Chasing Freedom Remembering The Sixties

CHASING FREEDOM, REMEMBERING THE SIXTIES, by Marquis Who's Who in the World writer Paul Heidelberg, is a novel about life, art and music in San Francisco during 'The Roaring Sixties." The novel revolves around life at the San Francisco Art Institute, which the author attended for four years before earning a degree in painting and creative writing (Jerry Garcia of the Grateful Dead studied at the art institute, and Janis Joplin 'flipped burgers" for money in the school cafeteria before attaining rock star status). The book, set in 'The Sixties," which the author considers to have been from about 1965-75, has a painter as female protagonist and a painter and poet as male protagonist. It includes poetry readings at the Coffee Gallery on Grant Avenue, where Janis Joplin had her first paying job as a singer, and incorporates poetry into prose. The book includes the author ́s 'Theory Of Relativity Of Ping-Pong Balls" of people constantly meeting and parting he had formulated while living in Europe. Other characters who figure into the book's progress and conclusion include a sculptor who graduated from art institute in the late 1960s who has an upbeat personality and often ends a sentence with laughter: 'ha, ha, ha, ha, ha." CHASING FREEDOM, REMEMBERING THE SIXTIES includes scenes from wild art exhibition openings, to free performances by such musicians as blues great Charlie Musselwhite (in a San Francisco bar) and Dr. John, who led a New Orleans-style musical parade up Columbus Avenue in North Beach. The book includes scenes in Morocco in 1971, and 'Essouira Peter," a Yale University graduate who had 'tuned in, turned on and dropped out," to Barbayanni in 1960s Greece. Barbayanni, 'Uncle John," lived in the village of Mallia, Crete and wore the black baggy pants, high black goatskin boots and other accoutrements of a proud Cretan - the clothing that had been worn by the grandfather of the writer Nikos Kazantzakis. The great Cretan writer is also an important figure in the book. Another key figure is the Spanish poet Federico Garcia Lorca. As author Heidelberg writes in the beginning pages of CHASING FREEDOM, REMEMBERING THE SIXTIES, the book is not merely a remembrance of 'The Sixties," but it is also a remembrance of all times when artists and others have been Chasing Freedom, as Federico Garcia Lorca did in the 1920s and 1930s. The novel concludes at a great rock concert in San Francisco. (The price of the book includes a suitable-for-framing Fine Art Print, the cover illustration, created by using modern computer software to alter a photographic transparency taken at the San Francisco Art Institute during ]The Sixties.])

This volume serves as an invaluable study guide covering all of the key political, social, and cultural concepts of the turbulent 1960s. The 1960s were a polarizing decade, beginning brightly and with hope but ending in disappointment and disarray. By the end, traditional values had been subverted, political institutions had been overturned, and marginalized groups had battled their own government to win equal rights and freedoms. The clear-cut foreign policies of the postwar era brought mixed results, and the world's mightiest nation became mired in a war it could not win. This overview of the 1960s covers all of the key political, social, and cultural concepts of the decade through topical and biographical entries, primary documents, a sample document-based essay question and top tips, and period-specific learning objectives. The book contains an Introduction that presents the historical themes of the period. Alphabetical encyclopedic entries relating to the period specific themes comprise the core reference material in the book. The book also contains a range of primary documents with their own introductions and a sample document-based essay question. Other features include a list of "Top Tips," a thematically tagged chronology, and a list of specific learning objectives readers can use to gauge their working knowledge and understanding of the period.

Animals abound in Dr. Seuss’s Caldecott Honor–winning picture book If I Ran the Zoo. Gerald McGrew imagines the myriad of animals he’d have in his very own zoo, and the adventures he’ll have to go on in order to gather them all. Featuring everything from a lion with ten feet to a Fizza-ma-Wizza-ma-Dill, this is a classic Seussian crowd-pleaser. In fact, one of Gerald’s creatures has even become a part of the language: the Nerd!

ONE OF NPR'S BEST BOOKS OF THE YEAR • A sweeping debut novel that explores the intimate struggle for independence and success of a young descendant of Indian indentured laborers in Mauritius, a small multiracial island in the Indian Ocean. "The beauty of Busjeet's splendid, often breathtaking book is, like the best stories of journeys to young adulthood, the precious and well-observed and heartbreaking details of day-to-day life." --Edward P. Jones, Pulitzer Prize winning author of The Known World In the 1950s, Vishnu Bhushan is a young boy yet to learn the truth beyond the rumors of his family's fractured histories--an alliance, as his mother says, of two bankrupt families. In evocative chapters, the first two decades of Vishnu's life in Mauritius unfolds with heart wrenching closeness as he battles to experience the world beyond, and the cultural, political, and familial turmoil that hold on to him. Through gorgeous and precise language, Silent Winds, Dry Seas conjures the spirit and rich life of Mauritius, even as its diverse peoples live under colonial rule. Weaving the soaring hopes, fierce love, and heart-breaking tragedies of Vishnu's proud Mauritian family together with his country's turbulent path to gain independence, Busjeet masterfully evokes the epic sweep of history in the intimate moments of a boy's life. Silent Winds, Dry Seas is a poetic, powerful, and universal novel of identity and place, of the legacies of colonialism, of tradition, modernity, and emigration, and of what a family will sacrifice for its children to thrive.

Updated to include a new chapter about the influence of social media and the Internet—the 20th anniversary edition of Bowling Alone remains a seminal work of social analysis, and its examination of what happened to our sense of community remains more relevant than ever in today’s fractured America. Twenty years, ago, Robert D. Putnam made a seemingly simple observation: once we bowled in leagues, usually after work; but no longer. This seemingly small phenomenon symbolized a significant social change that became the basis of the acclaimed bestseller, Bowling Alone, which The Washington Post called “a very important book” and Putnam, “the de Tocqueville of our generation.” Bowling Alone surveyed in detail Americans’ changing behavior over the decades, showing how we had become increasingly disconnected from family, friends, neighbors, and social structures, whether it’s with the PTA, church, clubs, political parties, or bowling leagues. In the revised edition of his classic work, Putnam shows how our shrinking access to the “social capital” that is the reward of communal activity and community sharing still poses a serious threat to our civic and personal health, and how these consequences have a new resonance for our divided country today. He includes critical new material on the pervasive influence of social media and the internet, which has introduced previously unthinkable opportunities for social connection—as well as unprecedented levels of alienation and isolation. At the time of its publication, Putnam’s then-groundbreaking work showed how social bonds are the most powerful predictor of life satisfaction, and how the loss of social capital is felt in critical ways, acting as a strong predictor of crime rates and other measures of neighborhood quality of life, and affecting our health in other ways. While the ways in which we connect, or become disconnected, have changed over the decades, his central argument remains as powerful and urgent as ever: mending our frayed social capital is key to preserving the very fabric of our society.

Named a best book of the year by Entertainment Weekly, Time, and The Chicago Tribune, and named a notable book by The New York Times Book Review and The Washington Post “Remarkable . . . With this book [Wolitzer] has surpassed herself.”—The New York Times Book Review "A victory . . . The Interestings secures Wolitzer's place among the best novelists of her generation. . . . She's every bit as literary as Franzen or Eugenides. But the very human moments in her work hit you harder than the big ideas. This isn't women's fiction. It's everyone's."—Entertainment Weekly (A) From Meg Wolitzer, the New York Times–bestselling author of The Female Persuasion, a novel that has been called "genius" (The Chicago Tribune), “wonderful” (Vanity Fair), "ambitious" (San Francisco Chronicle), and a “page-turner” (Cosmopolitan). The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules’s now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.