Christianity And Imperial Culture

This book is a study of the writings of a group of Chinese Christian apologists in the seventeenth century, focussing on Xu Guangqi. Eleven of his shorter writings are included in Chinese and in translation. The first part of the book is devoted to a study of Latin Christian apologists within the Roman Empire to provide a comparison for the analysis of Xu Guangqi's work. Minucius Felix, Tertullian and Lactantius are shown to have faced, in regard to imperial power and Graeco-Roman culture, a situation comparable to that of Xu Guangqi, Li Zhizao and Yang Tinqyun in regard to imperial power and culture in the late Ming period. The final chapters of the book reconsider general issues of confrontation and adaptation in the inculturation of Christianity.

In Christianity, Empire and The Spirit, Néstor Medina uncovers the interwoven cultural processes that influence how people understand reality, express faith, and think about God. Countering Eurocentric theological articulations, he proposes that the Spirit is at work in the cultural.

Recent studies have re-assessed Emperor worship as a genuinely religious response to the metaphysics of social order. Brent argues that Augustus' revolution represented a genuinely religious reformation of Republican religion that had failed in its metaphysical objectives. Against this backcloth, Luke, John the Seer, Clement, Ignatius and the Apologists refashioned Christian theology as an alternative answer to that metaphysical failure. Callistus and Pseudo-Hippolytus gave different responses to Severan images of imperial power. The early, Monarchian theology of the Trinity was thus to become a reflection of imperial culture and its justification that was later to be articulated both in Neo-Platonism, and in Cyprian's view of episcopal Order. Contra-cultural theory is employed as a sociological model to examine the interaction between developing Pagan and Christian social order.

In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.

Through the close study of texts, Roman Imperial Identities in the Early Christian Era examines the overlapping emphases and themes of two cosmopolitan and multiethnic cultural identities emerging in the early centuries CE – a trans-empire alliance of the Elite and the "Christians." Exploring the cultural representations of these social identities, Judith Perkins shows that they converge around an array of shared themes: violence, the body, prisons, courts, and time. Locating Christian representations within their historical context and in dialogue with other contemporary representations, it asks why do Christian representations share certain emphases? To what do they respond, and to whom might they appeal? For example, does the increasing Christian emphasis on a fully material human resurrection in the early centuries, respond to the evolution of a harsher and more status based judicial system? Judith Perkins argues that Christians were so successful in suppressing their social identity as inhabitants of the Roman Empire, that historical documents and testimony have been sequestered as "Christian" rather than recognized as evidence for the social dynamics enacted during the period, Her discussion offers a stimulating survey of interest to students of ancient narrative, cultural studies and gender.

Written by contributing scholars who are experts in specific facets of developing Christianity, this survey provides a well-rounded introduction to the history of Christianity and is ideal for anyone interested in the impact of Christianity of world culture down through history. It shows how Christianity emerged from its original Jewish context and developed into a worldwide religion, offering perceptive studies on how its origins and development were influenced by the changing social and cultural contexts in which the founders and leaders of this tradition lived and thought. Provides detailed evidence of the influence of Greco-Roman and Jewish religious concepts and religious movements on the origins of Christianity, considers the structuring of the church conceptually and organizationally in Europe, and discusses Christianity's spread and growth in America and throughout the world. Looks at the profound impact of the culture of the later Roman and medieval world on the development of Christian doctrine and intellectual traditions and helps readers understand the reasons for the divisions between Catholic and Protestant traditions. For theologians.

Following the prohibition of missionary activity after 1724, China's Christians were effectively cut off from all foreign theological guidance. The ensuing isolation forced China's Christian communities to become self-reliant in perpetuating the basic principles of their faith. Left to their own devices, the missionary seed developed into a panoply of indigenous traditions, with Christian ancestry as the common denominator. Christianity thus underwent the same process of inculturation as previous religious traditions in China, such as Buddhism and Judaism. As the guardian of orthodox morality, the prosecuting state sought to exercise all-pervading control over popular thoughts and social functions. Filling the gap within the discourse of Christianity in China and also as part of the wider analysis of religion in late Imperial China, this study presents the campaigns against Christians during this period as part and parcel of the campaign against 'heresy' and 'heretical' movements in general.

The claim by certain rulers to universal empire has a long history stretching as far back as the Assyrian and Achaemenid Empires. This book traces its various manifestations in classical antiquity, the Islamic world, Asia and Central America as well as considering seventeenth- and eighteenth-century European discussions of international order. As such it is an exercise in comparative world history combining a multiplicity of approaches, from ancient history, to literary and philosophical studies, to the history of art and international relations and historical sociology. The notion of universal, imperial rule is presented as an elusive and much coveted prize among monarchs in history, around which developed forms of kingship and political culture. Different facets of the phenomenon are explored under three, broadly conceived, headings: symbolism, ceremony and diplomatic relations; universal or cosmopolitan literary high-cultures; and, finally, the inclination to present universal imperial rule as an expression of cosmic order.