Chicago Of The Balkans

At the point of its creation in 1873, Budapest was intended to be a pleasant rallying point of orderliness, high culture and elevated social principles: the jewel in the national crown. From the turn of the century to World War II, however, the Hungarian capital was described, variously, as: Judapest, the sinful city, not in Hungary, and the Chicago of the Balkans. This is the first English-language study of competing metropolitan narratives in Hungarian literature that spans both the liberal late Habsburg and post-liberal, 'Christian-national' eras, at the same time as the 'Jewish Question' became increasingly inseparable from representations of the city. Works by writers from a wide variety of backgrounds are discussed, from Jewish satirists to icons of the radical Right, representatives of conservative national schools, and modernist, avant-garde and 'peasantist' authors. Gwen Jones is Hon. Research Associate at the Department of Hebrew and Jewish Studies, University College London.

Reflecting more than two decades of research on Yugoslavia’s collapse and based primarily on sources from the region itself, this book consistently challenges commonly-held beliefs about the Balkans wars, and about European integration, international law, human rights, and politics in multi-national societies.

Examining two centuries of Balkan politics, from the emergence of nationalism to the retreat of Communist power in 1989, this is the first book to systematically argue that many of the region's problems are external in origin. A decade of instability in the Balkan states of southeast Europe has given the region one of the worst images in world politics. The Balkans has become synonymous with chaos and extremism. Balkanization, meaning conflict arising from the fragmentation of political power, is a condition feared across the globe. This new text assesses the key issues of Balkan politics, showing how the development of exclusive nationalism has prevented the region’s human and material resources from being harnessed in a constructive way. It argues that the proximity of the Balkans to the great powers is the main reason for instability and decline. Britain, Russia, Austria-Hungary, France and finally the USA had conflicting ambitions and interests in the region. Russia had imperial designs before and after the 1917 Revolution. The Western powers sometimes tolerated these or encouraged undemocratic local forces to exercise control in order to block further Soviet expansion. Leading authority Tom Gallagher examines the origins of these Western prejudices towards the Balkans, tracing the damaging effects of policies based on Western lethargy and cynicism, and reassesses the negative image of the region, its citizens, their leadership skills and their potential to overcome crucial problems.

The essays in this volume address theoretical and methodological issues of Balkan or Southeast European regional studies—questions of scholarly concepts, definitions, and approaches but also the extra-scholarly, ideological, political, and geopolitical motivations that underpin them.

This collection of essays locates, investigates and challenges the manner in which the Balkans and the West have constructed each other since 1945. Scholars from the two sections of the continent explore a wide range of fiction, film, journalism, travel writing and diplomatic records both to analyse Western European balkanism and to study Balkan representations of the West over the last fifty years. The first section looks back to the Cold War, examining the divergent, often favourable images of the Balkans that existed in Western culture, as well as the variety of responses that appeared in South-East European writings on the West. The second section analyses the transitions that took place in representation during the 1990s. Here, contributors explore both the harsh denigration of the Balkans which came to dominate western discourse after the initial euphoria of 1989, and the emerging tradition of contesting Western balkanism in South-East European cultural production. Through this dual emphasis, the volume exposes the representational practices that help to maintain a deeply divided Europe, and challenges the economic and political injustices that result. Despite the rise to prominence of postcolonial theory, with its awareness of global inequality, the current crises in many parts of South-East Europe have received scant attention in literary and cultural studies. The Balkans and the West addresses this deficiency. Ranging in focus from Serbian cinema to Romanian travel literature, from Western economic writings to Yugoslav fiction, and from public discourse in Albania to NATO's vast propaganda machine, the essays offer wide insight into representation and power in the contemporary European context.

In "Out of the Balkans," family and ancestors spring alive from the pages in images and language. It contains a wealth of information about Greek colonies of the Diaspora, and the lives of early twentieth century Greek immigrants to the United States. Rarely does a well-researched and finely written account like this surface. Researchers with Greek-speaking ancestors from Bulgarian Greek colonies or Macedonia, areas whose histories are filled with conflict and struggle during this last century, will find this superb text especially helpful. Because genealogical resources (in English or Greek) for research in Hellenic ancestry are so sparse, finding extensive background information about Greek-speaking peoples from northern areas of the Balkans, particularly Bulgaria, is invaluable.

Chicagoland boasts the world's largest population of Serbs outside of Serbia. Seeking economic opportunities and religious freedom, Serbs first settled in the area more than 100 years ago. Many found work in steel mills and other industries along the banks of Lake Michigan. The first Serbian Orthodox church in the Chicago area began serving parishioners in 1911, and more than a dozen additional congregations were built for the growing numbers of Serbs who arrived after World War II. Civic organizations, such as the Circle of Serbian Sisters, were established to honor and uphold customs from the "old country." Traditional Kolo dancing groups, tambura ensembles, and performance troupes have entertained Serbs and non-Serbs alike. Actor Karl Malden, perhaps the most famous Serbian American from the Chicagoland area, first took the stage in theater productions at his family's Gary, Indiana, Serbian Orthodox church. After the devastating wars in the Balkans in the 1990s, a new wave of Serbian immigrants arrived in Chicago, demonstrating that the city remains a welcoming place due to its abundance of Serbian culture, churches, and community.