Chaucer And Fame

The questions of fame and reputation are central to Chaucer's writings; the essays here discuss their various treatments and manifestations.

Sent on a diplomatic mission to France, medieval English poet Geoffrey Chaucer finds himself in the middle of furor when his host is killed in a hunting "accident" and he must uncover the culprit before he is accused of the crime.

The author's aim is to "restore to the reading of the poem a background of medieval meanings familiar enough to Chaucer’s contemporary reader but almost lost to the modem." Mr. Koonce believes that fame was a clearly defined Christian concept in the Middle Ages, and his interpretation of Chaucer’s allegory proceeds from that central focus. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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It is 1370, right in the middle of the Anglo-French conflict, the Hundred Years War. In danger of losing the Aquitaine territory, England sends Geoffrey Chaucer, protege of the king's son, to France. As a poet on a diplomatic mission, Chaucer must persuade one of the most important noblemen of the region to remain loyal to England's king. But Henri, Comte de Guyac, whose wife Chaucer had previously fallen in love with when he was held prisoner by Henri, is not exactly neutral in his feelings for Chaucer. Wondering how he will feel when he sees Rosamund, the Comte's wife, Chaucer reaches de Guyac's castle and is greeted by turmoil. His mission is further complicated when Henri is killed during a boar hunt. Chaucer soon realizes the Comte's death is no hunting accident and that he must solve the murder before returning home. Enemies and suspects abound, from a troupe of travelling players to factions within the castle itself. Chaucer finds himself in the midst of a brightly colorful puzzle that turns him into a fugitive in a foreign country, unsure who his friends and enemies really are."

On its original publication this classic title made sense of a difficult poem for the first time and brought that poem to the center of a concern with the nature of tradition, textuality, and language that is current today. The book forces late-medieval philosophy out of the closet and into a relation with literature, and it validates the use of contemporary methods and sensibility in literary criticism. In Sheila Delany's view, House of Fame portrays the ambiguity of old or new communication, with skeptical fideism as the means of transcending ambiguity.

Geoffrey Chaucer was arguably fourteenth-century England's greatest poet. In the nineteenth century, readers of Chaucer's early dream poems - the Book of the Duchess, House of Fame, and Parliament of Fowles - began to detect a tripartite model of his artistic development from a French to an Italian, and finally to an English phase. They fleshed out this model with the liberation narrative, the inspiring story of how Chaucer escaped the emasculating French house of bondage to become the generative father of English poetry. Although this division has now largely been dismissed, both the tripartite model and the accompanying liberation narrative persist in Chaucer criticism. In Chaucer's Queer Poetics, Susan Schibanoff interrogates why the tripartite model remains so tenacious even when literary history does not support it. Revealing deeply rooted Francophobic, homophobic, and nationalistic biases, Schibanoff examines the development paradigm and demonstrates that 'liberated Chaucer' depends on antiquated readings of key source texts for the dream trilogy. This study challenges the long held view the Chaucer fled the prison of effete French court verse to become the 'natural' English father poet and charts a new model of Chaucerian poetic development that discovers the emergence of a queer aesthetic in his work.