Cheerful Cursive

"We Are the Baby-Sitters Club is the ultimate companion guide for a generation of devout superfans. This book revisits the beloved series through grown-up eyes—but never loses the magic we all felt the moment we cracked open a fresh new book. BSC forever!" —Lucia Aniello, director and executive producer of The Baby-Sitters Club Netflix series A nostalgia-packed, star-studded anthology featuring contributors such as Kristen Arnett, Yumi Sakugawa, Myriam Gurba, and others exploring the lasting impact of Ann M. Martin's beloved Baby-Sitters Club series In 1986, the first-ever meeting of the Baby-Sitters Club was called to order in a messy bedroom strewn with RingDings, scrunchies, and a landline phone. Kristy, Claudia, Stacey, and Mary Anne launched the club that birthed an entire generation of loyal readers. Ann M. Martin's Baby-Sitters Club series featured a complex cast of characters and touched on an impressive range of issues that were underrepresented at the time: divorce, adoption, childhood illness, class division, and racism, to name a few. In We Are the Baby-Sitters Club, writers and a few visual artists from the original BSC generation will reflect on the enduring legacy of Ann M. Martin's beloved series, thirty-five years later—celebrating the BSC's profound cultural influence. Contributors include Paperback Crush author Gabrielle Moss, illustrator SiobhÁn Gallagher, and filmmaker Sue Ding, as well as New York Times bestselling author Kristen Arnett, Lambda Award–finalist Myriam Gurba, Black Girl Nerds founder Jamie Broadnax, and Paris Review contributor Frankie Thomas. One of LitHub's Most Anticipated Books of 2021, We Are the Baby-Sitters Club looks closely at how Ann M. Martin's series shaped our ideas about gender politics, friendship, fashion and beyond.

WINNER OF THE 2021 RELIT AWARD FOR SHORT FICTION A sea witch, a bossy Virgin Mary, and a lesbian widow’s wife—in ghost form—walk into a short story collection ... Welcome to Stoop City, where your neighbours include a condo-destroying cat, a teen queen beset by Catholic guilt, and an emergency clinic staffed entirely by lovelorn skeptics. Couples counseling with Marzana, her girlfriend's ghost, might not be enough to resolve past indiscretions; our heroine could need a death goddess ritual or two. Plus, Hoofy’s not sure if his missing scam-artist boyfriend was picked up by the cops, or by that pretty blonde, their last mark. When Jan takes a room at Plague House, her first year of university takes an unexpected turn—into anarcho-politics and direct action, gender studies and late-night shenanigans with Saffy, her captivating yet cagey housemate. From the lovelorn Mary Louise, who struggles with butch bachelorhood, to rural teens finding—and found by—adult sexualities, to Grimm’s “The Golden Goose” rendered as a jazz dance spectacle, Kristyn Dunnion’s freewheeling collection fosters a radical revisioning of community. Dunnion goes wherever there’s a story to tell—and then, out of whispers and shouts, echoes and snippets, gritty realism and speculative fiction, illuminates the delicate strands that hold us all together.

Shortlisted for the Royal Society Winton Prize 2013 and the 2013 Best Book of Ideas Prize. Memory is an essential part of who we are. But what are memories, and how are they created? A new consensus is emerging among cognitive scientists: rather than possessing a particular memory from our past, like a snapshot, we construct it anew each time we are called upon to remember. Remembering is an act of narrative as much as it is the product of a neurological process. Pieces of Light illuminates this theory through a collection of human stories, each illustrating a facet of memory's complex synergy of cognitive and neurological functions. Drawing on case studies, personal experience and the latest research, Charles Fernyhough delves into the memories of the very young and very old, and explores how amnesia and trauma can affect how we view the past. Exquisitely written and meticulously researched, Pieces of Light blends science and literature, the ordinary and the extraordinary, to illuminate the way we remember and forget.

A powerful, unforgettable memoir about a girl who escapes her childhood as a preschool drug dealer in rural Indiana—only to find that no one can really “make it out” until they make peace with where their story began: home Home, it turns out, is where the war is. It’s also where the healing begins. Dana Trent is only a preschooler the first time she uses a razor blade to cut up weed and fill dime bags for her schizophrenic father, King. While King struggles with his unmedicated psychosis, Dana’s mother, the Lady, a cold and self-absorbed woman whose personality disorders rule the home, guards large bricks of drugs from the safety of their squalid trailer. But when the Lady impulsively plucks Dana from the Midwest and moves the two of them south, their fresh start results in homelessness and bankruptcy. In North Carolina, Dana becomes torn between her gritty midwestern past and her newfound desire to be a polite southern girl, struggling to reconcile her shame with an ache to figure out who she is, and where she belongs. But the past is never far behind. After persevering through childhood and eventually graduating from Duke University, Dana imagines that her hidden Indiana life is finally behind her, only to realize that running from her upbringing has kept her from making peace with the people and places that shaped her. Ultimately, Dana finds that though love for family is universally complicated, there is no shame in survival, and for those who want it, there is always a path home.

From the Cadillac to the Apple Mac, the skyscraper to the Tiffany lampshade, the world in which we live has been profoundly influenced for over a century by the work of American designers. But the product is only the end of a story that is full of fascinating questions. What has been the social and cultural role of design in American society? To produce useful things that consumers need? Or to persuade them to buy things that they don't need? Where does the designer stand in all this? And how has the role of design in America changed over time, since the early days of the young Republic? Jeffrey Meikle explores the social and cultural history of American design spanning over two centuries, from the hand-crafted furniture and objects of the early nineteenth century, through the era of industrialization and the mass production of the machine age, to the information-based society of the present, covering everything from the Arts and Crafts movement to Art Deco, modernism to post-modernism, MOMA to the Tupperware bowl.

Love isn't for the faint of heart... THE MISFIT & THE BEAST is a gripping, emotionally charged contemporary teen romance about first love, high school theater, and the courage to break the rules, be true to yourself, and follow your heart, no matter the price. Get your copy now, and let this dark, unforgettable love story take your breath away.

Skill Builders are great for the child who needs extra practice, for the accelerated child who enjoys an extra challenge, and for the young learner who is developing basic concepts and readiness skills. High-interest activities use art to encourage children to have fun while learning. Well-paced activities gradually become more difficult as children progress. Includes over 100 activity pages, as well as answer pages where needed. Cursive Handwriting is packed with fun-to-do activities and appealing art to motivate students.