who will be the next Samrat of the revered land of the Aryas? The first book of this riveting narrative captures the decline of a golden age, the upsurge of greed and chaos, the dark aspirations of royal heirs, and the dramatic events in the remarkable life of a man of destiny.