Charleston Furniture 1700 1825

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While demonstrating the high level of artistry attained by furniture-makers of the period, this selection in many ways reflects the evolving character of domestic life in America during a seminal period in the country's history.

Originally published in 1952 but enlarged and revised in 1969, this dictionary became a standard authoritative work of reference. It contains 2,612 entries and over 1,000 illustrations, reproduced from contemporary sources and from drawings by Ronald Escott, Marcelle Barton and Maureen Stafford. The work is divided into 6 sections: the first and second concern the description and design of furniture, the third contains the entries, the fourth gives a list of furniture makers in Britain and North America, section five records books and periodicals on furniture and design and the concluding section sets out in tabular form the periods with the materials used, and types of craftsmen employed from 1100 to 1950.

Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity. With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.

The indispensable companion volume to Hudson Hills Press' phenomenal American Windsor Chairs.

By the end of the eighteenth century, classicism, which arose out of Europe's fascination with ancient Greece and Rome, had also left its mark on America. This study of the classical style in the fine and decorative arts shows the extent to which it influenced the material culture of Savannah, Georgia, from 1800 to 1840. More than 130 examples of objects owned in Savannah in this period are illustrated, described, and discussed. The objects include oil paintings and watercolors, clocks, musical instruments, jewelry, sculptures, engravings, bank notes, needlework, china, silver, brass, lighting fixtures, architectural elements, and furniture. Page Talbott presents an overview of the origins of classicism in Europe and its spread to America. Emphasizing Americans' close identification of classicism with national values and ideals, Talbott also discusses the style in the context of Savannah's social life and its history as a major southern port. She covers not only the principles, methods, and materials of classical design, but also the manufacture, distribution, sale, and ownership of a wide range of functional and decorative objects. Classical Savannah is the companion volume to the Classical Savannah exhibition, which opened in the spring of 1995 at the Telfair Museum of Art in Savannah. Illustrating well over half of the items in the exhibit, and including a detailed checklist of the additional seventy objects not shown in the book, Classical Savannah is a valuable source for historians, designers, decorators, collectors, and anyone interested in this period of America's history.

Often called the most "Southern" of Southern cities, Charleston was one of the earliest urban centers in North America. It quickly became a boisterous, brawling sea city trading with distant ports, and later a capital of the Lowcountry plantations, a Southern cultural oasis, and a summer home for planters. In this city, the Civil War began. And now, in the twentieth century, its metropolitan area has evolved into a microcosm of "the military-industrial complex." This book records Charleston's development from 1670 and ends with an afterword on the effects of Hurricane Hugo in 1989, drawing with special care on information from every facet of the city's life—its people and institutions; its art and architecture; its recreational, social and intellectual life; its politics and city government. The most complete social, political, and cultural history of Charleston, this book is a treasure chest for historians and for anyone interested in delving into this lovely city, layer by layer.