Choices For The Choiceless The Lost Sheep

Quiet simply this book is about the trials of life, never giving up, and continuing to seek real life changing answers. Thereby, gaining knowledge from every trial of life through educating yourself, which is sometimes given freely or learned through missteps. In chronological order she shares her life as well as documenting the regiment of care for an aging infirmed parent. It includes lots of knowledgeable and interesting reading for literally everyone. Finally, this book is ultimately a celebration of life and celebration of death when each are within their appropriate time, although more often than not we control and choose that appointed time inappropriately.

This book is not your average poetry book. Readers on any level can enjoy and understand Good Poetry That Makes Sense. It is witty, intelligent, creative, compassionate, diverse, and personal. It will touch your emotions. It is a mixture of current day subjects like September 11th, sports, Cuban refugees, hurricanes and the Columbine, CO. incident, and timeless topics like love, family and humor. It is much more that just a book of poetry. It is loaded with thousands of ideas and phrases and concepts that anyone can understand and enjoy. The book has one chapter devoted entirely to twenty personal psalms, using the 23rd Psalm as a technical structure. This book started as a compilation of different bits and pieces that reflect things that affected me personally, but, after four years of writing, has become a long list of chapters stemming from my experiences and original ideas.

This work looks at the topic of victimisation and blame as a pathology for our time, and its consequences for personal responsibility.

The Choice Effect is for young women who have all the opportunities in the world and no idea how to decide among them. It's one thing to have lots of options when it comes to fulfilling careers or traveling the world-but what does it mean for our love lives? How can you know whether you're with the right person-or if the time is right-when you haven't vetted the other possibilities? With hard-won insight, plus interviews with a whole host of other women who are living it, the twentysomething friends and authors of The Choice Effect explain why their generation is sidestepping traditional timelines. They look at the question of choice in the twenty-first century as they give voice to their generation's dilemma: How do you choose when you've been taught you can have it all?

One hundred taxis lined up on Church Street in Oslo on November 26, 1942, deployed in order to round up the city's Jews and send them to Auschwitz. This reality anchors God of Sense and Traditions of Non-Sense: it is theology from a Holocaust perspective. The brash Elihu excoriating Job for his insistence that he is owed an explanation for the calamities that have befallen him. This is the book's opening salvo. Job speaking of a God of sense, Elihu and Job's three friends inaugurating a tradition of non-sense: this is the existential and theological predicament. The problem of finite suffering in this life addressed in the theological tradition with the prospect of infinite, endless suffering, in this book described as a key element in Traditions of Non-Sense. Back to the millions of Jews, among them 188 women and 42 children from Oslo, deported, gassed, and cremated--in God of Sense this is not seen as a problem that defeats belief, but as the reality that demands a religious and theological account of human existence.

Winner of the National Book Award, the Pulitzer Prize for Poetry, and numerous other awards, C. K. Williams is one of the most distinguished poets of his generation. Known for the variety of his subject matter and the expressive intensity of his verse, he has written on topics as resonant as war, social injustice, love, family, sex, death, depression, and intellectual despair and delight. He is also a gifted essayist, and In Time collects his best recent prose along with an illuminating series of interview excerpts in which he discusses a wide range of subjects, from his own work as a poet and translator to the current state of American poetry as a whole. In Time begins with six essays that meditate on poetic subjects, from reflections on such forebears as Philip Larkin and Robert Lowell to “A Letter to a Workshop,” in which he considers the work of composing a poem. In the book’s innovative middle section, Williams extracts short essays from interviews into an alphabetized series of reflections on subjects ranging from poetry and politics to personal accounts of his own struggles as an artist. The seven essays of the final section branch into more public concerns, including an essay on Paris as a place of inspiration, “Letter to a German Friend,” which addresses the issue of national guilt, and a concluding essay on aging, into which Williams incorporates three moving new poems. Written in his lucid, powerful, and accessible prose, Williams’s essays are characterized by reasoned and complex judgments and a willingness to confront hard moral questions in both art and politics. Wide-ranging and deeply thoughtful, In Time is the culmination of a lifetime of reading and writing by a man whose work has made a substantial contribution to contemporary American poetry.

The postmodern human condition and relationship to God were forged in response to Auschwitz. Christian theology must now address the challenge posed by the Shoah. Grace in Auschwitz offers a constructive theology of grace that enables twenty-first-century Westerners to relate meaningfully to the Christian tradition in the wake of the Holocaust and unprecedented evil. Through narrative theological testimonial history, the first part articulates the human condition and relationship to God experienced by concentration camp inmates. The second part draws from the lives and works of Simone Weil, Dorothee Solle, Dietrich Bonhoeffer, Alfred Delp, Hans Urs von Balthasar, and Sergei Bulgakov to propose and apply a coherent kenotic model enabling the transposition of the Christian doctrine of grace into categories strongly correlating with the experience of Auschwitz survivors. This model centers on the vulnerable Jesus Christ, a God who takes on the burden of the human condition and freely suffers alongside and for human beings. In and through the person of Jesus, God is made present and active in the midst of spiritual desolation and destitution, providing humanity and solace to others.

The path towards democracy in Kenya has been long and often tortuous. Though it has been trumpeted as a goal for decades, democratic government has never been fully realised, largely as a result of the authoritarian excesses of the Kenyatta, Moi and Kibaki regimes. This uniquely comprehensive study of Kenya's political trajectory shows how the struggle for democracy has been waged in civil society, through opposition parties, and amongst traditionally marginalised groups like women and the young. It also considers the remaining impediments to democratisation, in the form of a powerful police force and damaging structural adjustment policies. Thus, the authors argue, democratisation in Kenya is a laborious and non-linear process. Kenyans' recent electoral successes, the book concludes, have empowered them and reinvigorated the prospects for democracy, heralding a more autonomous and peaceful twenty-first century.